10 Things I Hate About You Analysis

Literary appropriation allows new generations to connect to a great extent to relevant ideas through the reimagination and reframing of historical texts. Originally published in 1594 William Shakespeare’s The Taming of The Shrew conveys the social hierarchy in Elizabethan society and the effect that it had reinforcing and emphasising the low status that women had in the social hierarchy, expressed in the characterisation of Katherine and Petruchio. Gil Junger’s 1999 film, 10 Things I Hate About You, challenges these ideas of the ideal woman in the Elizabethan era, and appropriates it to be more relatable to the new generations. Junger further reframes Shakespeare’s ideas through the idea of social hierarchy, where he uses the social cliques

The movie, She’s Beautiful When She’s Angry, is a documentary about the history of the feminist movement throughout the end of the 1960s and 1970s. The film presents the standards of the time and how each group of feminists responded to the sexism they faced because of these standards. The film interviews the leading feminists of the time. It discusses the issues the women faced, like abortion rights, equal pay, and misogyny, when they were fighting for equality for women.

10 Things Comparison Essay “I guess in this society, being a male and an a**hole makes you worthy of our time.” , Kat Stratford said in 10 Things I Hate About You. When comparing the original play The Taming of the Shrew and 10 Things there are many differences. Some differences include the era in which each was produced, the love story portrayed are each a bit unique, and how the role of women are portrayed.

The truth is, they are different films, made for different audiences, and when compared, the misogynistic contrast is evident between eras. The Taming Of The Shrew, filmed in 1967 by Franco Zeffirelli , depicts the extreme sexism of a classic William Shakespeare romance. Following the life of Katharina Minola, Zeffirelli’s film explores several themes, such as power, love, femininity, masculinity, dowry and relationships, all of which are prevalent in misogyny, when being displayed in the film. The plot generally stays true to the original text written by William Shakespeare in the 1590’s, and in this time the behaviours that are now considered misogynistic, were considered normal. Opposing this, is Gil Junger’s 1999 film, 10 Things I Hate

From Sexism to Social Reformation Many actions and ideologies of the characters in The Taming of the Shrew create an overarching conflict between comedy and sexism for most readers. Specifically, the relationships between the men and women introduce controversial topics such as obedience and love which must be questioned thoroughly. The conditions of Petruchio and Katherine’s marriage was more “traditional” in the sense that it was primarily patriarchal, and that Kate was expected to be subservient and obedient. While this is sexist, on the surface, this was not the intended meaning behind the works.

Taming of the Shrew is a dramatic comedy in which several suitors try to captivate and marry a beautiful woman named Bianca. However, the suitors stumble upon an issue; Bianca’s older sister, Kate, is not married. Bianca is only eligible for marriage if Kate is married, so the suitors set out to find Kate a man. During Taming of the Shrew, the suitors of both Kate and Bianca are dishonest and deceive the sisters using disguises and mind games which results in a breakdown of all the characters.

Ever wonder about gender roles in Shakespeare’s Taming of the Shrew? In Taming of the Shrew, the gender roles affect the characters in a rather negative way, and when they surface in the play, it’s rather shocking. This essay will discuss how gender roles affect the characters in what I believe is a negative way, and how they surface in the play. In this play, the men appear to have a particular idea on how all women should behave.

The movie does contain traditional views on dating but it also promotes independence among young women, going in the opposite direction of the original play “ I guess in this society, being male and an asshole makes you worthy of our time.” 10 Things I hate about you. Ultimately both stories The Taming of the Shrew and 10 Things I hate about you are similar, especially in major plot elements. Their differences are in minor details, mainly due to the time period, but still impact the story significantly.

Many of the themes and values stayed the same but in order to represent and appeal to the modern teen some of these had to be altered. Without these alterations the movie would have seemed unrealistic and the intended audience would not have related to the film. To stay true to the basic plot of The Taming of the Shrew, characters were kept similar having parallel personality traits. For example, Kate and Kat were similar both being independent and intelligent individuals with their own morals and not caring what anyone else thought of them.

While this may be true, the writing exhausts itself with its amount of rhetorical devices. The speaker begins every sentence with "I hate," which makes her words fall into an anaphora. She makes use of "not even" twice in the final paragraph, making it into a repetitive sequence. " But mostly I hate the way I don't hate you" is an antithesis because it conveys two opposite ideas. The sonnet represents Kat's journey from a boy-hating pessimist to a wounded young woman, as well as the relationship between the movie and its inspiration of Shakespeare's play, The Taming of the Shrew.

The most popular comedic device used in The Taming of the Shrew is witty language. Everyone bickers back and forth at each other for the entire play. The language is comical, bordering on outrageous sometimes. It keeps audiences intrigued that are reading for the romance and hoops in audiences that wouldn’t normally stick around for a strictly romantic play.

Directed by Gil Junger and produced by Touchstone Pictures in 1999, 10 Things I Hate About You is teen romantic comedy-drama. It stars Julia Stiles, Joseph Gordon-Levitt, and the recently deceased Heath Ledger. This critically acclaimed film has garnered many award nominations, most of which were due to the standout performance by the actors and actresses, and that caused it to be a breakout success for the stars. Despite hearing rave reviews about this film from many critics and friends, I never watched it as I personally am not a fan of most things related to romance. However, I figured now would be the right time to test the waters and see what the hype is all about.

The adaption of the 1967 film “The Taming of the Shrew.” by Franco Zeffirelli, was a good adaption to the original play “The Taming of the Shrew.” by William Shakespeare, because the dialogue, and the scenes are followed well. Although going from a book to a film, you will always have some differences. In this case the alterations between the film, and the original play were minuscule. When you are reading a book, and then watching a movie, you can sometimes find yourself confused as to what is going on.

It is a story of how Petruchio, the money-grubbing wife hunter, transforms the aggressive and bad-tempered Katherine Minola into an obedient, honey-tounge trophy wife. Written by William Shakespeare between 1590 and 1594, it's one of Shakespeare's earliest comedies. It is also one of his most controversial works as well. The Taming of the Shrew has been criticized for its representation of abusive behavior and misogynistic attitudes toward women, and the play has pretty much been dogged since it was first performed. There is a lot of evidence that Shrew made, even Shakespeare's contemporary audiences more than a little squeamish.

Ariel Dorfman’s “Death and the Maiden” is a work of drama that aims to provide a social commentary on the social after effects of a post dictatorial regime. Dealing with gender roles, the ambiguity of the truth, and the role of justice - Dorfman provides an outlet for victims of war crimes to question their own experiences, as well as forcing an entire society to ponder questions that seem unanswerable. Through the use of the motif of light, contrasting scene choice and an important final dialogue, Dorfman creates a moving work that leads the spectator to wonder: viewing Paulina as a victim of a patriarchal society, do her strifes and emotional conviction make us more or less sure of the authenticity of her accusations? A pivotal part of