Aging And Stereotypes In The Film Sunset Boulevard

The clothing in the movie also represents the interactionist perspective. All of the women wear sweater sets that modestly cover their bodies, but also make them look presentable. The men were always seen with their hair nicely done with gel, and wearing dress pants and a nice collared shirt, or the teens wore their letterman jackets. This style of clothing would make a person think of the 50s, the time the movie took place. This perspective helps bring the movie together by

Lulu Asselstine Mrs. Olsen LA 8 5 November, 2017 Stereotypes and Perspectives When looking at a bunch of bananas in a grocery store, people tend to choose the perfect spotless bananas, since stereotypically food that is perfect looking, with no flaws, taste better. However, people soon realize that when you start to eat bananas that have more spots and are imperfect they turn out to be sweeter and better. This connects to stereotypes because people who follow stereotyped will always eat the perfect bananas; however, people who choose to look through another perspective can realize that the imperfect bananas are better. This connects to The Outsiders because Ponyboy realizes this after he talks with two Socs, kids from a rival group named Randy and Cherry. In The Outsiders, S.E Hinton presents the idea that teenagers can break through stereotypes if they look at life through another perspective; as shown in the book when Ponyboy starts to talk to Cherry and Randy and realizes the stereotypes about them are false.

Sunset Boulevard (1950), directed by Billy Wilder, is a black and white film, where Norma Desmond, a famous actress of the silent film era, cannot come to terms with her career’s end. Desmond meets a guy named Joe Gillis, a struggling writer who is in financial trouble. The two come to an agreement that Gillis will polish up her script, which Norma believes will be her ticket back to the big screen, and Norma will take care of Joe financially. The one thing Norma and Joe have in common is that Hollywood has deemed both of them as undesirable. Norma experiences delusions of grandeur, and Joe cannot get his scripts picked up by a studio.

Stereotyping is an issue that affects all ages, genders, and races. Not all stereotypes are bad, but when you maliciously stereotype it becomes a problem. In S.E. Hinton’s young adult novel The Outsiders, stereotyping is a significant issue. There are two gangs in this novel, the “greasers”, and the “Socs”. The greasers live on the east side and are known as “hoods”.

Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.

Wilder’s film Sunset Boulevard tells the twisted tale of an aged silent film starlet unable to come to terms with the loss of her fame. It is clear from the start of the film that the actress, Norma Desmond, is not quite in

In the film Sunset Boulevard many characters struggled with wishes, lies and dreams of fame and fortune. The film states the corruption in Hollywood and that people will do anything to get ahead. With hope and delusion each character tries to gain happiness, while only being self-destructive and isolating themselves. The characters ultimately deny their problems and confuse those around them. One character in the film who struggles with her wishes, lies and dreams is, Norma Desmond, a washed up actress.

In the film Sunset Boulevard many character struggled with wishes, lies and dreams of fame and fortune. The film states the corruption in hollywood and that people will do anything to get ahead. With hope and delusion each character tries to gain happiness, while only being self-destructive and isolating themselves. The characters ultimately deny their problems and confuse those around them. One character in the film who struggles with her wishes, lies and dreams is, Norma Desmond, a washed up actress.

The play Dog Act is an unconventional play written in a post-apocalyptic setting during which the main characters Zetta and Dog are on an adventure to see "China," a famous region in the world at the time of the play. Liz Duffy Adams, the playwright, wrote the play and relayed her blueprints, the script, to directors Mandy Fox and Joe Kopyt, who worked with designers to create and present a world of their own imagination based on Adams ' script. The unique interpretation included eccentric costumes for each character, bold yet subtle implications toward sexuality and gender, as well the moving storylines executed well by the actors. The costumes a character wears are often indicative of their personality, class, and their overall characterization.

The movie Philadelphia follows the story of Andrew Beckett, a young lawyer suffering from the disease HIV. Fearing it would compromise his career; Beckett hides his homosexuality and HIV status but is later found out, when his colleagues notice the illness’s telltale lesions. Fired shortly afterwards, Beckett decides to sue for discrimination, teaming up with Joe Miller, the only lawyer willing to help. Through a rigorous court case, the two end up winning and set a precedent setting case for homosexuality in the work place When Beckett first started his pursuit of equality, he was met with many hardships, most if not all stemming from prejudice. This prejudice came due his contracted disease which carried many stereotypes at the time.

The film Girl’s Trip has been applauded for being a celebration of blackness in the primarily white film industry. The majority of the cast and the writers for Girl’s Trip are people of color. The film was much more successful than its “white counterpart” Rough Night in box office revenue and reviews. However, most of the black characters in Girl’s Trip shift through various controlling images throughout the movie. The reason these stereotypes are less obvious than they are in some other films is because each characters portrays multiple stereotypes and different times throughout the film.

The media often reinforces two extreme stereotypes of older adults. One extreme stereotype shows the negative aspects by highlighting that old age is plagued by illness and a high dependence on others. The other extreme stereotype highlights the seniors that are doing exceptionally well by showing that they are completely independent, finally stable, and maintained a youthful look and persona. These portrayals do not represent the life challenges and successes of the mass majority of aging adults. Older adults are rarely represented in the media, so how they are represented truly matters to their overall image and approach to aging.

Stereotypical gender roles have existed as long as human culture has, becoming a natural part of all of our lives. Within each gender lies a variety of stereotypes and expectations. Most notably for men they are often depicted as tough and the family provider. Whereas women are often shown to be soft and vulnerable. Throughout the play A Streetcar Named Desire the author; Tennessee Williams illustrates the main characters, Stanley, Stella, Mitch and Blanche with these stereotypes.

One of the most important events was the Civil Rights Movement which responded to a racial discrimination towards African-Americans during the 1950s (Berry, 2009). The growing power of the movement had much influences on American society, including on Hollywood and film industry. It caused a number of the large film productions began to involve more black casts and also shifted the representations and views of African-Americans in films (Siham, 2010). Things slowly changed thanks to actor Sidney Poitier’s arrival on several Hollywood scenes, and his name quickly became synonymous during the 1960s (L. Johnson, 2017). Poitier pushed Hollywood’s boundaries of racial integration in film even further (Siham, 2010).

Gran Torino is a captivating film which shows a great deal racial prejudice and how one can overcome racism through communication. This film strings together racial and ethnic portraits in many scenes which highlight many important issues in today’s society. There are some movies today that use these racial stereotypes but they do them without reason. This film uses it to bring light to a minority of people living in the U.S. that do not get much attention. The movie is largely about Walt’s relationship with his Hmong neighbors in which he goes from being openly hostile to a more understanding position in the end.