Going to the universities’ library earlier this month to rent three films, - 500 days of Summer, Annie Hall and High Fidelity- was the first step to my critical writing and analysing process. I spent some time at home, to watch these three completely different movies. Although there is one theme that captures the common motif in these three movies, the theme Romance. The standard model suggests that a film wherein the plot revolves around the love feelings and love between two protagonists can be defined as a romance film. It is a well-known fact that love makes people do strange things, Shakespeare himself even said: “Love makes blind”. If you have not experienced the blindness Shakespeare is talking about, you will understand it after watching Annie Hall. The narrator and protagonist in Annie Hall is Alvy Singer (Woody Allen), a man on a sorrowful search about the …show more content…
Therefore, Allen engages some unusual storytelling techniques. He uses techniques such as actors who are directly speaking speaking to the audience (breaking the fourth wall). In 500 days of Summer Tom has some dream sequences, when Summer asks him to come over for a special party. The screen is divided into two sections, with one part representing Tom’s thoughts, and the other representing reality. In this scene we see Tom entering the party, but in two different ways. In the imaginary one, Tom’s expectations are shown. The way he wanted it to be. In the other, we can see the harsh truth. This technique is well thought out and implemented by the director of the movie, Marc Webb. In High Fidelity, director Stephen Frears plays with his shots. Like in Annie Hall, the main character is sometimes breaks the fourth wall. Rob is a great talker in this movie, but it can get a little unpleasant. He just lets the words pour out while staring into the
Terence Davies film, “The Long Day Closes” portrays the life of a young homosexual boy living in a postwar society. The main protagonist Bud, represents Davies experience of the good and troubled times that childhood and his sexuality brought him. The Tammy’s in Love scene flawlessly applies mise-en-scene, cinematography, editing and sound to depict the underlying message of finding yourself, a theme that is emphasized throughout the film. The use of mise-en-scene signifies the importance of the setting and surroundings by allowing the viewer to make connections between imagery and plot relevance.
Observing each character, the book draws attention to the inner dialogue and struggles they
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
As the book, Speak by Laurie Halse Anderson, progresses from start to finish, the actions of the characters really help the reader to understand how each character acts in certain uncomfortable situations that are experienced during the book. In these situations, the characters start to show how they feel around others. It shows how they feel comfortable or completely uncomfortable around other people. Each character has their own little twist to how they feel about things that are happening in school and in their own personal lives. The development of these characters help us realize the fears they face on a daily basis.
1. Throughout the first half of the semester, we have watched various films revolving around friendship. Two movies that analyze friendship between heterosexual and homosexual relationships are Thelma and Louise and When Harry Met Sally. Thelma and Louise is significant because their female relationship has allowed them to create a strong connection. Since they are both women, they have gone through certain obstacles like rape culture, freedom and feminism that may be hard to understand for males.
According to Shakespeare, blindness in this play reaches a meaning beyond the physical inability of the eye to see, but also is a mental flaw that affects multiple characters in the play. Gloucester suffered terrible consequences from this mental flaw. Ironically, Gloucester “stumbled” when he could physically see because although he could use his eyes, he couldn’t see the truth. When Gloucester loses his bodily capability to see, he comes to the realization that often times having something makes us spoiled and that our “defects prove our commodities.” Not having eyesight turned out to be advantageous for Gloucester and his relationship with Edgar.
It's great ignorance to have physical sight when you are ultimately blinded by the truth that you cannot see as in the case of Oedipus. The king makes ironical statement to Teiresias of how he cannot be hurt by Teiresias (Calame, 1996). This later turn to Oedipus equating physical blinded to ignorance as he removes his eyes so as not to see his terrible actions. The play displays Oedipus two encounters of blindness.
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
Many people enjoyed watching Annie, the 1982 film featuring an eleven year old orphan. Annie, the name of the orphan, got invited to spend two weeks away from the orphanage with the millionaire Oliver Warbucks. Although many people enjoyed watching the antics of Annie, few viewers stop to wonder about the historical accuracy of this film. Orphans, wealthy people, and thieves are three groups of people during the Great Depression that the movie Annie accurately portrayed. The movie Annie very accurately portrayed orphans during America 's Great Depression.
But mostly I want to comment on how romantic comedies idealise that idea of love and ones perfect soul mate. I wasn't aware of how many different styles of romantic comedy there is. I just thought that they had more
The narrator begins to change as Robert taught him to see beyond the surface of looking. The narrator feels enlightened and opens up to a new world of vision and imagination. This brief experience has a long lasting effect on the narrator. Being able to shut out everything around us allows an individual the ability to become focused on their relationships, intrapersonal well-being, and
For Extra credit I chose to watch the art film Annie that was listed in both Ancient and Renaissance section. This movie takes place in 1936 while the Great Depression was going on. Annie the main character is a young curly red headed orphan that lives in New York city at the Hudson Street Orphanage. Agatha Hannigan is the orphanage director with an obvious drinking problem that starts to punish the girls for being up, singing, and being loud by ordering them to clean up the orphanage.
Student’s Name Professor’s Name Course Date Lost in Translation Lost in Translation is a romantic comedy-drama film directed by Sofia Coppola. The main actor in the film is Bill Murray portrayed as Bob Harris who makes friendship with Charlotte in a hotel in Tokyo. The story revolves around a love circle of two strangers that met in a hotel. This paper will be discussing the themes and styles in relation to moods, attitudes and conditions that existed during the recording of the film.
Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.
but ultimately is surprised when he sees summer wearing an engagement ring. it was written creatively with a split screen showing "reality tom on the left and expectation tom on the right. although most websites such as screenwriting .info suggest using an intercut instead of a split screen because split screens are not common in today 's world of script writing(screenwriting.info). even though it wasn 't a direct conversation between summer and tom it was still revamped in a creative way to get inside the mind of tom