Analysis Of Hitchcock Etudes By Nicole Lize

and it suddenly stops half way through, the audience wants it to keep sinking so the murder can be covered up. It is only then truely discovered how Norman is enslaved to his 'mother ' both emotionally and physically is and why he does what he does. Hitchcock in his groundbreaking film Psycho employed techniques such as mise-en-sćene and motifs to explore themes of voyeurism, dualism and good vs evil by positioning the viewers in each scene as a third perspective, outsiders looking in to reinforce the theme of Birds

This act consists of capturing images on film that are unappealing and peculiar, and transforming them into beautiful artwork and giving them the spotlight. Despite the fact that the background music was supposed to flow with the scenes and capture the audience into the film, it did the opposite and distracted the audience. Also, the music was not coordinated with the film because at one point the background music, especially the violin playing got weird in a scene that had nothing to do with that feeling, which detracted from the scene in the film. It was also creating this tension where there is none and building confusion upon the

In the movie Psycho, Hitchcock used suspense in several ways to shock his audience and keep them intrigued. Hitchcock does this by using scary music and lighting. One of the false suspense that was created in the movie is when Lila's sister screams when she sees her own reflection in the mirror in mother's bedroom. She screams when she sees herself in many reflections in a long mirror, but she is soon relieved when she discovered that she is only seeing a reflection of herself. The shower scene created the biggest shock in the movie.

What is distinctively ‘Hitchcockian’ about Rear Window? Alfred Hitchcock, an important figure in film history, uses his creativity to make a perfect combination between entertaining and aesthetic. Therefore, his unique method of telling a story and theme choice is studied as the name of ‘Hitchcockian’, such as psychological complex and giving suspense. While Hitchcock built up his personal style, he still went through several periods to grow his recognition towards the film industry. And Rear Window, a highly successful film at the box office and being listed among best one hundred American films of all time in 1998 (Cowie, 2005), is an example of Hitchcock’s ‘mature’ period, shows the audience some distinctive parts of ‘Hitchcockian’ way

Few films can claim so much widespread fascination as Alfred Hitchcock’s Vertigo. It captivated viewers in 1958 when it was originally released, but has since gained a status among critics as one of the greatest films of all time. Decades after its original release, Vertigo still captivates viewers. The reason people are so consistently fascinated with this movie is because they are intrigued by its exploration of reality. The brilliance of Vertigo lies in its unnatural way of dealing with reality.

With Trouble with Harry, Hitchcock took melodrama out of the pitch-black night and brought it out in the sunshine. It is as if Hitchcock had set up a murder alongside a rustling brook and spilled a drop of blood

Marion meets Norman and one particular scene in which we see mise-en-scene is when Marion and Norman are sharing tea. The lighting of the characters is very intriguing because Marion is positioned on the other side where there is lighting on her face while Norman is positioned in a dim light . The way in which Hitchcock uses mise-en-scene was to set the tone of the story presenting the intended viewer with two different characters that are keeping secrets hidden from each

Suspense is a difficult art to master--that certain balance between nervousness and excitement is achieved by so few. Nonetheless, Alfred Hitchcock has the magic touch when it comes to keeping viewers on the edge of their seats. Fifty percent of the time, when an audience is taken over by suspense, its thanks to one of his original films--the other fifty percent is only just watching Hitchcock's tactics re-stitched into modern movies. His film North by Northwest is a prime example of Hitchcock's intelligence and experience in this form of art, being "regarded by many as the very quintessence of a Hitchcock film," critically acclaimed reviewer for Films de France, James Travers, notes (par. 1). Through critical elements of the mis en scene,

Psycho, like most Hitchcock films, employs voyeurism in an effort to place a sense of involvement and culpability on the audience for events at hand. Although Psycho begins as a seemingly normal story of a woman attempting to take life into her own hands, things quickly take a sinister turn. Perhaps the most unconventional move seen in films to that point in time, Hitchcock utilizes a perspective shift midway into the movie. Generally, through a first-person perspective, viewers are forced to form an emotional attachment to the narrator. This is often accompanied by an uncontrollable urge to see them succeed, despite the immoral actions of some.

Music can sometimes stir an emotion or memory, and remind the audience of a past experience. Many composers have been recognized, and received an Academy Award or Grammy for their original movie

Moreover, Alfred Hitchcock is a famous director for using creative camera and editing techniques. He uses his fame successfully to draw audience attention. To be specific, he uses himself as a Cameo in his movies. For example, Hitchcock appeared on screen in first ten minutes of “Vertigo” movie. In that small scene, he is carrying a music instrument bag and walks from left to right.

It is shortly thereafter revealed that this is indeed the case. Quick cuts and close-ups are two more techniques that Hitchcock used frequently in this psychological thriller. As Scottie trails Gavin Elster’s wife, Madeleine, he followers her to

For those of you who recognize this character’s name I hope it gives you some shivers. For those who have no idea who he is I will explain. He is a character in a movie directed by one of the most creative and spectacular movie directors Alfred Hitchcock. Who made horror movies the way they should be made and all of his affect you psychologically. It all began in 1960 when Hitchcock made the horror movie classic “Psycho” starring Anthony Perkins and Janet Leigh.

Most, if not all, sound in the film could be categorized as diegetic meaning that it originates in the world of the film. I found this to be one of the most spectacular aspects of the film. The sounds of children playing, city sirens, and the reoccurring music coming from the composer’s apartment and other unseen sources all add a sense of environment and realness to the theatrical stage-like set. Also as Fawell described, much of the sound in the film is asynchronous and comes from off screen action, often either contrasting or complimenting what is being shown in frame. For instance, the sound coming from the composer’s apartment is used as “Lisa’s theme” and often plays during intimate or romantic sequences in the film, highlighting Lisa’s desires and romantic intuitions.

Early in the film, the importance of background music and its use can be seen. The music is used to create the mood, whether it be the eerie violin audio that often can be heard at times where suspense is anticipated or the same music to create sorrow for the overall significance of the film. The film being built upon a murder case creates fury and differing viewpoints between the main characters which often can be related to prejudice. The use of details not only makes the murder more interesting but also the overall scene more intense. The detailed dialogue among the characters is so precise it offers minute details such as the witness statement of the time of the crime, the entry way of the weapon, and the witness testifying without her glasses.