Analysis Of In The Park By Gwen Harwood

There is no going back from this moment on. She is no longer just her mother’s child-- she is a mom. Her baby’s mom. It is as if her whole world changed in a blink of an eye, but despite the rapid change, she embraces it. She loves her child to an extent only a mother can imagine possible.

While the mothers in neither Dobson’s nor Harwood’s poems are entirely content with the situations, they have found themselves in, they have ultimately chosen to make the necessary sacrifices because a mother’s love for her child is

The fate of a woman From the beginning of a girl's life she is told what she can and cannot do. In Judith Ortiz Cofen's “The Changeling” and in Mary Lady Chudleighs “To the Ladies” a young Spanish woman and a wealthy older woman resist society's restrictions on women. In “The Changeling” the narrator is a young Spanish girl who makes up a “game/” to try to gain her father's attention. She is jealous of all of the attention that her father shows her brother.

Once she appeals to mothers, they will reach out to the rest of the world and make an impact. Initially, the appeal to emotion and pity that Mathewes-Green utilizes in this article digs deep into a person’s mind and convinces them about the importance of life and the value of a human being in the

As demonstrated through the water imagery, both Sethe and Denver have developed their own definitions and roles as “mothers.” This contrast may serve to be a point of tension as the meaning and extent of “motherhood” continues to be defined throughout the

It makes the image all the more powerful; the irony of the children finding comfort in their mother’s embrace and presence is defeated by the mother’s uneasiness about their present situation. The children do not see the mother’s distressed look, which makes the coziness they feel even sadder. A mother is turned to in times of distress, as evidenced by this portrait, but whom does a mother turn to when she is burdened and overworked? I have turned to my mother many times seeking comfort when problems have arisen in my life, and she has always been there to be that comforting outlet.

When thinking of personal experiences, “The Mother” by Gwendolyn Brooks touches on the emotional topic of abortion. Even though this poem was published decades ago, it can still be seen very relevant to this day. Accepting abortion and the outcome can indeed be a challenging task for many, while others seem to adapt to it without much of a problem. Gwendolyn Brooks’ writing lets us take a look at the mothers view point of abortion and how a mother responds to her new situation. Throughout the poem, the speaker shows signs of grieving concern of the topic of abortion and its outcomes by presenting emotions of regret and memories, shame and guilt, and contradicting herself to almost justify what she has done.

To illustrate this theme the author describes that: “She had driven through a forest fire, gone boating in a hurricane, swum across riptides”(532). In other words, she is not someone who runs from change or opposition in life and is not afraid of a simple bucket of blood that contains a swamp rat in it. It seems that this is a type of woman that conveys a different model and that is something that can definitely be learned from. It is very important to move outside of one’s comfort zone to be able to live a full and exciting life. As one can see, Waugh examines the way that a mother does the untraditional approach to life and ends up having an impact on those around

“The women in Harwood’s poems are always shown as victims of a male-dominated world. Discuss.” Throughout her poetry, Gwen Harwood often revisits and challenges the statement that women are victims of a male dominated world. The expectation that women would only serve as domestic housewives and child bearers is thoroughly rejected as Harwood identifies the repressive and restrictive cultural and social ideologies in which women were restrained too.

The conflicting interests of the mother and the father result in a situation where one must make a sacrifice in order to preserve the connection in the family. The flat depressed tone of the poem reflects the mother’s unhappiness and frustration about having to constantly

The barrier between her and the neighbours after her husband’s death forced her to become reserved and quiet. Her and her son only went into town if they had to. They preferred to stay close to the garden where they felt safe. The death of the husband is the cause of the mothers’ complete change in character. The death let the audience connect with her on a deeper level to understand her pain and suffering.

Morrison’s authorship elucidates the conditions of motherhood showing how black women’s existence is warped by severing conditions of slavery. In this novel, it becomes apparent how in a patriarchal society a woman can feel guilty when choosing interests, career and self-development before motherhood. The sacrifice that has to be made by a mother is evident and natural, but equality in a relationship means shared responsibility and with that, the sacrifices are less on both part. Although motherhood can be a wonderful experience many women fear it in view of the tamming of the other and the obligation that eventually lies on the mother. Training alludes to how the female is situated in the home and how the nurturing of the child and additional local errands has now turned into her circle and obligation.

This shows what she had to endure to try to keep her baby healthy. It appeals to the loving protective side of the reader. It makes them think about what the baby must be going through beacuase of their economic situation. Rhetorical questions are used to directly engage the

This mother is strong believer in domestic knowledge and believes that through this wisdom her daughter will be spared from a life of promiscuity or being, in her words, a "slut". Most importantly, it allows readers to see the detrimental measures of gender roles that are brought upon young girls just coming into womanhood. It is through the understood setting, constructive

This image seems at first cold, but it is a realistic judgment of her ideas of parenthood. The feeling of distance is also shown in: “I’m not more your mother than the cloud that distils as mirror to reflect its own slow effacement at the wind’s hoard.” The final lines of the poem present the reassuring vision of a loving mother attending to her baby's needs. Plath’s self-image – ‘cow-heavy and floral in my Victorian nightgown’ – is self-deprecating and realistic. The final image is an optimistic one.