Analysis Of The Cult Of True Womanhood By Fanny Fern

Children's Literature is everlastingly framed by variable ideologies; this represented the standards and values of a didactic society in the nineteenth century, which was controlled transcendently by the church. Enforcing religious perspectives on the idealistic family life, gender roles were compulsory in respectability, and a woman's place was inside the home. The nineteenth century was an extremely confusing time, with its firm Victorian qualities, class limits, industrialism and expansionism. It was the time when society was a male dominated society in which women were controlled by the male figures in the society.

The early 19th century was full of cultural advancements – from religious revivals to market revolutions to the evolution in both the economy and technology. While the Second Great Awakening was taking America by storm there were still many who were firm in their faith and fought to keep the male-dominated society that once was the law of the land. Women did not have much right to anything and this is clearly seen in “The Kingdom of Matthias”. “…(though he instead that women’ “natural and amiable timidity” should keep them out of the sphere of “the stronger sex”)…” (Johnson & Wilentz,

“The pageantry days gone by-chivalrous cavaliers and belles in hoop skirts-lives in memory for many southerners” –Catherine Clinton, The Plantation Mistress, 1983 Catherine, Clinton. The Plantation Mistress: Woman’s World in the Old South. New York: Pantheon Books, c. 1983. Pp. 331.

Roshelli Throughout 19th century America women were prominent figures not only in literature but in history. 19th Century literature depicts women to have four ideal characteristics in “The Cult of Domesticity”. These include piety, purity, submissiveness, and domesticity. In “The Bride Comes to Yellow Sky” married women are depicted in a way that supports “The Cult of Domesticity”.

During the 19th century, women were overshadowed by the men of their household, therefore they had no sense of independence nor dominance. In Mary Freeman’s short story, “The Revolt of Mother,” the author presents Sarah Penn, a woman who takes a stand against her husband. In the beginning, the reader learns that Sarah is a hardworking mother and wife. She maintains the household work and meets her children needs. She is suddenly confused of her husband’s actions concerning their future.

They were expected to go to work and use their wages to provide for their wife and children, they were also responsible for delegating funding for the running of the household to their wives. Men could do as they pleased in this sphere and their money was theirs to control. They were also expected to protect the virtues of their offspring, but especially that of their daughters. This is because, in the 1920s a woman’s virtue was dependant on how they dressed and behaved, virginity was also an indicator of a woman’s respectability, and it was the responsibility of their fathers to care for these virtues until they were married. There was also an expectation to care for other female relatives such as unmarried ones, spinsters, widows

In colonial North America, the lives of women were distinct and described in the roles exhibited in their inscriptions. In this book, Good Wives the roles of woman were neither simple nor insignificant. Ulrich proves in her writing that these women did it all. They were considered housewives, deputy husbands, mistresses, consorts, mothers, friendly neighbors, and last but not least, heroines. These characteristics played an important role in defining what the reality of women’s lives consisted of.

Nineteenth century America saw the rise of the Cult of Domesticity, the middle class ideal of “true womanhood” characterized by emphasis on purity, piety, domesticity, and submissiveness. In setting a standard for female behavior, society also set a standard for masculine or “manly” behavior. The imposed definition of true womanhood and its subsequent rejection by feminist leaders aroused in Hawthorne an unease about his own gender and place in society. He saw a system which characterized his means of livelihood as “unmasculine” and aroused in him unease over some of his more “feminine” behaviors. Through a feminist lens, Nathaniel Hawthorne in The Scarlet Letter attempts to convey that the imposition of strict gender roles on an individual

For many centuries in our society women have been confined into a stereotypical idea of a patriarchal society. In today 's society the idea isn’t as much viewed upon with all the rights women have been given, but the concept still lingers in some of men 's minds. More so, than today, in the 19th century women were obligated to abide to the principle of gender roles and a male dominated culture. Women were seen as to be a slave and to act a certain way towards men as well as be able to gratify man 's lust of expectations of a perfect woman. These presumptions of women had been very much portrayed in short story , The Chaser by John Collier, in which a boy name Alan Austen seeks for a love potion from an old man, for a girl he likes name Diana.

Mrs. Fern is unlike most of the women that surround her who sit “there with their noses flattened against the window-pane” (1750) and wait for a husband or a potential husband. Parton also expresses Mrs. Fern’s headstrong nature in her interactions with Mr. Fern. When her husband refuses to believe that she would have the audacity to wear men’s clothing she simply ignores his uncertainty and gathers the clothes. These moments of Mrs. Fern’s tenacious nature are seen throughout the piece and helps the reader grasp not only Parton’s attitude towards her surroundings, but the attitude that she seems to want the women around her to

In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.

Edith Wharton’s Ethan Frome, and Kate Chopin’s The Awakening are novels that represent the traps that society has set forth for them. In both novels, suicide is seen as the only way to escape from their constricted circumstances in which these people are expected to live in. The Frome’s and The Pontellier’s have very similar circumstances, such as blaming each other for their problems, and having marriage’s which they are not happy in. “Her marriage to Leonce Pontellier was purely an accident, in this respect resembling many other marriages which masquerade as the decrees of Fate.”

It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.

A woman during the Enlightenment period was not accepted in pure academics, but they could find education from somewhere else, and they could have risks for searching for education. A woman during the Enlightenment period was not accepted in pure academics. A woman was not accepted in academics mainly because men believed woman were ignorant and would not be capable of understanding what man learn. Men at this time believed that women should only attend classes on how to become a perfect housewife to their husbands. The first image of this is seen when Madame du Chatelet was excluded from the Royal Academy of Sciences.

Women in this time period were meant to stay at home and take care of their families. Before they were married they were meant to stay home, listen to their fathers or the male figure in their lives and educate themselves on everything they may need to know. In Memoirs of the Modern Philosopher by Elizabeth Hamilton there are three heroines, only one of which is the “ideal” women of the time. Harriet was the type of women that stayed home and did everything she was told to do. This was the type of woman that many people expected in this time period since women were not meant to have opinions and they were not meant to work because their lives were meant to be controlled by the men in their lives since the men knew what was best for everyone.