A close reading of the opening paragraphs of Cartagena illustrates how Nam Le employs an anguished juvenile gaze to excuse the anti-feminist portrayal of women in the story. An adolescent narration grants freedom for sexist representations, and one-dimensional female characterizations, because, as a literary technique, it changes how readers engage with a text. A vulnerable lens is exploited by Le in multiple stories across the entire The Boat collection, functioning to justify all the subpar female characters within them.
In the passage, the language that is used in relation to girls, restricts, dehumanizes, and strips them of value. The stance taken by Le in his first mention of a female character is undisputedly dismissive. It can be
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This sentence is put in parentheses, symbolizing it as an afterthought, which serves to further exacerbate the feeling of insignificance such sentiment evokes. This misogynistic attitude is reiterated again in an explicit manner when Le silences the voice of Claudia by cutting her off mid dialogue, “tell us the part –“ (p.31). He then includes a line, Luis is “speaking over Claudia”(p.31), to clarify this, despite it already being seemingly obvious due to use of a hyphen. When Le begins Luis’s description of the women in Cartagena with a common noun, “the girls” (p.31), he eliminates their agency to exist as individuals. After limiting all females to a collective identity, he then sexualizes them by focusing purely on the body in his account, “they wear skirts up to here… and boots up to here” (p.32). Perhaps even more concerning is the glaringly problematic discourse (rich with racism, western ideals and prejudices) that Le bites into with the statement, “they are taller and whiter and have …show more content…
The crude language, such as “shit-eating faggot” (p.32), and repetitive references to Hollywood made by the boys, “like on MTV”(p.32), and “like in the movies” (p.31), establishes a strong juvenile voice, which in turn alleviates authority from their words. Physical descriptions also serve to highlight their youth. Le mentions Luis’s “greasy hair” (p.31), and defines his moustache as something that appears to be “draw on with wet charcoal” (p.32), which implies that it appears out of place. In Luis’s description of Cartagena at dawn, the repetition of personal pronouns, particularly the phrase “he says” (p.31), suggests that his sentiments are opinions, not facts. Placing this repetitive phrase in a sentence comprised of regular commas produces a fast paced rhythm, with the stacked descriptions creating a poetic, stream of consciousness feeling. Evocative and rich prose has a dreamlike quality to it, which subconsciously works to detach the narrative from a life outside of itself. Lacing Luis’s speech with a soft, ornate tone right from in his opening moments of dialogue defines the affect his voice has throughout the full story. It shapes readers to interpret his words as somewhat fictitious, thus making everything he says feel more inconsequential. The incorporation of ethnic slang into the text, such as he term “gallada”(p.31), also helps to
Bless Me, Ultima, written by Rudolfo Anaya is focused on life in the 1940s. During the 1940s, WWII shaped a big impact on the lives of citizens throughout the world, however Anaya does not focus on that fact. As a matter of fact, Rudolfo Anaya’s roots were planted in the New Mexico area, therefore Anaya wrote about the discrepancies amongst the farmers and cowboys, English-speaking and Spanish-speaking denizens, and the Spanish and the Native people. All of the troubles and conflicts epitomized the cultural life in rural New Mexico throughout the 1940s. Bless Me, Ultima is categorized under the Chicano Movement.
In the 1980s, the world experienced many social changes and throughout the United States, social and foreign issues occupied the Post-Vietnam community. In Thomas Boyle’s “Greasy Lake,” he focuses his writing on the many societal issues that occupy the era in history and uses teenage experience to capture the horrors of the Vietnam war. With a New Historicist and Feminist lens, Boyle highlights the social issues of the 1980s by revealing the attitude towards the female characters and the role of the main protagonist in regard to social interactions after the Vietnam war. The 1980s marked the beginning of a new era in American history for the United States had pulled out of the Vietnam War; furthermore, Boyle takes advantage of this time period
A trifle is defined as someone or something of little value or importance. Women during the time of 1916 were treated as people of lesser value. In her play Trifles, Susan Glaspell uses symbolism, irony, and characterization to illustrate how men and women are unequal during that particular point in time. The woman overcame the obstacle of the murder case on their own, illustrating how Glaspell’s work challenges the status quo of the society during the time of 1916. Glaspell’s main interest in writing Trifles is to focus on the roles women played during the time.
Throughout literature a character’s gender has played a major part in their role of the story. These gender-specific stereotypes exist throughout literature going as far back as The Iliad to more modern literature such as Harry Potter. There are always characters that don’t follow what society deems as their role and these types of characters tend to influence the story in a greater way. Inside The Iliad and Harry Potter there exist ideal male roles, female roles, and characters that don’t follow the normal roles of society. Both stories have their own definitions of what roles are suitable for each gender and in a way reflect the change in how the real world society views these roles over time.
It demonstrates that initially, when the man doesn’t know anything about Luis, he does not show any form of admiration towards him. Later on, when he’s taken to a village, Marquez describes how people crowd around the house Luis is
The Myth of the Latin Woman: I Just Met a Girl Named María is an essay by Judith Ortiz Cofer that addresses the impact of stereotyping on Latino women. Throughout the essay, Cofer relates her personal experiences with stereotypes to discuss how they have negatively affected her life and the lives of other Latinas. She also explains how these stereotypes originated and calls on her audience, the majority-white non-Latino population, to stop propagating the stereotypical portrayals of Latino women. In The Myth of the Latin Woman, Cofer speaks out about how stereotyping hinders the process of assimilating to a new culture by appealing to ethos through her personal experiences, using similes that show how stereotypes create isolation, and adopting
As best stated by Paul Alster, “ the truth of the story lies in the details.” When it comes to novels, the reader must partake in a close reading to get to the nitty gritty of what is trying to be said by the author and/or characters of that novel. We The Animals, by Justin Torres, is the perfect example of such a novel. There were endless messages linked throughout the novel linking story lines to one another from beginning to end. However, it is not as easy, ad the reader, to such details because Torres constantly withholds information from the audience.
Everyday people are judging and being judged by others with unique criteria that we, as inhabitants of Earth deem necessary checkmarks to be met to afford and be afforded tokens of civility. In Judith Ortiz Cofer’s “The Myth of the Latin Woman” the memoir is brimming with personal accounts of fetishiztation and discrimination the author experiences as a Latin woman that have vast influence on her life. Throughout the text Cofer conveys the significance of how deep the status “exotic” to describe Latina women is held inside the minds of people which the author alludes to on page 879, “I thought you Latin girls were supposed to mature early,” [1] after being given a sudden, non-consensual kiss at a dance by her date. The author expresses the cultural dissonance between
“The common denominator all Latinos have is that we want some respect. That 's what we 're all fighting for” - Cristina Saralegui. Judith Ortiz Cofer published the article, “The Myth of the Latin Woman,” where she expresses her anger towards stereotypes, inequality, and degradation of Latin Americans. Cofer explains the origins of these perceived views and proceeds to empower Latin American women to champion over them. Cofer establishes her credibility as a Latin American woman with personal anecdotes that emphasize her frustration of the unfair depiction of Latinos in society.
The Rhetorical Analysis of “The Myth of the Latin Woman” There are many examples of incidents happened because of cultural differences. Some of them are short, single events, while other follow a person or social group for decades. Professor Judith Cortiz Cofer describes the second example in her essay The Myth of the Latin Woman that was originally published in Glamour in 1992. The author focused on the stereotypical view of Latin women from the perspective of the personal experience as a Puerto Rican girl and woman in the USA. Cofer based her essay on examples from her own life and observations of the problem in a broader sense.
Authors, especially female authors, have long used their writing to emphasize and analyze the feminist issues that characterize society, both in the past and the present. Kate Chopin, Charlotte Perkins Gilman, and Susan Glaspell wrote narratives that best examined feminist movements through the unreliable minds of their characters. In all three stories, “The Story of an Hour”, “The Yellow Wallpaper”, and “A Jury of Her Peers”, the authors use characterization, symbolism, and foreshadowing to describe the characters’ apparent psychosis or unreasonable behavior to shed light on the social issues that characterized the late 19th century and early 20th century. Penning many stories that demonstrate her opinions on the social issues of the era,
“Torvald is so absurdly fond of me that he wants me absolutely to himself, as he says. ” This quote is said from Nora to a close friend of hers in the play The Dolls House by Henrik Ibson, and it is a perfect encapsulation of how perspective changes the reading of a story. While a neutral reader would see this line as bad but understandable, A female young adult reader growing up in a time and setting where she has taught to be comfortable about her sexuality would have a very different impression of this line. This female reader would judge TorvaldTovald much more harshly and more lasting than the average reader It is an irrefutable fact that Torvald treat Nora like a child, and this reader would be offended by this.
“Keep saying that but have you ever considered what’s actually going on?” “Take a moment to look around and open your eyes, don’t just be here to ignore.” In the novel, Haroun and the Sea of Stories, Salmon Rushdie did not ignore the topic of gender inequality. This concept is expressed through a young girl named Blabbermouth from the city of Gup, as she must hide her identity to maintain her standards in the society. She faces numerous obstacles and Furthermore, gender inequality is unacceptable and must not be ignored because it takes away rights, lowers self-esteem, and disrupts society.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.
This directly corroborates society’s viewing of her as the description only includes her sexual physical assets. Duffy writes this because she is trying to convey the sufferings of women in society as they are consistently objectified, devaluing their nature as a human being, and she invokes people to make a change. This theme of valuing women in a restrictive way as one only notices the physical elements of a female is continued throughout the poem, for example when the artist “is concerned with volume, space”, or “You’re getting thin, Madame, this is not good”. This directly references the corporeal elements of a body. The purpose of this quotation is consistent with the aforementioned one.