The Pros And Cons Of Photojournalism

In this essay Ephron also implies that photojournalism has a much bigger impact than written journalism in cases like death.

Polizer Prize-winning journalist, Donald M. Murray, in his essay for The Boston Globe, “The Stranger in the Photo Is Me”, argues that innocence changes overtime through photos. He supports this claim by first alluding to an artist’s painting. Then he speaks on himself in third-person, and finally reflect on the loss of innocence. Murray’s purpose is to describe his experiences in order to inform people. He adopts a nostalgic tone for people over the age of sixty.

For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,

This advertisement utilizes the standard text format to capture the reader’s attention. The standard text format consists of a headline, body text, and creative image. The grand image of the watch and company logo captures the reader’s attention, and the text provides details of the brand and the model.

Photojournalism tends to be more effective than textual journalism because, as Ephron puts it, the photographs disturb readers for granted." Here, the idea is that journalism should have a greater emotional impact on readers. " Entirely as it should be" is the

On January 19th, 2010, photojournalist Paul Hansen took a photograph of a fifteen- year-old girl named Fabienne Cherisma, who’d been shot dead by police in Port-au-Prince, Haiti. In March of the following year, Hanen’s picture was chosen as the Best International News Image at the Swedish Picture of the Year Awards, an award that would ignite a long-standing debate over the ethics of photographing disasters. No stranger to controversy, Hansen has a history of award-winning photography that pushes boundaries, a practice that has been prevalent throughout photojournalism since its earliest uses. His images often depict moments of tragedy and suffering seen in areas steeped in conflict or the throes of a disaster. They offer compelling views into the events that shape the lives of people that we’d otherwise have little or no access to witnessing.

(Forman, 1975). There is a sense of understanding amongst members of the journalism world, a sense of urgency to find the most thrilling story. Critics and professionals from that world recognize each other’s work. Forman even went on to win a Pulitzer Prize for one of the photographs taken on this tragic day, as well as two more prizes in his later career (Forman, 2010). In an article about photographers’ responsibility to help (or not) in the situation they’re photographing, Boston Globe columnist Joan Veonnochi stated in Forman’s defense, “Journalism requires detachment and photo journalism requires instant reflexes.

In “The War Photo No One Would Publish”, the author Torie Rose DeGhett depicts the meaning behind censorship along with the technicalities that it has on public views. DeGhett proposes that pictures should always be published so the viewers can get a comprehensive detailed effect of what is happening around the world they inhabit. DeGhett also proposes the idea that “it’s hard to calculate the consequences of a photographs absence” (DeGhett 74). This statement leads to the idea of censorship causing the argument of whether certain media outlooks should be censored to the public or not. A media source such as TMZ is a great example that shows how it undermines the right of censorship of others privacy to make a manipulated celebrity story that

In some World Wars they threaten national survivals and therefore reports and photographs are released and published were they intended to create a sense of morale or to just keep the war effort going. For example, “One answer lies in the contemporary acclaim for photography as a truth-telling art”(Marwil,Jonathan). They say that because some photos of the war tells the truth as to what happen and some photos don’t and with photography you will always know the truth. Some reports and photos that are published from these photojournalists need to carry a certain amount of truth to inform the public in different places so people will know the truth instead of the lies. Some argue that reality is a like a videogame, but in this case it is not and people need to know about the war.

For example, Daghett states “Gravitational forces multiplied the weight of his cameras- so much so that if he had ever needed to eject from the plane, his equipment could have snapped his neck.” (Daghett 4) She builds off of this momentum by then explaining how invisible these photographs are to the American people, only further excruciating the measures taken to get said photographs. Daghett’s description of the determination of the photographers, and the potential intrigue of unseen photographs may lead the reader to be more partial to Daghett’s argument that these photos

A photograph can mean so much to different people, but it’s ultimate purpose is to capture an important moment in someone’s life and be able to hold onto a physical copy of a memory. Photographs enact a certain nostalgia for the past, the good times or perhaps an important person or location; it’s a memory you want to last indefinitely. It’s a subject many people don’t touch on when they examine a film like Blade Runner (1982), but director Ridley Scott’s film does place an emphasis on the importance of photographs and what they can mean to people. The film depicts photos as a gateway to nostalgia, the immortalization of important figures and how photographs can deceive their owners. When you hold onto a photography they are generally a preserved version of a past memory that is important or a time of happiness.

Specifically how the horrifying images brought American citizens to protest in the form of sit-ins and marches. These actions effectively pressuring the government to end the war. Therefore by shielding the public from images such as the photo first described the opportunity to possibly end the war sooner was taken away. The statement is also made that the true job of the media is not to narrate, to write a story, but to simply tell the facts free of bias. That by the media conforming to the “video-game” narrative of the war they went against their own purpose

A reporter once said that as people looked at photos they would sometimes see their son, husband, wife or loved one dead in the battle field ("Matthew Brady Photographer"). Seeing a deceased loved one is difficult, but seeing their lifeless body in a picture is even harder. Having photos taken showed the people that the war needed to end and that no one else needed to

Do companies create consumer demand or simply try to meet customers’ needs? I believe advertising shapes as well as mirrors society. A case in point, advertisements can shape society's perception of ‘beauty." For instance, in magazines and movies, quite often young girls strive to look-like and emulate the digitally enhanced images of women in magazines. As such, some critics argue that advertising abuses its influence on children and teenagers in particular, amongst others.

In the essay, “ Why We Take Pictures,” the author Susan Sontag states that photography is not only a simple tool for seeking pleasure but can also be used against anxiety and as tool of power. Sontag emphasises the importance of photography during traveling by stating the anxieties that people can face if they are not taking pictures. First, Sontag points out that people feel disorientation in a new place the uncertainty of what the new place will be like can cause people to panic. However, taking picture enables people to have certain control over the new environments the fact that one knows where he or she is at and where he or she has been, helps individuals cure their anxieties. Second, Sontag indicates that anxieties during traveling can also be caused by the guilt of not being at work.