Childbirth In Kate Chopin's The Awakening

After swimming successfully, she develops feelings for Robert. After this awakening, Edna starts to step back and rethink her entire life; her marriage, her role, and even herself. She realizes she feels sort of imprisoned in this life she has had for so long. Edna finally starts doing things for her, she is letting herself feel an attraction for another man even though she is married and she also gets into art and has everyone in the house model for her. Rather than doing things to get the house ready for her husband or spending time playing with her children, she is distracted by all her newly found

The most rewarding attributes of this experience for Edna would be the feeling of satisfaction of conquering something in a world where woman are seen as nothing; much like a child’s excitement at their newly gained knowledge. In Chopin’s own word she describes “A feeling of exultation overtook her as if some power of significant import had been given her to control the working of her body and her soul” (page27). Although she is not ashamed of who she is becoming there is still a need to hide which is greatly caused by her surroundings. This can be seen when Edna takes her turn reading a shared book that has been passed around the cottages. Reading this book left her wonderstruck

All these changes Edna made were so meaningful and represents her actual personality. Before her awakening she didn’t show anything of her true personality along with millions of women. Many people judged and mistreated her, but no matter what the obstacles were in Edna’s way she tried overcoming them the best way she can. Not only society was countering her ways of thinking, but also her husband, Leonce

Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.

Edna continually questions whether or not she is destined to live a life of subordination or if she can find her own freedom. Edna Pontellier’s defiant nature is brought out

Edna Pontellier, the main character in Kate Chopin’s, The Awakening, is portrayed as an incredibly independent woman and one who tends to reject almost all traditional societal norms, and instead chooses to fight her way towards emancipation from her husband, a foreign concept during the time period in which this novel was written in. Edna’s struggles to gain this independence so strives so strongly for, and in doing so she manages to separate herself from her husband, and reunite with a lover, Robert, from her past that she had forsaken when she married. All these events that work to emancipate Edna from her former life and get her the freedom she craves, ultimately leads her to her unpredicted suicide. While the motives of her suicide seems to be confusing, when looking into this issue more indepthly, Edna’s motives for killing herself can be more easily understood.

In addition, the search for self-identity is viewed as important in today’s society. Thus, these confliction attributes lead the reader to identify Edna as morally ambiguous. Categorizing complex characters as purely good or purely evil is not one of the easiest of tasks. As a result, it is best to characterize them as morally ambiguous. In Edna’s case, she is morally ambiguous due to her romantic affiliations and role-defying actions, but both are immensely vital to Kate Chopin’s “The Awakening” as a complete whole.

In the 19th century, a group of people launched the suffrage movement, and they cared about women’s political rights, their property and their body liberty. Born in that age, Kate Chopin was aware of the importance of setting an example for those who were taken in by the reality and poor women to be an inspiration. So we call her a forerunner of the feminist author for every effort she put in advocating women’s sexuality, their self-identity and women’s own strength. When people were ashamed of talking about sexuality, Kate Chopin stood out and call for women’s sexual autonomy.

There is a perceived split between “outer Edna and inner Edna” that is constantly disrupting Edna and her desires. Outer Edna is supposed to be recognized as this ideal wife who obeys her husband and does what he commands-similar to her friend Adele. This lifestyle that Edna is supposed to live by cannot be achieved due to “inner Edna’s” desire of being free and independent. “Outer Edna” conforms to society expectations even if it is not what she desires, while “inner Edna” seeks independence and

However, the conformity of society leads to her suicide because it holds her back from finding her true identity. As Edna listens to Madammoiselle Reisz play the piano, “the very passions themselves were aroused within her soul, swaying it, lashing it, as the waves daily beat upon her splendid body” (Chopin 23). Because the society she lives in is so rarely met with the opportunity for woman to express themselves, this unique experience of listening to her friend’s music leaves Edna in awe. This is the first instance where Edna experiences a need to develop her own identity.

Adele is a “mother-woman” entirely, concentrates on domesticity, cares and praises her husband and child, and interested in everything related to her family, any individual ideality is not a public intention. Once a time, Adele is playing the piano in front of the guests who came to her party. Edna just realized that what Adele plays cannot touch her deeply, but just a performance without soul, in order to her children and seems as the ability that a housewife should possess, to please the guests and show the cleaver and wise. In the deep of Edna, to being a full-time home worker is not her will and not the individual ideals she seeking for. When Edna and Adele with their families went to Grand Isle, sometimes, Edna will put herself into their children completely or forget them.

However, Creole women were expected to be chaste, and would behave in a unreserved manner. The exposure to such openness is what frees Edna from her previously repressed emotions and desires and motivates her to become more independent. Because they are women, Adele and Edna do not have much freedom, as in comparison to men. However, Edna gains more freedom that is much closer to that of men when she abandons her household and social responsibilities. Edna’s refusal to follow and obey social conventions, allows her to spend her time on painting and sketching.

Edna sets personhood limits on how much she would give up for her children through a recalled conversation with Adele where Edna spoke her views on motherhood: “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (47). Her statement is revealing because Edna goes against what society says a woman is supposed to feel towards her children. She would give up superficial things like money, or a even a vital thing - her life - for her children. However, Edna states her unwillingness to become a ministering angel where to reach divine status she would have to erase her personhood, who she is as an individual. Edna will not give up her self for anything.

At the beginning of the novel, Edna had appeared to be recognizing the fact that her life revolves around her husband and her children, and that it is her main duty to care for them. It is mainly Mr. Pontellier, her husband, who tries to establish an image of her being a both a perfect partner and wife. He views her as an object that must be suitable for the eyes of society. According to him, his wife is a “valuable piece of personal property which has suffered some damage” (Chopin 2). He is controlling over her appearance and actions.

Edna’s inner identity reaches the breakpoint where it is necessary for her well-being that it is expressed. At this point, nothing else matters besides her intuitions and desires. This brings difficulty to her familiar relationships and friendships due to her rejection of living according to her role as a mother and a wife. Even though this conflict is addressed, it does not make an impact on her decision to remain a bit selfish through this time that she is finding herself. As a way of explaining her state of mind, Edna states that she "would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself.