David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed. One of the clearest similarities is that both artists …show more content…
¬¬As Michelangelo’s David is made in years 1501-04, and is detailed from the penetrating veins, furrowed brows and the muscles, we can know that this sculpture was made during the High Renaissance, as in this period it is known to be during fifteen hundreds, and that in this period they make their art more detailed than in ancient Greek and Rome to make it look more realistic. On the other hand as Bernini’s David is made during 1623-24, extra details in both face and drapery, and the movement depicted, we can know that this sculpture was made during baroque art period, as in this period they used exaggerated motion and details to produce drama, tension, and grandeur in art, and is known to be during sixteen hundreds. In conclusion, as Bernini’s David is made during the Baroque period, where it used to be more detailed and highlights motion, as we noticed in the sculpture; unlike Michelangelo’s David which is made during the renaissance period, where it used to be detailed but not much and didn’t depict movements. From those differences that are between both sculptures and there periods we can determine that Bernini’s David is more expressive than Michelangelo’s
Therefore, Gianlorenzo Bernini intended to depict his statue of David as if he were in battle, so viewers felt the presence of the sculpture. As you analyze the two sculptures, you see the difference in symbolic meaning and the messages being portrayed. In the High Renaissance Era, the ideas of classical humanism were fully implemented within sculptures and paintings. Michelangelo soon created a god-like marble statue named David, of a human on the highest pedestal.
These understandable themes allow Michelangelo’s viewers to relate to the paintings at a personal level. Michelangelo and Reb Saunders can be compared to each other by how others comprehend their ideas. Reb Saunders is not understood by others because of his complex and peculiar thinking. Michelangelo, on the other hand, is easy to comprehend because of his personal style of
While both the Northern Renaissance style painting by Jan van Eyck, titled The Arnolfini Portrait, and the Baroque style painting, by Johannes Vermeer, titled Woman Holding a Balance, indeed share some similarities, like painting for wealthy merchants and not just the church or royalty, there are some noted variations in the type of form used, between the different paintings. Eyck uses lines that are solid, bold, clearly defining each element and miniscule detail of the painting. The Northern Renaissance was well known for its attention to fine details, and Eyck does a great job of displaying this with The Arnolfini Portrait. In addition, the colors used for this portrait are bold and intense. The Renaissance period is also known for being
In both these pieces of art we see the same subject matter Pieta. Both sculptures were created using the carving method which is a subtractive processes (136). Tilman Riemenschneider's sculpture was done with wood. On the other hand Michelangelo's sculpture was done with stone. Both of these sculptures were done in the round.
One of the most important similarities is that they were both relentless and never gave
The human race has gone through many extravagant eras and ages. From the space age to the Victorian era, humans have seen civilizations fall and revolutions ensue. Possibly the most well known era was the age of the Renaissance. The Renaissance was an advanced age fueled by an infatuation for art and literature. People began to focus on the concept of individualism, and portrayed that in their art.
They are similar because they are close to the same age,and they are both
Despite both of these pieces being different in length, they do share some similarities. More specifically, they share similarities
When another artist remakes the work of a former one it always gives a sense of admiration and gives another point of view on the topic. The two sculptures of David are both breath taking. However, Bernini and Michelangelo achieve this feeling in diverse ways. Bernini’s David gives the sense of a Baroque styled sculpture. Meaning that it expresses a grandiose image that portrays masculinity.
This sculpture is a mixture of female and male traits; its idea is to describe the realism without mythical and big muscles as was found in the Hellenistic period. Donatello’s David shows realism more than it does an ideal condition of man as in the Greek Hellenistic period. There are a few ways to tell. First, David’s skinny body and his arrogant expression reveal a confident man and anon-mythical expression that would not have been made as artwork during the Hellenistic period.
Michelangelo was the first Italian artist to depict the duo in such a position. Furthermore, Michelangelo differed from previous
Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,
They both relate to each other in a couple of ways how the main characters in both stories hallucinate and have an ambition for something.
Another reason for decorating Florence however, was so that the citizens could show their solidarity towards their community and give back to city which they so dearly loved. Such civic values not only inspired the citizens, but also the sculptors, especially Donatello, with his creation of David. He stood for Florence and her liberty. For triumph over tyranny. However, the fight was not over yet, as Florence would have to face off against tyranny once again in the next
David followed an elaborate method for preparing his major paintings. He typically progressed from quick sketches to executing more refined compositional studies, adding various small changes and improvements with each rendition. Once the