Compare And Contrast Raisin In The Sun And Their Eyes Were Watching God

Janie’s husbands represent different periods in her life; each separation has a different impact on Janie by serving as a life lesson and broadening her world perspective. Her first husband, Logan Killicks, represents the old in every way. The main reason Janie marries him is because of Nanny’s traditional way of thinking, which is marrying for stability over happiness. Nanny

Both characters try to reach their dreams by moving their families and responsibility aside. For example, Walter Lee dreams of opening a liquor store, so to reach his dreams he took his family is money trying to act like a man but then that money was stolen by his friend Willy

Nanny who has been Janie’s caretaker has several hopes and dreams for her granddaughter. Nanny is not entirely perfect at her job of raising Janie, since her dreams for her are clouded by her own scarring experiences. Nanny attempts to insure a better life for Janie by forcing her to marry Logan Killicks, an old and wealthy man. Blinded by her own dreams, hopes, and desires, Nanny makes many impositions on Janie, “Have some sympathy fuh me. Put me down easy, Janie, Ah’m a cracked plate” (Hurston 20).

The play A Raisin in the Sun by Lorraine Hansberry debuted on Broadway in 1959, and the movie was made in 2008. “A Raisin in the Sun” is about the Younger family, the fifth generation of lower-class African-Americans living in Chicago’s Southside. They are faced with problems such as racial discrimination, poverty, and conflicting dreams. As the family decides on how to spend the insurance check of $10,000 from Walter’s father’s death, these problems cause many conflicts to rise. Reading the 1959 play and the 2008 movie, I have realized certain similarities and differences in how the story plays out.

These are all traits that would describe Walter Lee and his actions. Walter Lee is a character from the play A Raisin in the Sun in which a black family tries to get out of poverty and go against stereotypes by trying to start over with their Grandpa’s life insurance money. A Raisin in the Sun by Lorraine Hansberry explores the concept that greed leads to being blinded by money and forgetting about one’s loved ones as shown by the climax of the play, the character of Walter Lee, and the effect that his actions have on the rest of his family. The Character of Walter Lee shows that greed blinding a person can cause him to forget about the ones he loves.

Although Walter does not deserve the power, the manhood of Walter Lee enables him to “control” the family. Conversely, Beneatha’s talkativeness and her aggressive personality are against how a 1950s African American should act. Ruth asks “Can’t you be a little sweeter sometimes? (Act 1, Scene 1)” to indicate the modest characteristics women should have. Furthermore, Ruth’s decision of abortion at the beginning of the play was unconventional since it was against gender expectation because it is against her duty as a wife and a mother.

Now, it is easy to see why it is argued that the film should have included more about Nanny and Leafy. Nanny represented the threshold guardian, set up the marriage to Logan Killicks, and, because of Leafy, felt she had good reason to do so. While the film may not go out and explicitly show all the details of Janie's creation, it gives the audience subtle clues that work. Janie, upon arriving to Eatonville is noticeably lighter skinned than many of the other

Nanny had “...taken the biggest thing God ever made, the horizon… and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her” (Hurston 85). That is exactly what Nanny did. Janie was forced into her first marriage, and unknowingly her second. Her final marriage represents Janie following her horizon. She had finally found her true happiness with someone who represented her pear tree, another strong symbol enforced by Hurston.

Storytelling has been a part of people's’ lives since the beginning of time. It started with just verbal communication, then it was translated into written word, and now there hundreds of ways to tell those same stories. Movies and books, for example, are two very different ways to tell stories to an audience. A story can be a book, but not a movie or vice versa. Many books are made into movies, but lose major elements in translation.

Janie’s grandmother, Nanny, forces Janie to marry a man she is not in love with out of convenience. Nanny does not want Janie to suffer the necessities of life, but Janie cares little about materials and seeks love. Nanny’s ideology haunts Janie for much of her life, influencing decisions she takes later in marriage. Huston says, “The memory of Nanny was still powerful and strong,” which shows how Janie conforms to the ideology her grandmother instilled in her. And although Janie conforms, she continues to question inwardly about love.

In Lorraine Hansberry’s “Raisin in the Sun” Act 3 Walter has seized the hero role and he displays a lot of pride. Walter is starting to understand that he has to stand up for what he believes in and not everything is about money. “And we have decided to move into our house because my father-my father-he earned it for us brick by brick”(1933). Walter turns down the Clybourne Park Association 's offer only after he remembers the roots his family has in America, and the rights that they deserve. He wants to set a strong example for his son, Travis, just like his father did for him.

It was Nanny who told her the significance of observing the social order and follow the will of the white. For example, Nanny had experienced the cruelty of slavery. To help her grand-daughter live a good life, Nanny bought some land and a house finally and decided only marry Janie to a rich white person could Janie be prevented from the disasters as hers. She caught Janie with Johny and married her to Logan, a wealthy farmer. However, threatened by the terror of social tradition, she does not fight aggressively against this order.

One of the universal themes of literature is the idea that children suffer because of the mistakes of an earlier generation. The novel "Their Eyes Were Watching God" follows the story of Janie Mae Crawford through her childhood, her turbulent and passionate relationships, and her rejection of the status quo and through correlation of Nanny 's life and Janie 's problems, Hurston develops the theme of children 's tribulations stemming from the teachings and thoughts of an earlier generation. Nanny made a fatal mistake in forcibly pushing her own conclusions about life, based primarily on her own experiences, onto her granddaughter Janie and the cost of the mistake was negatively affecting her relationship with Janie. Nanny lived a hard life and she made a rough conclusion about how to survive in the world for her granddaughter, provoked by fear. " Ah can’t die easy thinkin’ maybe de menfolks white or black is makin’ a spit cup outa you: Have some sympathy fuh me.

Walter states that the Youngers are a calm, good family who “don’t want to make no trouble for nobody,” and are not looking to stir up trouble. All they intend to be is hard working, peaceful “good neighbors” and that give them every right to live in Clybourne Park. Afterwards, Mama, talking to Ruth about Walter, states that, “he finally come into his manhood today,” (151). Walter made his family proud and after much struggle they feel that he has matured. For Mama proudly exclaims that Walter “come into his manhood” by doing the morally right thing “finally.”

Out of a family of five, three people work: Walter Lee as a chauffeur to a wealthy white family, Ruth as a housemaid, and Mama as a nanny to other peoples children. This is clearly necessary to afford basic needs as shown in their apartment, with “weariness [having], in fact won” (Hansberry pg.23). It is clear in Hansberry’s characterization that the members of the Younger family are dissatisfied with their station in life, albeit to varying degrees; Walter Lee in particular is very vocal regarding their poverty, as he states at one point: “I got boy who sleeps in the living room- and all I got to tell him is stories about how rich white people