Compare Parthenon And Pantheon

The search for a contemporary and unique re-lighting of the Nashville Parthenon created for our studio a special opportunity to compare and contrast the Greek Parthenon’s formal, structural, decorative properties and the role it played in the festive, civic and pedagogical cultural life of ancient Athens with that of the role that Nashville’s Parthenon plays in the history and contemporary cultural life of Nashville. There are great similarities and great differences. Both buildings share a great affection of the local populace. It is remarkable the effort undertaken by the citizens, civic leaders and the business communities of both cities to build, maintain and reconstruct their individual structures. Both structures were—and are—in dialogue

The finest buildings the Greeks erected were their temples; and the most famous of these is the Parthenon, in Athens. The Parthenon is dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power. It was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece.

The Pantheon is a magnificent architectural sculpture located Rome. It was originally constructed by Agrippa in 27-25 BCE under Augustus’s reign but later burned around 80 CE under Domitian and burned again in 110 CE because of a lightning strike. The Pantheon that is seen today was reconstructed in 118-128 ca. a.d. under Hadrian’s rule.

It is the biggest sanctuary at this site and was never finished , The sanctuary of Athena that likewise called the Temple of Demeter, a Doricperipteral hexastyle building with thirteen sections along the edge, having extents that were to be built as the Doric perfect in such structures as the Temple of Poseidon at Sunion , the sanctuary of Poseidon that Doric, one of the best protected sanctuaries, demonstrating a union of thoughts of configuration that were creating towards a "perfect sort" officially pervasive in Greece, the sanctuary of artemis that One of the Seven Wonders of the Ancient World, was the fourth sanctuary on the site , and the sanctuary of Segesta that Doric peripteral hexastyle arrangement, is bizarre in having unfluted segments that remain on square plinths in two stages. These sanctuary demonstrate of us that greek structural planning best antiquated building design and 's regardless it up to the present in the entire

The Lincoln Memorial has thirty-six columns that represent each state that was reunified to the United States of America. The Parthenon contains forty-six outer columns and twenty-three inner columns. Even though the buildings may be similar in color and texture they are made with a few different materials. The foundations of the Parthenon were made of limestone. The outer part was made of marble.

Reasons why these features of architecture were chosen: The meaning of the word ‘Pantheon’ is ‘contains all gods’ with ‘pan’ meaning all and ‘theon’ meaning gods. The interior of the Pantheon contains altars to individual gods hence the name. The dome in the interior of the Pantheon is round, inclusive and an all-encompassing continuum.

The building is found in Rome and is believed that it was commission by Marcus Agrippa during Augustus ' time. The inscription on the building of the Pantheon says “M•AGRIPPA•L•F•COS•TERTIUM•FECIT” which means “Marcus Agrippa, son of Lucius, the third time consul, built this” (MacDonald, 2002, p. 45). Later on, the Pantheon was rebuilt by Hadrian during the year 125AD. Historically, the Pantheon is constructed as a dedication to the twelve gods of Ancient Romans where it was believed that Romulus rose to heaven on the spot. (MadDonald, 2002).

If you have never had the opportunity to see the Parthenon in Greece and the Pantheon in Italy, it’s possible that the similarity of the names would lead you to believe that they are the same or, at least, almost identical. While it is true that certain elements of the buildings mirror each other, there are major differences in their structures and functions. The architecture of each reflects the cultural ideals of the times. After the Greeks overcame the Persian invasion, Athens became the head of all of the Greek city-states. During this period, the country enjoyed peace and great prosperity.

But when the Romans built the Pantheon , they used the Corinthean order for it's columns . The Greeks used the post and lintel , or the trabeated system many times , but the Romans relied on the arches , and made them more perfect than the Greeks did . Also the material used in the construction of their buildings were different depending on the available and more reliable material . So the Greeks tended to use the well carved marble , granite and limestones in building , but for the Romans these material wasn't commonly used , or wasn't used to build th structure itself but could be used for decoration , they rather used the concrete and mud bricks and that helped them in the construction of arches . According to the geographic difference between them , the way they constructed their cities varied .

While in the Roman architecture, their temples which were named Pantheon were a mix of the Etruscan and Greek styles but

Why mess with a system that has proven itself to work countless times in history? I mean when these building would have been designed the architect whether in 1700 or 1900 would have seen the ability of Doric and Ionic styles to last the test of time. As well as the fact that Greek architecture plays well with awkward pieces of ground so if they were building something on a hill they could make it appear perfectly level as well have made it structurally sound. As well as the columns disperse weight well so they would be able to get almost as large as they wanted safely.

In light of the architecture of Rome, one can immediately picture the great columns and of cors the arch. The truth of the matter is that these structures were all taken from the Greeks. However, the structure was a hybrid called, “Composite”. This was made possible due to the Roman invention of concrete. “Its basis was pozzolana, a chocolate-coloured volcanic earth originally found near the Greek settlement of Puteoli, and subsequently discovered in vast quantities around Rome.”

The Forum of Trajan is a Roman example of axial planning because as you entered through its triumphal arch towards a statue of Trajan in the center, the surrounding structures were at opposite angles and lines, creating a clear sense of order and focus. [12] The complexity of this planning demonstrates the outlook and organization that went into any of the architecture in Rome and Athens. [13] While many citizens at the time did not appreciate (or may have not noticed) this visual architectural connection between Rome and Athens, the members of the elite who traveled, did especially the Roman Emperor Augustus. The cities of Rome and Athens became increasingly similar during the Augustan period and created a hybrid style that was influenced by Augustus. Though the exchange in architectural culture between these two cities was common there were subtle difference.

EXT. SCAD MUSEUM COURTYARD - NIGHT Robert a student at Savannah College of Art and Design is walking outside to go to a lecture in the SCAD museum of art. Robert lets out a gigantic yawn as he walks. INT. SCAD MUSEUM OF ART THEATER - NIGHT

Throughout the history of mankind there have been numerous great empires that have ruled large parts of the world during a specific time period and influenced the way art was created and interpreted. Even though they were almost 200 years apart, the Classical Greece (480 BC-323 BC) and the Roman empire (146BC – 324 AD) both had a similar expression of Art, as the Roman empire had mostly derived their work from previous art periods. Throughout the following analysis we will be exploring the differences and similarities between the classical Greece sculpture “The Diadem Wearer” (Figure 1) currently located in the National Archaeological Museum and the Roman sculpture “Augustus of Prima Porta” (Figure 2) that can be visited in the Braccio Nuovo of the Vatican Museum.