Comparing The Relationship In Octavia E. Butler's Kindred

Analyzing Character Development: Dana Octavia Butler’s novel, Kindred, provides a unique look into slavery in the antebellum South through the eyes of Edana Franklin, a black woman living in the late 20th century, who is suddenly sent through time to the early 19th century where she is suddenly faced with the task of protecting her ancestor, Rufus, from many dangers in order to ensure her existence in the present. Dana begins her adventure with no knowledge of how or why she has been given this responsibility and, as a result, must adapt to her new and unfamiliar surroundings. As the novel progresses, the reader sees Dana’s internal battle with herself as she decides whether or not Rufus is worth saving, or if she should let Rufus die

In his “’No.’ : The Narrative Theorizing of Embodied Agency in Octavia Butler’s Kindred,” Bast underscores humanity’s desire for agency, one’s “ability to reach decision[s] about themselves and [express them]” and how one’s agency can benefit a society or a community (Bast 151). In the beginning of his article, Bast labels this decision-making and expression as beneficial and necessary for a community, while simultaneously underlining society’s limitations put on mankind’s freedoms such as discrimination, prejudice, or injustice. Nevertheless, he follows up by stating that it is simply human instinct to want to express thoughts even if other factors oppress them, undermining these social limitations.

Sometimes, people manipulate others in order to obtain their goal. In the short story “A Good Man is Hard to Find”, by Flannery O’Conner, portrays a grandmother as a witch, trying to influence others to their will. The manipulative grandmother leads her family to danger, causing the death of everybody, when she decides to join them on their trip to Florida. The grandmother, not wanting to go to Florida for vacation, first tries to convince her son, Bailey, to go to Tennessee instead of Florida, “seizing every chance to change Bailey’s mind” (138).

Tragic Yet Beautiful Kindred Spirits was selected as our second piece of music for CMEA on May 7, 2016, because it is a tragic ballad that symbolizes the loss of two of our own. We use a motto in band when preparing for CMEA. The motto goes as follows: Establish your Unanimous Superior in the first song, Earn your Unanimous Superior in the second song, and Don’t lose your Unanimous Superior in the final song. Through the use of a story, symbolism, and complexity, this piece will help us earn our Unanimous Superior after establishing it in the first piece of music, Overture Jubiloso. One reason Kindred Spirits was chosen was because it has a tragic background.

In Kindred, Dana’s narrative entirely revolves around the slaveholding American narrative of Rufus which illustrates the second fiddle notion of Dana’s identities. The fact that she can only time travel when white man, Rufus, mortally needs her demonstrates that her entire story regardless of time is dictated by the White Man (Butler 12). Furthermore regarding time fragmentation, the imagery of Dana’s body being in a constant state of scars, bruises, and general crisis in 1976 and 1819 while Rufus’ body and life continues in a progressive linear state depicts how the white historical narrative continues to strut along time whereas the black, female, American narrative continues to be an unhealed wound discarded alongside white-American-male chronology. This notion is expressed when Dana puts her bodily pain to the side in order to sexually usher love and welcoming to Kevin’s five year journey in Antebellum south (Butler 190). Essentially Dana’s body politics do not exist in a state of paradox because through Butler’s textual portrayal of embodiment, she was and still remains as an

In The Book of Martha Octavia Butler places the reader in the middle of a conversation with God. There are only two characters in the story, and the theme is Martha’s annoyed tête-à-tête with God. Martha is given the option of saving the world. The rules of this arrangement are Martha can make one change and whatever the results, she must occupy the bottom stair. She must make a decision concerning the entire earth; nevertheless she must first overcome her fears and personal views of God.

As an African America, Dana is forced into the life of a slave, suffering through various hardships and numerous close encounters with death. All of these experiences have a significant effect on Dana’s mental stability, as she becomes more and more distant and distressed. However, her fellow characters are unable to fully realize Dana’s state of

To such an extent that he boy seems to be using dangerous methods of retaliation. For example, in addition to Dana rescuing him from the fire he set to the draperies in his house in retaliation against his father, he also describes previously having set the stable on fire because his father sold a horse he liked (25). Based on his irrational impulses taken when things don’t go his way, it is evident that Rufus is growing up with an entitled and vindictive attitude. Dana is alarmed by Rufus’s actions and logic and analyzes, “The boy already knew more about revenge than I did. What kind of man was he going to grow up into?

In the novel, Kindred, by Octavia E. Butler, a lot of ignorance and intelligence is demonstrated all through the book which in a way is dangerous. Kindred is a wonderful work of science fiction that catches the attention of readers by telling a story of Dana, a modern-day African-American woman, who is abruptly transported from California in 1976 to the antebellum South. Not only is Dana abruptly transported back in time but she’s able to experience first-hand the cruelty of enslaved black women and men in the 1800s. The experiences of Dana and the enslaved women in the novel were viewed as mostly women working in households.

As Rufus was carried in the house, his mother frantically entered the bedroom and pushed Dana aside. Margaret Weylin noticed Dana and asked for her name. She seemed to recognize Dana from the past but as she spoke Rufus interrupted her asking for some water. Margaret turns and looks at Dana, as if Dana is her slave, and orders her to “get him some water” (Butler 69). Failure to do so Margaret dismisses Dana to the cookhouse.

They lived in a segregated neighborhood in a segregated town. They left “home” when she was 9 but she felt like “ home was turning its back on her without so much as a goodbye” This specific quote is important because it demonstrates now that she is older her perspective of Greenville changed since she was young. In conclusion, there is little doubt that Greenville has changed.

And Rufus was Rufus-erratic alternately generous and vicious. I could accept him as my ancestor, my younger brother, my friend, but not as my master, and not as my lover. He had understood that once” (260). Dana is distancing herself from being a slave doesn’t feel that she could ever be subjected to it like Alice was. She uses pronouns like “her” to describe a slave to show that she will be associated with one.

Dana was a positive part of Rufus’s environment because she was the one who really helped him through the good and the bad. Dana tried to help Rufe reach a realization that slavery was clearly wrong and tried . But in the end not much changed. “What’s he done to you?” ‘Sent me to a field, had me beaten, made me spend nearly eight months sleeping on the floor of his mother’s room, sold people. . .

Maryland in 1815, like much of the south, was a hot bed for slavery plantations. For slave owners in particular, it was a benefit if your slaves were not educated, as they would be less likely to question the oppressive treatment, and not adequately be able to express the conditions under which they labored. In the novel Kindred by Octavia Butler, various aspects of education are intertwined throughout, effectively depicting how education and slavery do not go together cohesively. Specifically, in the case of Dana, the novels protagonist, her intelligence led to her owners feeling inferior, which prompted many verbal and physical attacks, an exploitation of her abilities, and the overriding attempt to suppress the education of other slaves

In James Baldwin's short story, Sonny’s Blues, the reader should understand and visualize the historical context in order to understand the world being presented. The reader has to comprehend the harsh life of a male African-American who struggles with his dreams and drug addiction sometime around early 1957. I will discuss Baldwin's writing style, the life/value of an african american's life during this time, and the relationship between Sonny and his brother. Baldwin’s short story illustrates the hardships a person faces while searching for themselves in a world full of people or obstacles that stand in their way. Some of these obstacles are self inflicted, present from the beginning of their existence or appear as though they are random.