Creon's Flaws In Antigone

Antigone Relevance In the book Antigone by Sophocles the main character is Antigone and her sister Ismene. Their close brother Polyneices has died in a battle against his brother over the city. Antigone wants to give her brother a proper burial but Creon the new ruler, announces that if anyone buries Polyneices they will be put to death. Creon believes Polyneices was a traitor.

So, in the end Antigone got what she wanted, which was a proper burial for Polyneices, to die a hero, and to live an eternity with Haimon, but Creon did not get what he wished for. For Creon, the play ended with his furious son killing himself right in front of Creon, and his wife stabbing herself in vein of him. While both character’s fates were greater than they deserved, Creon will suffer from guilt for as long as he is living, he also dreadfully said, “Let death come quickly, and be kind to me. I would not ever see the sun

Within Antigone, many of the characters’ stubbornness contributing to the major conflict could have easily been handled differently. Because of this, one ended up dead and another lost everyone he loved. Ismene, Antigone’s sister, remained alive but only because of fear of being punished. It is sometimes unnecessary qualities like being head strong that lead to no one gaining triumph in the end. Because two willful people were both standing up for what they believed in, neither won the battle.

It is tragic how some people need something unfortunate to happen to them so that they can finally listen. In the tragedy, Antigone, by Sophocles, The tragic hero, Creon, discovers that to be successful he must take into consideration what others have to say. Creon has to undergo some challenges to realize that his pride was getting the best of him. In the beginning, Creon was to prideful. He did not listen to anyone, even when someone tried to warn him or give him advice.

In the play "Antigone" by Sophocles, Antigone rightfully decides to bury her brother, Polynices, but when the king, Creon, finds out, she does not repent for her actions. She is a woman that stands for what she thinks is right, which in this case is that Creon is wrong for condemning the burial of her brother. She shows braveness with her actions because not all people have the courage to risk their own lives so that their brother can rest in peace. For instance, Ismene states "What? You 'd bury him – when a law forbids the city?"

Creon:“I killed you, my son, without intending to,/ and you, as well, my wife,” (Lines 1486-1487). Antigone is the story of a girl who defies the king of Thebes in order to honor her dead brother, Polyneices, who is not allowed to be buried. When the king decides to punish her, his inability to listen to reasoning and resistance to change backfires on him in a deadly way. In the play, Antigone, by Sophocles, Creon, the play’s tragic hero, brings suffering to others, such as causing the death of Antigone, his son, Haemon, and his wife, Eurydice, which contributes to the tragic vision of the play as a whole because it shows how stubbornness brings pain for others. To begin with, Creon brings suffering to Antigone by refusing to change and

Antigone Antigone was wronged and Antigone is tragic hero because she wanted to get a proper grave site, Creon was her uncle, Antigone was the good one. Antigone wants her brother to be buried but her uncle wouldn’t let her. Her uncle Creon was a very mean man.

Antigone broke his law by burying Polyneices and not leaving her own brother out to be eaten by wild animals. This action that Antigone took angered Creon because he did not like the fact that someone disobeyed him. Also the way that Antigone spoke to him contributed to to his anger. Creon reacted to her pride of burying her brother by saying in the play Antigone that “This girl here was already very insolent in contravening laws we had proclaimed. Here she again displays her proud contempt—having done the act, she now boasts of it.”

Throughout several of Sophocles’ plays, one trait leads to the downfall of even the greatest characters. Antigone refuses to follow Creon’s orders and therefore suffers the consequences of death because of it and Creon refuses to follow the laws of the gods and therefore is punished. Their pride led them to defy rules set in place by those who had greater authority than them. Although Creon is warned twice by Haemon and Teiresias of the eventual consequence of his actions, he is too proud to repent or recognize how his decision concerning Antigone led to the suffering of his family and Antigone herself. Even though Creon is warned of the consequences of his action by two different people, his pride and stubbornness prevent him from reversing his decision to kill Antigone before it is too late.

Creon learns that, as Haimon had argued before leaving in a rage, there are severe consequences for believing a state can be run by one single person rather than listening to the reason of others just as wise. According to the definition of tragedy, there must be the descent of a hero due to a tragic flaw; such a definition suits the ill-tempered king Creon rather than heroic and justified Antigone. What brings this king to an all-time low are his flaws, actions, and position in power. Due to having such power and strength, he can very easily strike fear into the hearts of many—Antigone seems to have been one of the very few exceptions. Additionally, his flaws include his ego and pride; this results in his refusal to accept the reasoning

In the play Antigone, by Sophocles, Creon’s deadly stubbornness and selfishness in ignoring the pleas and

In the classic play by Sophocles, Antigone is a tragic story of the bold Antigone who defied her uncle, King Creonʻs, edict by burying her brother, Polyneices, who died attacking the city of Thebes, trying to take the power away from their brother, Eteocles, who refused to share the throne with Polyneices. Even though Antigone knew that going against Creon and burying her brother would not end well for her, she still choose to risk her life to do what is right. After being caught breaking the law, Antigone is appointed to be locked away, isolated in a cave until she dies, but she hangs herself at the end. At the same time, things for Creon are not looking good, as everyone around him seems to be against him in his decision for punishing Antigone. Everyone Creon cares about kills themselves from a curse that is put on Creon for not following the Godsʻ laws.

In Antigone, it is evident that both Creon and Antigone made mistakes in spite of the fact that they had right intentions. Creon attempts to uphold the law in order to maintain structure and be what he considers to be a just leader, however, Creon’s mindset remains too rigid and his actions don’t adapt in light of the circumstances. Antigone wants to stay loyal to her family and save her brother’s soul, yet she isolates herself and shows disrespect for the law. Creon does not allow Antigone any grace for her actions because he explicitly adheres to the laws of the city.

In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.

His free choice is represented by a quote from the guard surveying Polyneices body, “We saw this girl giving that dead man's corpse full burial rites—an act you’d made illegal” (337). Although Creon's own niece turns out to be the one that went against his word, he still chooses to follow through with the punishment even though the deed Antigone did was morally right. The punishment that he lays upon Antigone is excessive and unjust considering the crime. While in an argument with her, he calls to his guards proclaiming, “Take her and shut her up, as I have ordered, in her tomb’s embrace [...]