Diego Rivera Research Paper

Taylan Swainston Miss Toone Language Arts 3 14 December 2022 Hernan Cortes: the Man Who Changed the World “Cortes was a leader capable of taking both utterly ruthless decisions & extravagant gambles”(Cartwright 4). Hernan Cortes was a Spanish conquistador responsible for the attack on Tenochtitlan and the fall of the Aztec empire in the early 1500s. He used superior technology and strategies to gain victory against the Aztecs. He was an important figure in society and helped build the world to what it is now, because he had a very ambitious and destructive life, conquered much of Mexico, and wiped out a major ancient empire.

Sylvia Rivera’s Influence on Equal Human Rights Niah Vazquez English 3 Period 2 Mrs. Tsuyuki May 8 2023 Outline Thesis: One of the most important and most impactful activists in U.S. history is Sylvia Rivera. She is not one of the most well-known LGBTQ+ activists in the world for no reason, not only did she fight for Gay liberation since she was at the early age of 18 years old, but she also was also a transgender lesbian activist and an advocate for the homeless. I. Her childhood and history A.

Only his hands feet and a piece of his hat are seeming on photo. There are Rivera's different paintings about the Flower Seller Rivera wasa a hard communist. He wanted to explain working class' difficulty A rich home has flower but some people's life doesn't have it. They have to carry heavy loads. Also

HW 11 Jingshu Meng The Aztec imperial authorities employed an indirect rule by collecting “quarterly tribute payments” from the local dynasties. In other words, the elites controlled the economy by collecting tributes from commoners. However, there was barely any evidence that shows elites’ control over the market or craft production. The large amount of decorated foreign ceramics, obsidian blades and bronze goods excavated from Capilco and Cuexcomate indicated farmers access to marketplace without imperial control (Smith 2005, 94).

The Virgin of Guadalupe is a worldly known work of art; Jeanette Favrot Peterson questions the meaning of this iconic symbol in her article The Virgin of Guadalupe: Symbol of Conquest or Liberation? Peterson argues that this symbol is not only of religious connotation but of political value to freedom as well. Furthermore, paraphrasing her claims, that it was not until the nineteenth and twentieth century’s did the image reach its fullest potential of bringing together a fragmented people and become known as the “Mother of Mexicans.” The legend says that Juan Diego was visited by the Virgin on the hill of Tepeyacac and that she sent a message with him that she wanted a church built in her name, only after the third visit was he able to convince

On July 21, 2015, I had the opportunity to take a trip down to “The Great Wall of Los Angeles”. I was amazed to see the creativity and the empowerment of the art. The wall is a mural designed by Judith Baca, and a group of community youth from diverse ethnical backgrounds. The mural paints the history of California through different eras; it starts with colonialism and makes its way to the Chicano Movement of the 1960s.

Thirty miles off U.S. Highway one in the small town of Alston, GA, Alexander Rivera, Jr. found himself interviewing the newly widowed Sallie Nixon in a chauffer outfit as a reporter for the Pittsburgh Courier in 1948. Her late husband, Isaiah Nixon, a turpentine worker and a father of six, had been shot three times on their front porch for voting in the Democratic Primary. Even before the interview, Alexander Rivera knew that a small town faced with the murder of a black man would be enraged and torn by the act of racial violence. Living in the Jim Crow South as a traveling reporter for the Pittsburgh Courier, Alexander Rivera was used to the act of concealing his identity to garner crucial information on trials, lynching’s and murders done to African Americans. “Something told me, I don’t know what the something was to go dressed as a chauffeur” Alexander Rivera explained, “It was easier traveling as a chauffeur because everybody figured that you worked with somebody important”.

The Aztec Empire lasted from the year 1345 to the year 1521. During these years, the Aztec Empire was able to flourish all throughout central Mexico. Their capital was established on Teotihuacan, on top of a lake. The Aztec Empire alone was 117,501 miles squared long. The citizens of the Aztec Empire were feared all over Mexico.

Born in 1941 in Boyle Heights, Los Angeles, Frank Romero holds a special place amongst the many greats of the Hispanic community of the United States. Of Mexican heritage, Romero expressed an early aspiration for the work of art and was inspired to take the path towards becoming one of the most influential, instrumental and renowned artists of his time. Romero was closely attached to his rich Hispanic heritage and gained much inspiration from his culture and his surroundings of Los Angeles, a city bustling with millions of diverse, culture-rich backgrounds. As a painter and muralist, Romero was profoundly influenced by the Chicano population of Los Angeles in which he spent most of his lifetime living as a part of. His passion for art quickly

Ever heard of somebody who was claimed as a murder for three hundred people? If not, then you are going to hear about it now and be well aware of who he is . Pedro Alonso Lopez, also known as Monster of the Andes, was a colombian serial killer who was sentenced for killing eighty girls, but he claimed he murded and rapped about three hundred. Pedro Lopez was known for raping girls around his country then moved to Peru and Ecuador and all around. Pedros dad died when Benilda; his mother, was three months pregnant with her son at the time of his father's death.

In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.

Art was also a part of propaganda during and after the Mexican Revolution. One popular artist was Diego Rivera who painted many murals of the Mexican Revolution. There was also a famous picture of Pancho Villa and Zapata at the presidential palace in

This painting was created in 1939 by Frida Kahlo. Kahlo created this painting shortly after her divorce with her then husband Diego Rivera. It is said that the painting is used to represent the different sole characteristics of Frida. One of the images represents the traditional Frida in Tehuana costume with a broken heart, the other is seen as an modern day independent Frida. The period of the artwork

Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.

Octavio Paz, a Mexican poet and essayist, is one of the many philosophers with a written piece regarding his understanding of Lo Mexicano. Paz’s “Sons of La Malinche” was first published in the Labyrinth of Solitude in 1950 and is a rather grim interpretation of the Mexican character, however, it captures the crisis of identity that Mexico was burdened with after the conquest. Paz uses the Spanish term “chingar,” (when literally translated means “to screw, to violate”) and its associated phrases to understand the conquest and the effect