Diego Rivera's Detroit Industry, Detroit

Mexico’s indigenous past is suggestive to collect the Chicano art to celebrate the work of Mexican artists and intellectuals. The turn of Mexico’s indigenous past is one of the most

In my opinion, Frank Romero's artwork shows love to the city of Los Angeles car culture, he perhaps drew what he likes to see out in the city of Los Angeles

The Detroit Industry Mural by Diego Rivera was created from 1932-1933 which is displayed at the Detroit Institute of Arts ("Diego Rivera Biography”). The piece represents the industrial and technological advancements made during that time and is shown across 27 panels. Additionally, when Rivera was growing up in Mexico, workers were treated poorly and didn’t have laws to protect them because many were living in poverty. This influenced Rivera to create a mural that honored Detroit’s labor force and technological advancements. Diego Rivera was born in Guanajuato, Mexico in 1886 and lived with his father and mother - Diego Rivera and Maria Barrientos de Rivera ("Diego Rivera Biography”).

In the mural,"Going to the Olympics" the painter Frank Romero portrays a wide variety of colors in his painting. The first thing I saw in the painting were most obviously the cars passing by with big hearts over them. This means that the drivers loved their cars maybe and loved to drive around Los Angeles. You can also see palm trees and the ocean behind the cars signifying that they're somewhere around Los Angeles where there is water. As we look up at the sky we can see an iron for some reason, a GoodYear Blimp which is quite common in the city of Los Angeles, a horse, and two men wrestling in the sky.

Based on the mural image "Going to the Olympics" by Frank Romero 's he was paid to create a work of art in the Los Angles free way. In my opinion I think its a work of art because this is a mural image and the time it and pride it took makes it a work of art. The time and the paint it must have taken to make this image its very impressive. I can see the culture and creativity they are trying to show. They graffiti in LA show what Los Angeles is all about and based on my personal experience each time I go to LA

People began to care less for it in 2001 which led to tagging and damage on his mural. Drivers began to notice tagging on his artwork but they did nothing about it, because they weren't damaging there cars or property. Since no one said a word about his work being damaged the city stopped caring for it. Romero then complained to the city about it, they said they would fix but they never

In the period that followed the revolution, Diego Rivera, David Alfaro Siqueiros, and Jose Clemente Orozco would become famous for presenting the history of Mexico, and of the three Rivera and Orozco would present their interpretation of Zapata, showing the symbolic strength of Zapata and the prevalence of his myth. Artists are as well as a proxy for the popular imagination since many ideas that they would express in their art would be what a section society. This reflects back on the manner in which many Mexicans during 1920 and 1930 being illiterate would come to understand their history and identity through their murals. Out of these artists, the one who would make Zapata into a hero would be Diego Rivera. The mural originally painted in the archway of the Palacio de Cortes in Cuernavaca includes the history of Morelos in which Zapata is present.

Word count: 1476 Above: A painting of the Battle of Puebla, which took place in the Second French Intervention of Mexico (hereinafter called the Second French Intervention). Unknown Name, Public Domain. Further information found in bibliography.

Thus, visual text in Chicano art is a significant expression that often incorporates signs and symbols from ancient past and contemporary times to portray the history, heritage, memories and visions of Chicano society. Vargas asserts, “Chicano artists were perceived as important activists in official manifestos like El Plan Espiritual de Azatlán, which promoted nationalism, seeing art as the key to organization that transcends all religious, political, class, and economic factions or boundaries” (p. 12). Subsequently, a personal expression of the Chicano experience might have social or emotional impact without engaging in the polemics that accompany political art. For instance, Michigan artist and art teacher José Narezo had voiced his view in art; “I believe that art needs to be pure in the sense that it comes from the emotions within.” For Narezo, Chicano art represented a universal consciousness or humanistic attitude rather than a certain image, style or political allegiance.

Rivera’s, Creation is the first of Rivera 's many murals and a touchstone for Mexican Muralism. In the artist 's words, "The origins of the sciences and the arts, a kind of condensed version of human history" (Vasconcelos). It depicts a number of allegorical figures, all seemingly represented with unmistakably Mexican features. Through features of the work as the

Analysis of “Vanitas” by Juan de Valdés Leal The sixteenth century brought about many great artists, who painted in the popular style of the time Baroque. The artist and one of his paintings we will be looking at is ‘Vanitas’ by Juan de Valdés Leal (1660). The work currently resides in the Wadsworth Atheneum in Hartford, Connecticut.

I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.

Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.

The painting was

He was very ahead of his time, “His drawings of a fetus in utero, the heart and vascular system, sex organs and other bone and muscular structures are some of the first on human record.” (Source 1). He definitely had a variety of skills. He was great at all of them, “He is widely considered to be one of the greatest painters of all time. ”(Source 1)