Does Tim Burton Use Direct Sound In Edward Siccorhands?

Tim Burton is known for his dark,gothic fantasy films such as Edward Scissorhands, The Nightmare Before Christmas, and Frankenweenie. These big hits all have Tim Burton's unique way of using Cinematic elements. In Edward Scissorhands, he uses angles and framing to manipulate the viewers into believing a character has more or less power than they originally thought. An example of high and low angles is when Kim and Jim are fighting outside; for Jim they use a low angle and a high angle on Kim.

Tim Burton's Edward Scissorhands tells the story of an unusual outsider who is shunned by society due to his physical appearance and unique abilities. Through his character and story, Burton reveals the positives and negatives of being an outsider, highlighting the beauty of individuality while also shedding light on the isolation and discrimination that can come with it. On one hand, Edward's "outsiderness" is what makes him so special and endearing to those who get to know him. His ability to create beautiful, intricate sculptures with his scissorhands is a testament to his creative genius and artistic talent.

Edward Scissorhands is a fantasy and romance film where the protagonist, by the name of Edward Scissorhands, has an unusual aspect of having scissors for hands. Tim Burton, the director, ingeniously integrated themes of conformity, the importance of connections, and identity into his work. Costuming, camera shots, angles, lighting, and the setting are examples of cinematic techniques Tim Burton utilised to portray these themes. All these elements of the film further helped the audience engage in the movie and relate the ideas to the contemporary world. “Individuals have to change their attitude, actions, and appearance in order to conform to a new environment ” is an important theme expressed in the Edward Scissorhands film.

In, Tim Burton’s cult classic entitled Edward Scissorhands, he illustrates that people who are viewed as “weird” shouldn’t be treated differently than others, they should be understood and accepted. He conveys this idea through non-diegetic sounds, bottom/side lighting, and low angles. Burton’s purpose is to analyze in order to get his desired style and effect on his film. He creates an earnest tone for the judgemental society.

In Tim Burton’s fantasy film entitled Edward Scissorhands, he suggests that things are not what they seem, and it's important to look beyond appearances and truly understand what people's actions are. He conveys this idea through high key lighting, tilt camera movements, and close up shots. Burton’s purpose is to educate the viewer in order to show that looks can be deceiving. He creates a somber tone for prejudiced people. Tim Burton's fantasy film "Edward Scissorhands" serves as a painful reminder that things are not always what they seem and that it is crucial to look beyond appearances to truly understand people's actions.

For example, in the film “Vincent”, Burton uses an extreme close up on Vincent’s eyes as he finds out his “beautiful wife” has been buried alive. This extreme close up affects the mood because of the sadness that the technique portrays. Thus, Burton’s use of extreme close ups establish his creepy style. In addition, Burton uses a long shot when showing Vincent’s evil creations like his “evil zombie dog”. This long shot creates a mood of cruelness and fear because the audience now knows Vincent’s horrific intentions and the things he likes to do.

In the beginning, when Peg is walking through his mansion, the music is dark and mysterious, misleading you into thinking something bad is about to happen, but throughout the scene, the sound starts to take on a more quirky tone. This quirkiness helps you understand Edward and his disposition. The sound that Burton incorporates into his films is a very important part to understanding his movies and his personal

Many of the shots of the character Edward begin with his hands and then move up his body. These closeups of Edward’s omenes ependiges make the entire seen to come slightly frightening. In the film the music is a chorus of voices that seemed to be imitating angels. Tim Burton did this to show that despite his appearance Edward is a good natured soul that only wants to be apart of the town. In his film Tim Burton uses darkness to show the unknown and that which the audience cannot understand.

In Edward Scissorhands, Jim becomes jealous over Edward and Kim’s developing relationship. He begins to threaten and push and try to overpower Edward. Throughout of the drama and trouble, the camera was always at a low point and shot at an upward angle, to make Jim look as if he had all the power. Giving that effect to someone and making them bigger than all the others around them, added more drama and made the movie more enticing. Burton wants you to see that, that person has more can have more power and that they may be someone to watch out for throughout the movie.

The American film director Tim burton has impacted the world, by creating phenomenal childlike movies with a dark twist. He is best known for focusing on the evil villains rather than putting aside the creepy elements. Burton works with Johnny Depp repeatedly, he's become a close friend with Johnny ever since the first film they made together, Edward Scissorhands. Danny Elfman is also a good friend of Tim, he normally composes music for all Tim Burton's films that he has directed. Tim has repeatedly knocked off the scores for highest rating with Edward Scissorhands , Charlie and the chocolate factory in 2005, and as well as Alice in wonderland in 2010.

In life, abnormality is commonly portrayed in a bad light and as deficient. Tim Burton, an imaginative filmmaker, opposes this idea and believes nothing is wrong with the abnormal. Instead, being abnormal should be considered exceptional and unique. With the use of physically abnormal characters and contrasted settings, Burton depicts the idea that the abnormal is preferable to the status quo. Burton oftentimes features physically abnormal characters in his films to develop that being abnormal is the equivalent of being extraordinary.

Burton uses sound to express something he has firsthand experience with being an outsider. For instance, in Edward Scissorhands, Edward starts walking towards Peg in the beginning there was eerie music. Once Peg saw the shadow of Edwards scissors she quickly turns away, and apologizes for intruding. Edward soon speaks up in a very soft voice teller her not to go. Edward is explaining what happened to his hands to Peg, and while he is talking choral music is playing the background.

Tim Burton uses camera shots and angles to show how Edward Scissorhands doesn’t fit in with the town. Burton likes to use close-ups of Edward’s face when he’s in a stressful or dangerous situation. The main scene this paragraph will be focused on is how Edward gets trapped in Jim’s house. If you take a few steps back in the movie, you will see Edward feeling pressured to break into Jim’s father’s house because Jim wants money to get a better lasting van for himself and Kim. Of course, Edward isn’t dumb enough to steal, but Jim claims that his father stole money from him and makes Kim convince Edward to do it.

In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.