Dramatic Devices In Oedipus The King

Oedipus the King is a tragedy that was written by Sophocles that emphasizes the irony of an irony of a man who was determined to trace down, expose and punish an assassin who in turn became him. Oedipus the King is also known as Oedipus Rex or Oedipus Tyrannus. The art is an Athenian play that was performed in ages approximated to be 429 BC. Oedipus the King would later in the play fulfill the prophecy that he would kill his father and later on marry his mother. There is a twist of an event in the play where Oedipus is looking for the murderer of his father to bring to a halt the series of plagues that are befalling Thebes but only to find he is in search of himself (Rado, 1956).

Oedipus the King, by Sophocles, is really a story about the necessity of placing more faith in others and their counsel than in oneself and one’s own beliefs. Repeatedly the titular character is pleaded with to listen to and accept the advice of those around him and each time he refuses to obey. Ultimately, Oedipus’ tendency to do perform the actions he would prefer to do rather than to allow his family to help guide him leads to his downfall and loss of the throne. A common characteristic of Greek tragedy is the “fatal flaw” of the main character and how this flaw leads to the character’s misfortune.

Oedipus the King Literary Analysis Jennifer Tincher When something horrible happens your first reaction is to blame yourself. What if the blame actually lies with the almighty beings? Tragedy is a central idea in Ancient Greek work. Usually it is brought on through a flaw in a character being exploited.

With the realization of his demise, Oedipus tries to protect himself from punishment and shame by gouging out his own eyes and exiling himself out to die in the place destiny prevented him from dying originally. After many years of luxurious living, Oedipus’s predestined fate tears his life apart and returns him to the place he should have died as an infant, the mountain. Through the use of, departure, initiation, and return, Sophocles displays the journey of Oedipus. Not only is Oedipus the King evidence of the use of the hero’s journey throughout many famous plays, movies, and books across all cultures and time periods, but it also seen as a perfect tragedy, in which the audience experiences both pity and fear for the main

It is often said that an anti-climax work is more admired than its counterparts. For reasons, the struggle of humans, the ultimate failure of a hero, and the corruption of mortal spirit have always hold its ground against classic comedy. From the ages of Oedipus Rex, a tragedy carries the irony of an egoistic giant trapped in predestined downfall. Oedipus was almost certain that he had escaped the arranged destiny. This confidence led him to pursue the murderer of Thebes until, at the end, he made the horrible discovery that his wife was his mother, and that his daughters were instead, his sisters.

Throughout both plays, dramatic irony is used to portray the protagonists as tragic heroes and deliver their meanings as a whole. The heroes are not necasarilly aware of these events of dramatic irony, but they are apparent to the audience. One example is when Oedipus refused to believe Teiresias the blind prophet about the truth of his actions and the prophecy. Oedipus called him a “… sightless, witless, senseless, mad old man,” when ironically Oedipus , “with both [his] eyes”, was the one blind to the prophecy and the severity of his actions (Act1.

Introduction The story of Oedipus the king is gloomy, yet captivating. Going from a child bond around the feet and abandon by the mountainside, to marrying his mother, his story is intriguing. In search of the truth about the prophecy and putting an end to a plague Oedipus, search for king Laius’s killer, did somethings inadvertently, making him a tragic hero. His search for truth in the death of Laius the king, as well as his birth led to the ultimate destruction and downfall of his life.

As more information is uncovered, Oedipus’ legacy is exponentially diminished as a childhood prophecy revolving around Oedipus, murdering his father and marrying his mother, is brought to light. Knowledge possesses the power to catalyse devastation in stages as demonstrated through Oedipus’ ignorance, his overwhelming curiosity, and his psychological anguish. From the beginning, Oedipus was raised in a legion of lies, believing Merope and Polybus to be his true parents. This cloak of ignorance not only shielded Oedipus from the knowledge of his biological parents, but allowed the prophecy to act as a catalyst for his fleeing of Corinth.

Niya Kebreab King Oedipus: Moral Ambiguity In the play King Oedipus, Sophocles depicts Oedipus’ inevitable downfall, which represents man’s struggle between free will and fate. In an attempt to use the audience’s knowledge to his advantage, Sophocles opens the play seventeen years after Oedipus murders his father, Laius and marries his mother, Jocasta. The sequence in which the story unravels reveals the strong psychological focus towards Oedipus’ character. In search of his identity, Oedipus’ enigmatic quality and moral ambiguity compels readers to question whether his ignorance renders him morally blameless.

Brilliantly conceived and written, Oedipus Rex is a drama of self-discovery. Achieved by amazing compression and force by limiting the dramatic action to the day on which Oedipus learns the truth of his birth and his destiny is quite the thriller. The fact that the audience knows the dark secret that Oedipus unwittingly slew his true father and married his mother does nothing to destroy the suspense. Oedipus’s search for the truth has all the tautness of a detective tale, and yet because audiences already know the truth they are aware of all the ironies in which Oedipus is enmeshed. That knowledge enables them to fear the final revelation at the same time that they pity the man whose past is gradually and relentlessly uncovered to him.

When Teiresias accuses Oedipus of being the defiler of the land he forgets the problems of the people and is encased in anger making him accuse Creon of bribing Teiresias. When he is speaking to his wife, Jocasta, he can only concentrate on one thing at a time and forgets the mention of Laius having a child and also forgets the problem concerning his birth. Finally with the message from Corinth he starts to realize how everything ties together. Bloom states that “we learn that the best sort of tragic hero is a man highly esteemed and prosperous who falls into misfortune because of some serious (mega√lh) aÓmarti√a:examples, Oedipus and Thyestes.”(18).

Sophocles uses dramatic irony to show the ignorance of Oedipus Rex as he cannot see the truth. Oedipus cannot see the truth because his hubris is encouraged by the people and himself. Oedipus’ ignorance is also clearly displayed after an effort to save his city. Although Oedipus is a fictional character created thousands of years ago, his actions can easily connect to many people in today 's society. The theme conveyed in Sophocles play Oedipus Rex is hubris often results in one 's ignorance.

Oedipus the King is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times The Play is about Oedipus, the king of Thebes, who kills his father and marries his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would murder him. Accordingly, when his wife, Jocasta, had a son, he exposed the baby by first pinning his ankles together. The infant, who was adopted by King Polybus of Corinth and his wife was then brought up as their very own.

The Queen, Jacosta, Oedipus’ wife tells him not to believe in the prophet, because they’ve been wrong before, she then tells Oedipus about how she and King Laius had a son who was prophesied to kill Laius and sleep with her but since the child was supposedly dead the prophecy couldn’t be true. Oedipus becomes a bit weary because as a child an old man told him he was adopted and that one day he’d kill his real father and sleep with his mother, Oedipus did also kill a man at a crossroads which sounded like the way Laius died. Oedipus continued questioning the messenger and found out that he was the man everyone spoke of and Jacosta then comes to the realization that Oedipus is her son and kills herself.

Through such characterization, Sophocles heightens the emotions in the play by demonstrating how these traits contribute to the catastrophic conclusion. Sophocles deliberately depicts Oedipus as a seemingly infallible yet prideful ruler in order to augment the subsequent devastation Oedipus causes, thus realizing the vision of an Aristotelian tragedy. Aristotle identifies nobleness in character as a characteristic of a tragic hero. Oedipus personifies this criterion; he is revered as one of the most adept rulers in all of Greece. Indeed, he constantly reminds himself that “I am a king . . .