Duncan's Guilt In Macbeth

Macbeth is a play written by Shakespeare in 1606. Macbeth is essentially a story of a warrior who gets consumed by his own greed and ambition. Betrayal is a prevalent theme throughout the play that shifts power between the characters. In the beginning, the Thane of Cawdor betrayed the country and the king. When King Duncan heard the news he removed him from his position, “ No more that thane of Cawdor shall deceive Our bosom interest: go pronounce his present death, And with his former title greet Macbeth” (Shakespeare 1:2:63-66).

A Guilty Conscience: How Guilt Drives the Powerful to Insanity Guilt is the cause of the destruction of many, particularly in Shakespeare’s Tragedy of Macbeth. As Macbeth and Lady Macbeth continue to murder for the sake of power, they embark on opposite journeys but their guilt ultimately drives them both to insanity. Macbeth goes from being driven mad with guilt, to his instability causing him to murder recklessly. His wife goes from expressing no compassion or guilt to her guilt overcoming her and driving her to madness.

Guilt plays a strong role in motivating Macbeth, and causes Lady Macbeth to be driven over the edge of her being insane leading to her death. Throughout the story, there are many different types of guilty feelings that play a role in Macbeth’s fatal decisions and bring Lady Macbeth to commit suicide. Although there are many instances that show the power guilt has played on the main characters, there are three examples

5-7). In this instance, Macbeth shows that he can feel guilt, and he exhibits this by demonstrating that he does not desire to end the life of a man whose family was already victimized at his hands. Guilt is the one thing throughout the entire play that stops Macbeth dead in his tracks and causes him to take a moment to consider his present and future courses of action. Although Macbeth was lead to commit murder by the witches’ manipulative predictions of the future, he is the one who ultimately makes the choices that prove that he is in control of his actions, even when his actions cause him to be filled with

As a result of her inability to escape the nightmare of immense guilt in sleeping or in wakefulness, Lady Macbeth crosses into the state of eternal sleep, death. In conclusion, William Shakespeare’s Macbeth demonstrates that a guilty conscience is a mind-probing enemy that can strike quietly and become a deadly, overpowering force that can subdue anyone with remorse. Through Lady Macbeth’s character transformation, the effects of a guilty conscience can thoroughly be seen. At the beginning of the play, Lady Macbeth is an ambitious character that can repress her guilt to perform evil to a high extent.

The need for Macbeth’s trial stands due to the given evidence for the charges against humanity, murder, and treason. He ruthlessly killed King Duncan, Banquo, and Macduff’s family. Their deaths are in vain if we do not indict him. Macbeth needs a prosecution because he willingly took the immoral path of aimless slaughter and selfish ambition. Even if Lady Macbeth pressured Macbeth, he killed King Duncan impelled by his own selfish ambition and lethal thoughts.

Shakespeare engineered a most impressionable character in Macbeth who easily succumbs to the extensive magnitude of opposing constraints. This character is Macbeth, who is the protagonist in the play and husband to a conniving wife, who in the end is the sole cause for Macbeth 's undoing. Conflicting forces in the play compel internal conflicts within Macbeth to thrive on his contentment and sanity as he his torn asunder between devotion, aspiration, morality and his very own being. He has developed a great sense of loyalty from being a brave soldier; however, his ambition soon challenges this allegiance. As his sincerity begins to deteriorate, his own sanity starts to disintegrate until the point where he cannot differentiate between reality

"Eat our meal in fear and sleep / In the affliction of these terrible dreams / That shake us nightly" (3.2.17-19). This depicts that Macbeth is fearful, paranoid, and plagued with nightmares that will eventually lead him towards insanity. Additionally, in Act 5 it says "Rise from her bed, throw her night-gown upon her, unlock her closet, take forth paper, fold it, write upon't, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep" (5.1.5-7). The motif is also effective in the quote because Lady Macbeth is acting like she is awake when she is actually asleep.

Sleep is one of the purest forms of altered consciousness however, traumatic experiences can impede one’s unconscious thoughts. Macbeth returns after killing Duncan and the guards, grief stricken and afraid. He tells his wife that sleep itself has been murdered and that nobody is immune his treachery (5.1.44). Macbeth’s crime is intensified by the act of murder being done at night and to sleeping rather than awake guards. The moment of guilt that Macbeth felt for his actions represents the hidden innocence behind the crimes.

Prevention from a peaceful slumber develops as a result of the immorality of her crimes being suppressed until it breaks her sanity and seeps into her dreams. Finally, guilt induces feelings of despair in Lady Macbeth so potent it causes her to take her own life. “The queen...is dead” (5.5.16) because she was not able to “minister to [herself]” (5.4.47). Depression bubbling inside of the queen becomes too much for her to bear alone. Regardless of this, she continues to harbour these emotions until she could endure no more and commits suicide.

The word “sleep” is used throughout Macbeth with various connotations. One of the ways to interpret Shakespeare's use of “sleep,” is as a symbol of innocence. This symbolism is used repeatedly in concerns to Duncan and his murder. When Lady Macbeth is unable to kill Duncan, she explains, “Had he not resembled / My father as he slept, I had done’t”

The voices he hears that threaten: “Macbeth shall sleep no more” indicate a relationship between guilt and madness. Therefore, the manifestation of the dagger suggests that he feels guilty because of his attempt to murder Duncan. There are three major transitions of thought. First, he contemplates about the dagger’s existence; the second is the invocations of dark images; finally, there is the bell that cuts off Macbeth’s contemplations. The transitions between topics indicate that while Macbeth feels guilty for the murder, his determination makes him ignore

From Macbeth feeling “drowned in blood”, to Lady Macbeth not being able to wash her hands, shows how guilt will always come from making bad decisions. One wrong choice can ruin a person's life

Macbeths guilty conscience makes him unable to play the ‘true’ role of a villain of the play. Macbeth begins to see ‘false creations’ before murdering Duncan; the image of a floating dagger taunts Macbeth’s senses. Macbeth is devoured in his anxiety he starts to hallucinate the crime before going through with it. Macbeth is unable to dispose thoughts of his guilt and doubt, which prevents him from being stuck at the point where it is too late to turn back, yet the fear of his nature prevents him from turning completely into a ruthless coldblooded

At first Lady Macbeth did not feel any guilt until things begin to get carried away. Sleepwalking, Lady Macbeth is heard saying, “Here's the smell of blood still. All the perfumes of Arabia will not sweeten this little hand. ”(5:1:53-55) and“ Out damned spot, out, I say”(5.1.37). Lady Macbeth is saying these things because she is visualizing that there is blood still on her hands representing her extreme guilt because she knows what she did not was wrong.