Edna St. Vincent Millay's Poem 'Spring'

There are many tragic reasonings through nature, where it may sadden a person or make a person happy. In the poems “The First Snowfall,” “Thanatopsis,” and “The Chambered Nautilus,” the value of nature is said to be that death is not tragic. In “The First Snowfall,” there is a broad understanding that is given to listeners to analyze that humans cannot care for their loved on who have passed, nature will. In “Thanatopsis” nature has the abilities to make us feel better by lightening out dark thoughts of death allowing us to understand that death is upon all, as we are not alone. In “The Chambered Nautilus” it gives us an understanding that nature remains with us and it tells us to make ourselves better than who we really are.

“The Cameo,” a poem written by Edna St. Vincent Millay, revolves around a cameo or a jewel being observed by the persona. The cameo depicts two scenes showing a couple by the beach. In the first scene, they are confessing their love for each other as the man is “in earnest speech” (7). In the second scene, it can be inferred that the couple broke up as seen in the following lines: “lost like the lost day / Are the words that passed, and the pain,-discarded, cut away” (10-11).

Time after time, spring arrives just like the previous year beforehand. Although this signifies the time of rebirth, it seems as if nothing obtained a new life with the passage of time. This yearly process normally holds a special place with many due to the positive feelings towards new life. Flowers still germinate at the same time as past loved ones rot away in the ground, without a thought. In Edna St. Vincent Millay's "Spring," the reader of the poem can easily identify the speaker's dissatisfied tone in regards to the arrival of springtime.

Cummings chooses to use the word spring because he is describing a time of change. Spring, in terms of a season, is between winter and summer and it is the time when nature begins to change and come back to life. Although, that is only one meaning of the word spring.

In the first stanza’s, the narrator’s voice and perspective is more collective and unreliable, as in “they told me”, but nonetheless the references to the “sea’s edge” and “sea-wet shell” remain constant. Later on the poem, this voice matures, as the “cadence of the trees” and the “quick of autumn grasses” symbolize the continuum of life and death, highlighting to the reader the inevitable cycle of time. The relationship that Harwood has between the landscape and her memories allows for her to delve deeper into her own life and access these thoughts, describing the singular moments of human activity and our cultural values that imbue themselves into landscapes. In the poem’s final stanza, the link back to the narrator lying “secure in her father’s arms” similar to the initial memory gives the poem a similar cyclical structure, as Harwood in her moment of death finds comfort in these memories of nature. The water motif reemerges in the poem’s final lines, as “peace of this day will shine/like light on the face of the waters.”

The poem, Dirge Without Music, by Edna St. Vincent Millay, is expressing that a loss of a loved one can be difficult to overcome. In this poem, the author tends to repeat the same phrase. “I am not resigned” (Millay 1.1). According to the google dictionary being resigned means “Having accepted something unpleasant that one cannot do anything about.”

The symbolism in the month of April implies rebirth but it can be inferred as rebirth in the sense of the circle of life. It can be interpreted as the darkness of winter, or the worst times of the father’s illness, are now coming to a close as he does not have much time left. The

Thanatopsis by William Cullen Bryant is a Fireside poem about death. The central message throughout this poem is that death is an inevitable part of life that we should not fear, but embrace. The use of personification throughout the poem helps develop the central idea. Personification is the giving of human-like qualities to a non-human subject. In lines 1-3 Bryant uses personification “To him who in the love of Nature holds/Communion with her visible forms, she speaks/

Begin essay here: The poets Pat mora, Mary Oliver, and Lucille Clifton use personification to create a message about nature in the poems "Earth is a Living Thing," "Sleeping in the Forest," and "Gold." In "Earth is a Living Thing," Lucille Clifton shares an example of personification that says, "(the earth) feel her brushing clean. " The universe is the parent to the earth, so the earth is getting its hair brushed clean. In nature the universe is giving wind to the earth to make the people and animals feel fresh. The poem "Sleeping in the Forest," written by Mary Oliver shows an example of personification that is "(the earth) her pockets full of lichens and seeds.

The theme of the short story,” Marigolds” by Eugenia Collier is that in a ugly situation there is something positive within. In the text the author states ” Beyond the dusty brown yard, in a dazzling strip of bright blossoms, clumped together in enormous mounds, warm and passionate and sun-golden”(Collier 164-167). This shows that these marigolds were the only beauty sticking out of the ugly field of Miss Lottie. This matters to the setting because within the dusty brown field there was marigolds which were bright and beautiful meaning there is something positive. Another piece that proves this is” she had nothing except for a falling down hut, a wrecked body, and John Burke, the mindless son of her passion.

Edina St. Vincent Millay’s poem “Oh, Oh You Will Be Sorry for that Word” is a lyric poem in which a woman is arguing with a man that started when he said something derogatory about her reading such a large book when she is a delicate creature. The woman is obviously upset about the fact her supposed friend/lover/husband behaved badly towards her. It is a Shakespearian Sonnet because the rhyme scheme is ABAB CDCD EFEF GG with a meter that most likely resembles trochaic. The only line that does not fit into the meter is line three. The poem has Masculine Rhyme because the words that rhyme do so with the last syllable.

In the middle of act one Mama says, “Lord, if this little old plant doesn't get more sun than it’s been getting it aint never going to see spring again. ”(1.1, 40) Mama says this in the beginning as the plant symbolizes their dream, and the sun symbolizes hope. Their dream will never be pursued if they don't have hope. As the Younger’s seem to live in darkness with little hope.

Not to mention how the entirety of the title is a metaphor, little additions and comparisons strategically placed by Hawthorn expose readers to the much deeper meaning to each of the scenes. It is amazing to see Hawthorne’s ability to use metaphor in beautiful ways, such as comparing children to flowers, as well as dark serious ways, such as Chillingworth’s resemblance to Satan. As previously mentioned, there is high importance placed on the underlying meanings of the natural world within the novel. Comparisons to season such as Spring represent growth and plentifulness all while Hawthorne is not afraid to represent suffering and death through relation to the decay or a garden once abandoned. It is common for Hawthorne to use people on the other ends of a metaphor in order to give insight into their true personalities.

The central meaning of Marvell 's poem revolves around the manipulation of mankind, "With strange perfumes he did the roses taint" (line 11). The aforementioned line represents the capability humans have to create artificial flowers mimicking the same make-up of that of a real rose or taint. Throughout the poem the author refers to he, him, or man as something that is wielding nature in a negative manner. By repeatedly giving examples about the effects of society, the audience can detect that the ongoing theme is relevant to the poet 's

However, the description of the poppies’ become negative as we see that the bright red colour of the poppies swaying in the wind. This reminds the poet of the flames flickering in the fires of hell: "little hell flames" She cannot touch the poppies and it frustrates her. She then wonders whether or not these poppies are dangerous. It drains her to watch the poppies, yet she continues to carefully observe them. She calls them as “hell flames,”She seems to refer to self harm multiple times in this poem.