Edward Savage Bald Eagle Analysis

In Colonial Williamsburg there are many significant architectures. Buildings such as the Bruton Parish Church, Governor’s Palace, the Capitol, and the Magazine all had a big contribution in Virginia's history. Each building deserves a commemorative coin, but only one can be selected. By studying all the four structures, the one most deserving of a commemorative coin is the Magazine. During the Colonial times, the Magazine had many significant effects.

In An Imperfect God, Henry Wiencek presents George Washington as a specific case through which to study what he calls the great “paradox” of American history: how a nation founded on the philosophies of liberty and equality also kept human beings in chains. Washington was a slave-owner his entire life and he took the role of managing the slaves who lived and worked at Mount Vernon including their purchase and sale. Prior to the Revolution, Washington “was just another striving young planter, blithely ordering breeding wenches for his slave trade, blithely exiling a man to a likely death at hard labor” (Wiencek 133) The fortune produced by Washington’s slaves kept him in the ranks of Virginia’s planter elite, securing the social and political prestige that helped lead the Second Continental Congress to appoint him commander-in-chief of the Continental Army in 1775.

Colonial Williamsburg is a place to explore past events, traditions, and ways of living. Today it is the largest history museum in the world, and home to four very important structures, Bruton Parish Church, the Capitol, the Governor’s Palace, and the Magazine. They show importance during colonial times, relevance today, and connect to the motto, “That the future may learn from the past,” but the Magazine displays these three things best. Because the Magazine, a three-story, eight sided brick building, held the ammunition and explosives, is considered our symbol of freedom today, and connects to the motto, it deserves a 2016 commemorative

In Samuel Adams: A Life, author Ira Stoll begins Adams’s biography with a prelude explaining the purpose of his book: to describe Samuel Adams, tell why history has largely forgotten him, and serve as a reminder for why we should remember him. On the whole, Stoll is true to his promise; he writes of Adams’s life, pulling accounts from Adams’s contemporaries as well as using excerpts of Adams’s personal correspondence and his numerous newspaper publications. Stoll’s research is evident in that he includes the opinions and research of other historians and Samuel Adams biographers. Stoll’s biography follows Samuel Adams from childhood to death, and thus essentially tells of the origins and formation of the United States. The biography is compelling,

During the 18th and 19th century a lot was changing in the Colonies but, one constant during a crazy time in American history was the idea of liberty. Freedom meant that you were able to choose where you wanted to live, work, and speak your mind when you wanted to, without fear of a strict government coming down on you for it. The people of America wanted to be able to feel free but have a government there to protect them and Britain was not allowing the colonies to feel free or represented. In this paper I will talk about two excerpts In the Voices of Freedom by Eric Foner. One is a letter written back home from a German immigrant who is now living in Pennsylvania.

Benjamin Banneker addresses Thomas Jefferson, arguing that although Jefferson claims to support the Declaration of Independence, which clearly promotes equality to all people, Jefferson is “found guilty” of treating slaves unjustly, encouraging Jefferson to abolish slavery. Banneker asks Jefferson to “look back… on the variety of dangers to which” Jefferson has overcome. Banneker flatters Jefferson with his noble deed of supporting equality, in order to acknowledge his trust and support for Jefferson, building his gratitude so Jefferson will be more likely to take his criticism. Quickly Banneker sheds light on the cutting truth: Jefferson left out a group from equality. Slaves.

The detail was changed by Revere most likely to make the viewers of the engraving to feel bad for colonists and see the soldiers as blood

Luis Sevilla For: Dr. Stephens History 1301 42T 12 October 2015 Review #2 Does Thomas Jefferson come across as a great man, or a petty one? That is all based on opinion. From the little that is taught about Thomas Jefferson he comes across as a great man. Jefferson is not only known as a founding father he is also a big symbol in American History

From the Revolution to our contemporary world, freedom has been America's mightiest force for cultural development and motivated numerous powerful events. Eric Foner views freedom not as a record of facts but as a possession which has been debated greatly for its elasticity throughout American history. Foner’s text “Give Me Liberty” depicts freedom to have been constructed not only in politics and authorized environments but also by depicting struggle to achieve the rights of African Americans, women, the working class and immigrants. Injustice and freedom can only be comprehended retroactively, when looking back at the past, and is difficult to understand it while you’re in that era. It all comes down to the fundamental history of America

The

“Life among the Lowly, 1873”, by Madison Hemings, tells the story of the son of Thomas Jefferson and his slave Sally Hemings. Jefferson married Martha Wales, and after the death of his father-in-law, Martha’s father John Wales’ concubine Elizabeth and their children fell to his wife, and consequently became his property (Madison Hemings, 192). Before his trip to France, his wife Martha fell ill and passed, causing Jefferson to take his daughter Martha with him instead. His slave Sally Hemings (John Wales and his slave Elizabeth’s child) accompanied Martha as a body servant (192). During their time in France, Hemings became Jefferson’s concubine and was impregnated by him.

He questions his audience of the significance of Independence Day to slaves, and he answers it in an extremely contrasting way: “your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; … your shouts of liberty and equality, hollow mockery,” that the celebration is “a thin veil to cover up crimes which would disgrace a nation of savages.” Douglass dismisses the national pride, characterizing it as a mere expression of people’s ignorance. The antithesis, with “greatness” being “vanity,” “sounds of rejoicing are empty and heartless,” and “shouts of liberty and equality” being “hollow mockery,” provokes shock and anger from the audience, who have just been part of it and are now degraded as “savages.” However, Douglass was not trying to be inflammatory but provocative, witnessing the pathetic enthusiasm in the anniversary, that people feel exuberant about themselves while ignoring the saddening

“...GIVE ME LIBERTY, OR GIVE ME DEATH!” (Henry 92). Freedom is a right that every living human being deserves and needs; however, in the early years of America, this right was withheld from a copious amount of people because of the prejudice, judgemental, and immoral atmosphere of an America that ironically fought for its own freedom from Great Britain. Although some people were outspoken enough to bravely insist upon change, the change requested always transpired slower than molasses. Nevertheless, the persuasion and rhetoric in powerful speeches such as those from passionate speakers: Frederick Douglass, Thomas Paine, and Patrick Henry, compelled their stubborn country to truly think deeper and take action concerning the elephant in the room.

Viewing Emanuel Leutze’s Washington Crossing the Delaware painting evoked a great deal of emotion. Upon walking into the room filled with American landscape paintings, the enormous size demanded all my attention temporarily making me forget about the rest of the paintings. The longer I gazed at the artist’s magnificent triumph, the more I felt a part of this historic venture. The painting is oil-on-canvas, and it’s not the only painting Leutze made. The first version of this painting was damaged by a fire, and the second painting, which is a full-sized replica of the first, was begun shortly after the first version was damaged.

This romantic style painting showcases the drafting committee of the Declaration of Independence on June 28th, 1776, commonly thought to be the signing, which took place at a later date. In this painting, five men present a draft of the declaration to Congress. John Adams, Thomas Jefferson, and Benjamin Franklin were painted from memory. John never met Robert Livingston or Roger Sherman, but they are also prominently featured in the painting. Several other members of the Congress are featured in the background.