In Raymond Carver’s “Cathedral” he writes a story about a husband's journey to his epiphany. Robert, a blind man, teaches the husband how to see without his eyes. Often a person with the ability to see takes this for granted, leaving them only to see what is on the outside rather than seeing people, and things for what they really are. In this short story, Carver conveys the narrators epiphany through the symbol of the cathedral. Carver develops a story with symbolism throughout his story, beginning with the first line, “This blind man, an old friend of my wife’s he was on his way to spend the night. His wife had died” (Carver 84). This shows his attitude towards blind people by pointing out that Robert is blind, and not just an “old friend of [his] wife’s” (Carver 84). Carver develops the two main characters to completely contrast one and other both physically, and psychologically. The narrator in the story represents a person who sees but cannot “see” and Robert as the character who can “see” but lacks the ability to see with his eyes.
The cathedral that the narrator draws with the blind man represents the ability to see beyond the surface of things, and find underlying deeper meanings to things. Before drawing with Robert the narrator was so close
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A literary symbol is usually defined as something to signify ideas and/or meaning by giving a symbolic meaning, contradicting or being different from the literal meaning. Usually these types of symbols are used to develop a more deep, and significant meaning. Just as a cathedral's literal meaning is to offer a place for the religious to worship, the narrator’s drawing of a cathedral has opened a door for him into a deeper place in his own world where he can see beyond what is immediately visible to him; Breaking free from the monotony of his every day life, and what he lacks to see and embrace because of
The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).
From that moment, the narrator show his true side to me. It shows that he doesn’t not care about his wife feeling toward the blind man. After carefully reading “cathedral”, the narrator is jealous of the blind man relationship with his
He realizes how smart Robert is, and he keeps being shocked as the night goes on. While listening to a show about Cathedrals, Robert asks the narrator to describe him a Cathedral. The narrator tries his hardest, but can not do it. To combat this, Robert takes the narrator's hand and has him close his eyes and together they draw the church just from memory. After drawing the Cathedrals, the narrator describes the picture as, “ It’s really something” (103).He learns how seeing is not everything in life, and how wrong he was with his assumptions about Robert.
As the story develops, the narrator grows to like Robert, and as the story ends we see the two draw a cathedral together which allows the narrator see a new side of everything and allow for him to be more connected to the blind man and his wife. This plot is commonly seen in many different media’s, but it’s used more cleverly here, as it allows for characters to flow with the story while not sacrificing the story being mediocre. In saying this, the plot of this story is very character-centric and is vital to helping to advance the story. Within this story the character
A Cathedral is a place for people to go and worship, to connect with God. By drawing the Cathedral the narrator is in some ways also making a connection. For the first time, he appears to be able to see. The narrator's ignorance and preconceptions fade away because he sees that although Robert has the gift of knowing and understanding people. There is also a sense of irony at the end of the story.
He comes to see that his own tunnel vision has limited and isolated his view of the world around. The two men hold hands while drawing the Cathedral. If not for this life-changing experience, this narrator would simply have continued on his close-minded lifestyle never learning about or accepting other people as they are. After finishing the drawing of the cathedral Robert asks, ”What's a cathedral without people?” (Carver 428).
So, I guess, in a sense, the symbolism is vision and sight. Even though the narrator isn’t blind, he essentially is due to his rather closed off “blind” view of people and the world. The actual cathedral that is drawn could be seen as a religious place of worship, a place where people go to find themselves and/or God, and when the narrator finally closes his eyes and draws the cathedral, he has some type of epiphany and finally sees what lies underneath the surface – in way coming to a spiritual revelation of sorts that can occur in
The narrator curiously asks Robert if he knew how to describe a Cathedral. Unsure, Robert tells him to draw one for him so he can better understand. The narrator puts Robert’s hand on his so that he can feel the motion of him drawing. “He found my hand, the hand with the pen. He closed his hand over mine” (3.30).
Robert loves his wife and views her as his soulmate rather than a body to fill empty space. Robert’s physical blindness does not hold him back from feeling, while the narrator’s emotional lack of sight proves more
In the story, the narrator’s narrow mindset is challenged over and over again as Robert breaks most stereotypes that the narrator held. As these stereotypes are broken, the narrator begins to feel more comfortable with Robert, and sincerely tells him that he is “glad for the company”. This release from prejudice culminates in the cathedral drawing scene of the story, where the narrator finally lets go of his bias towards blind people. Once the narrator closes his eyes, he is seemingly equal to Robert, and he consequently begins to understand Robert’s perspective. His newfound empathy towards Robert demonstrates how he has lost his prejudice towards him.
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
Furthermore, the narrator is starting to realize that he enjoys Robert’s company as well as compelled to explore Robert’s eye sight limits, to help Robert visualize a cathedral. The narrator tries to describe a cathedral, but failed to do so, and retreats back into cynicism. The narrator’s response Robert’s question was, “the truth is, cathedrals don’t mean anything special to me. Nothing cathedrals.
Robert just replied to her saying they are drawing a cathedral. The blind man ran his fingers over the paper, and places his hand over the narrator which is the beginning to the narrator’s meaningful life lesson. The man with lots of prejudices against blind people, that jealous husband who thought that the blind man has feelings for his wife began to draw. Robert encourages the narrator to close his eyes and keep drawing.
Robert asks about the narrator’s religion which brings them to the topic of Cathedrals. Since Robert is blind he doesn’t know exactly what a Cathedral is and only can picture a normal building and what he thinks it might be like. As they continue to talk, Robert asks for some paper and a pen. Robert takes Bub’s hand and tells him to draw a Cathedral. Robert continues to cheer Bub on and continue drawing.
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience