Source 2-Analysis Origin The image on the right was created by Australian artist Fred Leist. The image was created in 1921, in United Kingdom. Type The image on the right is an oil on canvas painting that has been framed. Audience The Australian artist to capture the scene of Lone Pine for the Australian people created the painting. The painting depicts the scene so realisitilty the Australian people and families can visualise the brave and courage of the soldiers and the conditions in which there ‘boys’ and loved ones fought in. the painting is intended for the visuallyiscan but can also be useful to those studying and investigating the war. Motive The reason behind the creation of this painting is mainly for the Australian people. The Australian people (as mentioned above) are able to see how there people and loved ones fought in the war and was created specifically for those whose family and relatives were fighting in the Battle of Lone Pine as well as other battles in Gallipoli. Other motives that lead to the …show more content…
This can therefore be argued as reliable. It can also be argued that the source is unreliable as it shows only ones impression of the battle. Overall, the painting can be considered as reliable as it was created to show the Australian people and families where and how their family and/or relatives fought in the battle and other battles as well as to record the actions of the Australian soldier on the war front. The painting is likely to contain some bias as it was also created to show the atrocities of war but can be considered as more reliable than other sources of the same battle that may have been created a longer time after the battle by those that were not present at the battle or that hold a biased view against the battle and the Turkish
The attack was planned as a diversion for the Australian and New Zealand groups that were to breakout from the Anzac by capturing Chunuk Bair. Australian artillery barrage lifted and from trenches in the land the 1st Australian Brigade charged towards the Turkish at 5:30pm. This misconception was hoped to draw a force but in fact drew a division on the Australian Brigade. After the battle 2298 Australians and 5000 Turkish people died in the area about the size of three football fields. This is the contribution made by the Australian soldiers.
This extends to going to war. Shaun Tan and Gary Crew’s ‘Memorial’ represents how the bonds of friendship have led Australians into the most horrific of circumstances. The tree in the book embodies the memories of soldiers of past. It represents three generations of war in which Australia has fought and remembering the fallen comrades that died in battle. The book demonstrates an image of patriotism within Australia.
Pyle is showing how gloomy, sad, and tough a war can be by having all of those soldiers lying dead all over his painting about the Minnesota Civil
As being one of the very few major battles Australia had been involved in this feat has been influence tremendously exaggerated. There is no doubt of the difficulty of the terrain the anzacs faced but the problem s some of the recount of the conditions to exaggerating. It is common to hear the track described as green hell or the toughest terrain in the world. In fact, it is not just Past politician exaggerating the campaign for political ends with Kevin Rudd commented that he was a survivor of the Kokoda track with sparked outrage among veterans. The fact of the matter is the terrain isn’t even the toughest in Papa New gunie let alone the
The dust across the mid ground of the painting contrasts against the blue and green hues of the top third of the painting. The detail of the drover on his horse in the foreground of the painting shows how Roberts can have intricate details whilst maintaining a soft and smooth stroke line. This interprets the theme of ‘The Bush’ by comparing it to Australia’s inner core landscape. The green from the trees is perched above and away from the earthy tones below. The perfectly blue sky shows a hope in the distance indicating the help the drover needs in this story.
The whole painting is in black and white which gives it a lugubrious tone. The angle of the portrait allows the audience to see the facial expression of each person in the painting. Both African American males have a sort of grin on their face, which shows that the painting is in favor of them. The communist, KKK member is depicted as a skeleton that is weak and being destroyed. The man that is stopping the communist member from hanging the little boy has a banner on that says CRC, which is a representation of the civil rights congress standing up for the rights of African Americans during that time.
It is a beautiful painting with one inscription they notice on the side. This wall was dedicated to Jimmy Lyons who was a friend of theirs. Jimmy was going to take them fishing when he came home from the war, however, he did not return.
When choosing a portrait to analyze, some may have a very difficult time doing so due to the abundance created over the years. For my analysis, I chose the portrait called Washington, General Lafayette and Tilghman at Yorktown. This painting, done by Charles Willson Peale depicts the three generals after their victory at Yorktown during the American Revolutionary War. As a response to the victory, the Maryland House of Delegates asked Governor Thomas Sim Lee to commission Charles Willson Peale to paint the portrait- which he finished in 1781.
It was recorded that around 600+ Australian soldiers had died on the battlefield, and 1600+ were wounded. The
The painting was created with the purpose of recording history, as it is not done in deep detail or extreme accuracy. The painting depicts the English arriving upon a shoreline spotted with aboriginals. The aboriginals appear to seem outnumber the English and portrayed with a sense of urgency - their positioning erratic. The body language of the aboriginal figures portray a sense of curiosity, they are not formal or entirely defensive but instead reaching out to the British with others clumped together watching cautiously. The British are painted in a more formal manner, wearing blue jackets and hats.
However, even with this in mind, the battle was a significant one, for both good and bad reasons, and this cannot be denied. Through the sheer number of soldiers lost, all the way to the depiction of the Australian spirit in preserving the memories of these men, it is clear that the battle served a purpose, in the
The image above is from the post modern picture book ‘Voices in the park’ by Anthony Browne. Browne’s picture book uses various meta-fictive devices such as, a non-traditional plot arrangement, a purposeful interplay between image and text to position the reader thus, allowing for collaboration in determining the text’s meaning (Anstey, 2002). The result of this consequently is a polyphonic narrative that explores a single outing to the park from four individual perspectives; the upper class mother, the despondent single father, the mother’s educated but lonely son Charles and the father’s optimistic daughter named Smudge. This image is located in Charles’ portion or the third voice within the book.
This painting shows George Washington, then a general in the American Revolutionary War, crossing the Delaware River with his troops on the night of Dec. 25, 1776. The crossing immediately advanced Washington 's surprise attack on the Hessian forces in the Battle of Trenton. Although the painting portrays a historic part of the American Revolution, it was spuriously painted by Emanuel Leutze, an artist born in Germany. Moreover, where the original was actually painted.
In addition to that, on the wall shows a portrait of his grandmother's former slave family member. Allowing to show his ability to demonstrate different brush styles in one piece of painting. Not to mention, leaving the painting in the left corner blurry and dim and his grandmother detailed and realistic. Portraying that his grandmother's past is left in the past and she is the life of the
The three men on the front is the main focus of the painting. The man on the