Andrew Niccol's Techniques In The Film 'In Time'

The way the shot was set up and the colors

Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.

Photographers will make different parts of a picture lighter in order to draw more attention to the parts they want you to see. In this picture the track is light making it have a peaceful feeling. The track being light I feel as thou its one of the main center points of the picture, behind Prefontaine. It brings out the emphasis that the track is the battle field. Everything this picture is about revolves around the track.

In Time is a book about a girl (Meg), and how her father disappeared. In the book, the government told them he was on a top secret mission, while in the movie, he disappeared after Charles Wallace was born. Meg, Calvin, and Charles work through Camazotz and Uriel to find Meg’s father. This happens in both the story and the movie. Mrs Which, Mrs. Who, and Mrs. Whatsit also helped them on their mission along the way.

In Kurt Vonnegut’s Slaughterhouse V The protagonist Billy Pilgrim is kidnapped by aliens known as Tralfamadorians. The aliens have an interesting view of tim in that they see all of time happening at once and are able to choose which moments to view and live through. after being kidnapped Billy becomes unstuck in time and gains an uncontrollable version of this view.

Like, when Malcolm is seen communicating with his wife at their room with the window open. Here we can observe that there is an amusing use of camera angle to present the interaction between the one living and another dead person. Interestingly, both are unknown about their realties. The symbol of the open window also can be represented as Malcolm is ready to leave for the other world. Also, there is a rich use of varieties of colors in the movie.

Similarly, the cinematography of Casablanca also strives to shape the viewer’s attention to the time and space of the story. The film employs a handheld movement of the camera in certain instances, to display the mise-en-scene in a genuine manner that emphasizes the setting and time of the movie. For example, evaluate the scene in the film when the camera sought to illustrate the workings of Rick’s establishment. The handheld movement of the camera explores the club in a manner that brings the viewer’s attention to the viewpoint camera. The point of view of the camera, at this point of the movie, demonstrating a human experience of observation, and fixates on investigating war uniforms of characters and their actions.

Ridley Scott’s film Blade Runner is known for its incredible use of very low key lighting, the dark appearance of the film not only exemplifies the futuristic L.A city but also ties the film in with a modernized film noir style. The low key lighting in combination with the neon lights and signs creates a correlation between the light and the dark, this represents the conflict throughout the film between humanity and the replicants. Investigating the lighting throughout the scene when Deckard, played by Harrison Ford, retires the replicant Pris, Played by Daryl Hannah; this scene incorporates a well placed combination of blue, white, pink, and green light to develop a dark but colorful environment. This mix between high key and low key lighting is vital to the visual development of the films central conflict and dangerous mood of the city. The scene opens with Deckard slowly moving through the doorway with his gun drawn as a light blue light rotates past in the background.

The author of the short story uses change and contrast in characterisation to emphasise that people live life rather than just existing. The author initially characterises Jordan Matthews as a routine-driven, isolated and compassionless man. The central protagonist is contrasted with the character of the flower seller who is free-spirited, ephemeral, and associated with the natural world. Through an encounter between the two, Matthews first changes in subtle ways and gradually is transformed into a character that embraces freedom, values relationships and sees the world through the eyes of nature/ develops a love for nature. Through these techniques the author explores the detrimental effect of routine taking over Matthew’s life/ the continual

The concept of time has always been known to assist people in healing. After all, “Time heals all wounds”. That is not the case in the sci-fi film “Interstellar” by Christopher Nolan. Time dilation is used as a negative element throughout the film which essentially puts the audience on edge. The film shows us a future where there is scares food supply, a collapsed economy and dust storms are the new norm.

For example, during the book burning scene, a variety of high to mid-low shots are used to position the audience in the crowd or as one of the speakers up front. In addition, the way the objects in the scene are positioned and the frame are composed creates an intimidating effect. All the large Nazi flags are positioned symmetrically around the town square, yet the camera is framed slightly off centre, making the whole shot feel off and like something is wrong [Fig. 5]. This certainly shows that Percival utilizes Percival employs cinematic techniques such as camera angles and the framing of the shots used to communicate and allow the audience to explore the power of the human spirit when dealing with adversity in his film The Book

Time is one of the most basic elements of life: Humans live in the present, dwell in the past, and fear the future. Life is just a constant and consistent march towards the end, an end that is forever unknown. Time, though, for all it dictates, is nothing more than a human construct. The idea that everything exists in a neat line and that all events happen from start to finish is nothing more than a common figment of imagination. One may argue that this linear idea is the foundational problem with humanity.

Using methods such as these as well additional tactics like a dark background and quiet music enhance the response of the viewer or audience. All of these aspects contribute to the style which is central to successful

Topic Sentence Cinematography: Cinematography is the act and art of making a movie and in shutter Island Robert Richardson handled cinematography. Robert Richardson uses two main cinematography techniques to emphasizes the story telling, which is lighting and shot proximity. Evidence and Example: a. The lighting helps to create the mysterious and suspenseful tone of the film. Server low lighting aids in the creation of a dramatic atmosphere of a dramatic scene.

The first shows lighter, brighter shades like grass and leaves. During the war green color is presented by more “gloomy” hues like military uniform or a rocket in the night sky that Doss saw in his nightmare. The film often shows characters’ faces in close up; these frames constitute a majority of the movie. Camera focuses on characters’ faces and moves slightly following their heads’ motions. This approach makes viewers focus on people’s expressed emotions and interactions rather than their environment.