Where do Monsters lurk In every superhero book or movie there is a form of a monster. It does not have to be and actual monster, it can be just the villain that 's apart of t he story. A monster is an imaginary creature that is typically large, ugly, and frightening. In the book Beowulf there is a monster by the name of Grendel, this monster was a great terror and destroyer of Denmark and he mostly targeted the Danes, a town led by King Herod. This monster was unlike any other monster, he had a tactic to what he did whenever he would come and and eat the people of the town. Whenever he had the urge to eat the monster Grendel would go to the town and once the people have passed out, because they were so drunk, he would then break in and
In the early medieval ages, the spread of Christianity greatly influenced the Germanic ideals. One can see this drastic transition in character while reading and comparing the books of Beowulf and King Arthur. Although the story archetypes remain the same for the most part, the archetypes reflect the different ideals of the different time periods. Archetypes such as the hunting group of companions and quest still hold significance, but reflect different ideals. The ideals of the Germanic peoples of Northern Europe drastically change as Christianity moves across the region, and the traditional story Archetypes reflect this change in cultural ideals.
Monsters are born in literature through their words, origins, thoughts, and actions. Into Thin Air, by Jon Krakauer, as well as Burton Raffel’s Beowulf, contain such monsters that are large impediments to the hero’s quest. Also the expeditions or quests are affected in terms of intimidation by the monsters who are always overwhelming at first to the pessimistic eye such as how the Israelites viewed Goliath, the Philistine, when David went to fight him. A monster’s thoughts, origins, and words are often used to construct the description of monstrosity in literature and are very critical.
What actually happens when three monsters terrorize a city and there is only one guy to save the city? It is quite an easy answer to this question. Although, to understand what happens, the three monsters have to be analyzed. The three monsters. Grendel, Grendel’s mother, and the dragon, in Burton Raffel’s epic, Beowulf, are unique to their physical attributes, capabilities, living quarters, attack methods, and motives.
When Grendel first discovered the humans he was stuck in a tree and beaten by a bull. Thinking he was going to die, he called out for his mother who did not answer. Then, a group of humans came across him. They first thought Grendel was an angry spirit in need of pigs. When Grendel tried to communicate with them they immediately went into defense mode.
When Grendel last words “Poor Grendel’s had an accident . . . So may you all” . These words are used as a curse because just like Grendel suffered from an accident everyone else will suffer to . For example , “It was an accident,” I bellow back. I will cling to what is true.
Some may believe Grendel goes on his rampages because it’s what monsters do; however, there are numerous pieces of evidence suggesting that Grendel chooses his own actions. To begin, Grendel enjoys terrorizing the people of Herot. He breaks into the mead hall at night and eats the people for his own amusement. In the novel Grendel by John Gardner, Grendel says that he is “swollen with excitement, bloodlust, and joy” as he walks into the mead hall (Gardner 126). Grendel becomes “mad with joy” when Beowulf arrives (Gardner 151).
Monsters... Monsters Everywhere While an epic hero is the center of an epic poem, people of today are the center of their story thus dealing with different forms of physical monsters such as bullies, dangerous situations, and themselves. People of today face bullies. Bullies shape the person whom they bully.
Monsters lurk inside every living being, clawing at the back of their mind. Real monsters form when that dark sensation escapes their control, bending them towards evil. Most monsters, however, do not fit the whole definition of the term “monster,” instead they display dialed down parts of monstrous behavior. Nonetheless, they prowl throughout
Beowulf was a concerning story with an immense capacity of themes that can deal with almost every aspect of life. The story revolved around three scenarios most of the time, the three battles with the monsters. These monsters conveyed similar and opposite characteristics that made them unique and deadly. However, I believe these monsters can portray several aspects of today societies, including psychology. They can represent Freud’s psychology consisting of the Id, the Ego, and the Superego.
Monsters and enemies have been in books and stories for a long time. Monsters usually play the role of the “bad guy”, that tries to stop or defeat the main character from completing his task. The monsters in the poem represent and show that there are many fearful enemies that you have to defeat and save your town from if you want to be a hero. The monsters in the poem reinforce the heroic code because the missions Beowulf had to do always reinstated how fierce and dangerous the monsters that Beowulf had to defeat were. They showed how brave and strong Beowulf had to be to defeat these monsters and prove himself as a hero.
Comparing society in Beowulf and society in Frankenstein is like comparing a simple farm to the processing plant; futuristic and totally dissimilar. Although, the core ‘monsters’ are unchanged; grotesque, horrifyingly pagan-esque beings of the dark that strike terror in to the hearts of even the stoutest of fighters and the sanest of men. In the Christian and Medieval world, monsters were human beings with an unnatural birth or a birth deformity (Stitt, 2003). The term ‘monster’ derives from the Latin term ‘monere’ which means ‘To warn’ or ‘to advise’ and ‘monstrum’ which is ‘a sign or portent that disrupts the natural order as evidence of divine displeasure’. The aspect of ‘Divine Displeasure’ is attributed almost perfectly to Grendel, the monster of Beowulf and the terror of Hrothgar.
So the dragon told Grendel to start killing the knights and people at the meadhall because it would keep the society alive. If Grendel keeps killing people in meadhall every year, the knights and the king would keep planning a defense every year to keep the monster away from the valley. Grendel did what the Dragon told him, on the first night of Grendel attack. Grendel didn't know what he was doing because that was his first time. He made his appearance seeable quick, he try to kill other one knight to see how it really felt to kill someone but other knights saw him and that's when they all attacked Grendel.
Monsters are always a big part of stories. Usually they are an Antagonist of a story blocking the hero from completing his/her quest showing qualities of being powerful, immoral, and determined. Beowulf and the Hobbit have good examples of monsters in their stories. Beowulf is about a man who is the strongest there is, the nicest, and the most intelligent defeating great threats to kingdoms. There are three main antagonists in beowulf, Grendel, the troll wife, and the dragon.
In the town Beowulf lived was a monster. The monster was a big man and was very strong. He was tall and very mighty. He could beat anyone in a fight. No one dared try to fight him.
Flaws by Contrast Comparisons and contrasts play a huge role in literary works, especially between characters. Not only do they show similarities and differences between various characters, but they also bring out specific qualities that make a character unique and help guide the readers towards a common conclusion. In the popular Anglo-Saxon epic poem Beowulf, the protagonist and hero, Beowulf, is emphasized for his extraordinary greatness. Throughout his story, he, as an advocate of good, encounters many opposing forces in the form of other characters. In a society where heroism and bravery are honored as essential aspects of culture, the contrasting values of these characters, or foils, help define Beowulf as the model hero.