Fahrenheit 451 Diction Analysis

Mildred finds Montag’s other books and tries to fight him but trusts him, but ends up reading one of the books with Montag. In addition the text evidence says that Montag says to Mildred (pg.65) “We’ll start over again, from the beginning.” Another trial Montag faces is learning about the books from Faber,

In Ray Bradbury’s dystopian Fahrenheit 451, Guy Montag experiences a paradigm shift as he transforms from a disoriented fireman to a learner who wants to gain knowledge through literature. Montag struggles with his newfound fascination with what was once trivial items because of his inability to ask questions under the bonds of conformity. However, the society prohibits people from reading for fear that they would express individuality and perhaps even rebel once they gain knowledge. Through the use of characterization and diction, the Bradbury demonstrates Montag’s desire for individuality and the society’s command of conformity in order to build a suspenseful mood, which keeps the reader’s interest. First, through the use of characterization,

Bradbury portrays how Montag’s perception of fire and burning books with his personal development changes by the different choices he makes throughout the novel. In the beginning of the book, Montag has a great passion and

Montag was never really happy with Mildred, his happiness was a mask he didn't know about. The mask had been taken off when Montag's true colors were shown. Mildred wasn't much of a wife, or friend, to Montag. Mildred was only an acquaintance to Montag, as Montag didn't feel devastated for long. ¨Mildred, leaning anxiously nervously, as if to plunge, drop, fall into that swarming immensity of color to drown in its bright happiness.¨ (Bradbury 152)

Fahrenheit 451, by Ray Bradbury, is a uniquely shocking and provocative novel about a dystopian society set in a future where reading is outlawed, thinking is considered a sin, technology is at its prime, and human interaction is scarce. Through his main protagonist, Guy Montag, Bradbury brings attention to the dangers of a controlled society, and the problems that can arise from censorship. As a fireman, it is Guy's job to destroy books, and start fires rather than put them out. After meeting a series of unusual characters, a spark is ignited in Montag and he develops a desire for knowledge and a want to protect the books. Bradbury's novel teaches its readers how too much censorship and control can lead to further damage and the repetition of history’s mistakes through the use of symbolism, imagery, and motif.

Mildred in the novel is Montag’s wife. She is the perfect example of a conformed person in this society because she is brainwashed by the tv that the government has set in place. Proof of such is when she said, " 'Books aren't people. You read and I look all around, but there isn't anybody!' ".

In a future totalitarian society, all books have been outlawed by the government, fearing an independent-thinking public. Fahrenheit 451 is a futuristic novel, telling the story of a time where books and independent thinking are outlawed. In a time so unenlightened, where those who want to better themselves by thinking, are outlawed and killed. Guy Montag is a senior firefighter who is much respected by his superiors and is in line for a promotion. He does not question what he does or why he does it until he meets Clarisse.

One time Montag walked into the ‘parlor’ and saw unknown people saying words that held no depth or meaning. He asked, “What was it all about? Mildred couldn’t say. Who was mad at whom? Mildred didn’t quite know.

When Montag reveals his hidden books to Mildred, she does not take time to understand them. “‘It doesn’t mean anything!’” (Bradbury 65).  She, instead, worries about how it might affect her image if they are found out. “He could hear her breathing rapidly and her face paled out and her eyes were fastened wide” (Bradbury 63).

Montag starts arguing with Mildred about how she is acting. She is depressed and does not even know it. Mildred thinks that the voices in the walls are her family. Montag tries to get her to see what is really happening in society. She is so unaware of her actions that Montag has top tell her, “maybe you took two pills and forgot and took to more, and forgot again and took two more, and were so dopey you kept right on until you had thirty or forty of them in you” (Bradbury 17).

(pg. 8). Montag does not respond, but it does make him think. After hearing this question Montag goes home, greeted by his cold, sterile home, questioning his life and whether he is happy or not. Later, Montag is influenced

Montag and Mildred have been married for years, but Montag still feels as if he doesn’t know the woman he’s married to. In the text, Bradbury states, “And [Montag] [remembers] thinking then that if [Mildred] dies, he [is] certain he wouldn’t cry. For it would be dying of an unknown, a street face, a newspaper image, and it [is] suddenly so very wrong that he [has] begun to cry, not at death but at the thought of not crying at death, a silly empty man near a silly empty woman,

Fahrenheit 451, by Ray Bradbury, is a novel about a futuristic society where books are banned and firemen burn books rather than put out fires. The main character Montag is a fireman who lives with his wife Mildred. Montag ends up stealing books which is against the law especially because he is a fireman; and Mildred is against anything that has to do with books. Society wants everyone to be happy but there 's an alarming mechanical hound in this novel that kills people and is asymbol of fear. Bradbury’s novel shows how a society overcomes the eradication of books through the use of symbolism, motif, and imagery.

The first line of dialogue that Montag says is “it was a pleasure to burn”(pg. 1), which elucidates that he is just like the rest of the society. Bradbury introduces both of these characters as ignorant so the reader is able to draw a similarity between the way Montag is illustrated in the first page and how Mildred is characterized throughout the novel. This aids in tracing Montag’s coming of age journey because as he gets enlightened, the reader is able to distinguish how his mindset starts to diverge further away from Mildred’s. At the very end of the second chapter leading into the beginning of the third chapter, Beatty orders Montag to burn his own house, and as Beatty is speaking to Montag, Mildred runs past them “with her body stiff”(pg. 108). Through the employment of body language, Bradbury implies that Mildred is the one that turned Montag in to

Both Ray Bradbury and E.B. White’s given excepts analyze the purpose of direction in life through descriptions of the natural world. For example, the motif of smells is evident in both excerpts to connect the ideas of direction, observation, and searching to physical images and things. In Fahrenheit 451, Bradbury writes “There must have been a billion leaves on the land; he waded in them, a dry river smelling of hot cloves and warm dust” (144). Meanwhile, in Stuart Little, the repairman describes, “I have sat at peace on the freight platforms of railroad junctions in the north, in the warm hours and with the warm smells”. “Warm smells” carries the connotation of being attractive to the senses.