Film Analysis: Ferris Bueller's Day Off

Resilience is displayed through the drive shown by the characters in these stories, despite hardships or trauma in their pasts. In The Road, Papa and the boy continue to move forward and “carry the fire”, staying morally true to themselves, even despite the things they had seen. The boy’s mother shot herself, he has seen cannibalism, slavery, and people reduced to monsters and broken shells of humanity, but he is still fighting and trying to be one of the good guys. He still wants to help the little boy when he meets him, still wants to help Ely when he meets them (McCarty, 162); The Boy still has a desire to help people who are suffering. He is starving, but he wants to give away his food so that the people who are good in this world won’t die.

The trio participate in a range of activities as they attempt to outwit Ed Rooney their principle and their parents. Three main character of this film, who clearly communicate aspects of the genre are Ferris Bueller, Ed Rooney and Cameron Frye. Paragraph 1: Ferris Bueller-

Ferris Bueller’s Day off tells the story of a high school senior who employs deception and manipulative tactics to skip classes with his best friend and girlfriend. Meanwhile, his sister and the school’s principle work separately to expose him as a fraud. During the first scene of Ferris Bueller’s Day Off, Jean and Ferris are at odds while he’s rendering a performance to convince his parents that he is too sick to attend school. While convincing his parents, Jean stands nearby expressing disdain through body language like explicit hand gestures, foot tapping, hands placed on her hips; and verbal challenges like criticizing her parents’ decisions to let Ferris stay home.

In the movie “Friday” it displays a typical day in the ghetto and what obstacles two young black men had to go through just to get through one day. Ice Cube a famous American rapper from LA’s popular 90’s hip hop group NWA wrote this historic black comedic/drama film and along plays the main character Craig Jones. Craig plays the neighborhood hero after a chaotic day where he deals with bullies, his love life, annoying neighbors, and scary drug dealers. The film is based in south central LA in the mid 90’s where Craig and his best friend Smokey who is played by comedian/actor Chris Tucker find themselves in trouble after thinking it would be a typical Friday in the ghetto. Craig a young black man in his early twenties lives at home with his parents is determined to leave the ghetto but there 's just some things holding him back.

This essay will tackle the topic of substance use disorder as a psychology topic. The film that will be reviewed for the topic is 28 Days. This is a film written by Susannah Grant and written by Betty Thomas. The film stars Sandra Bullock as a columnist for a New York newspaper (Thomas). In the film, Bullock acts as Gwen Cummings, an alcoholic forced to attend rehab for 28 days.

Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.

The result of Ferris going against the school system and experiencing real life outside of school makes him an anti-hero. [You jump very quickly to this main idea from your description of the school system as it looks today. Steps missing: is school the bad guy or the good guy? Does Ferris’s school look similar to what you’re describing?] The movie begins with a fake sick Ferris and his concerned parents in his bedroom.

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

Bad Day at Black Rock Kathryn Abbott October 29 2015 DRAMA 3030 The unexpected arrival of a stranger to a small, Midwestern town creates a feeling of scepticism and suspicion, and through this the explicit meaning is revealed: Fear of the unknown and the moral and physical deterioration of a town left to its own devices. The film exemplifies these concepts through the use of mise-en-scène, and vivid cinematographic elements. The blood red coloured train stands out against a muted background.

Humor comes in many shapes in sizes, appealing to different ages, genders, time periods, and even different intellect levels. In the 2011 blockbuster hit “Bridesmaids”, there are comical devices used that attract a crowd through low comedy. This implements comedy through vulgar language and jokes, indecency, and exaggeration. Although, this sort of humor may appeal to millions according to the outstanding ratings and exceptional critiques, this does not excite the same reaction to myself as it may to others. “Full of heart, warmth and enough excrement to fill an all-white bridal shop.”

Ethical challenges are of universal span; many people including police officers are confronted with the opportunities for violating organizational rules and norms daily. Most of the stories about police officers in the media, including Cops and Criminal Minds, are about respectable police officers, but the intense 2001 movie Training Day is not. Alonzo Harris, a veteran police officer with the Los Angeles Police Department (LAPD), is training Jake Hoyt, a rookie officer on his first day with the narcotics unit. Harris’ character is an example of police officers’ potential for corruption. For instance, when Harris misuses the police authority and uses some fake arrest warrant seizing millions of dollars from a former LAPD veteran, now an informant

Throughout the course of one’s life, there is a constant search for some form of happiness. We may not always realize we are on the quest for it, but it’s part of human nature. In “Silver Linings Playbook” we see this happen throughout with Pat and Tiffany, who are both searching for happiness. The film is relatable to us all in that many times we go looking for happiness only to come up empty-handed.

O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.

Pulp Fiction, a gangster film centred around crime and drama, was directed and written by Quentin Tarantino, staring John Travolta, Uma Thurman and Samuel Jackson. The Oscar award winning film details the lives of two hitmen, a gangster, and the gangster’s wife Jules Winnfield (Samuel Jackson) and Vincent Vega (John Travolta), are on a mission to retrieve a stolen briefcase from their employer, and mob boss, Marsellus Wallace (Ving Rhames). Mia, (Uma Thurman) plays the role as Wallace’s wife, who is spends some time with Vincent, while Wallace leaves town for business purposes. Even though the lives of these individuals seem interesting enough, each of them wove together to create a film involving a series of funny, bizarre, and suspenseful

Wall Street “Greed, for lack of a better word, is good. Greed is right, greed works, greed clarifies—cuts through and captures the essence of the evolutionary spirit. Greed, in all its forms—greed for life, for money, for love, knowledge—has marked the upward surge of mankind” (O. Stone). In 1987 the by Oliver Stone directed movie Wall Street was released, starring Michael Douglas and Charlie Sheen.