Flippo Brunelleschi Accomplishments

Filipo Brunelleschi challenged the accepted ideas in architecture when he went against traditional thought to construct the dome above the Florence Cathedral. His dome had no internal or external bracing, an idea thought to be impossible prior to this construction. Brunelleschi’s ideas incorporated Renaissance respect of past knowledge with the use of ancient mathematical concepts of geometry, which was in keeping with the humanistic return to ancient texts. The mathematical laws discovered by ancient Greek and Roman mathematicians also allowed Brunelleschi to accurately represent three-dimensional objects on a two-dimensional surface. Brunelleschi understood the importance of building on the knowledge of the past to create the future.

This dome was just the tip of the iceberg he also created a crane that was able to hoist heavy materials into the air. The significance is that there is another way to build buildings. Brunelleschi relied on a lot of workers to help him build this done. He

The ceilings of the passages and corridors which circled the arena on each tier consisted of vaulted arches made of concrete but the supports they rested on were made of strong, heavy limestone. The timescale was tight - the Flavian family wanted the amphitheatre built as quickly as possible. Hundreds of skilled stonemasons were required to complete the building. The Romans used a new building technique - standardized parts. Stairs and seats were constructed off-site.

Brunelleschi’s Dome is one of the most beautiful and significant masterpieces of the renaissance. it started with a competition of sorts to find an architect to build a dome over the existing cathedral. The reward for the winner was 200 gold florins. He comes up with a completely revolutionary new method of building a dome. He uses a two dome approach.

It was constructed between 118-125 CE in Rome with concrete with stone facing. It was originally a temple but got turned into many other buildings as time went one. The building contains statues of many gods and was open to the public. The design of the building included an oculus and dome. The dome represented the vault of the heavens.

He helped bring up an idea about doing many experiments and observations in order to determine how things worked. He contributed to the Renaissance by helping in the creation of a new

"In 1418 the town fathers of Florence finally addressed a monumental problem they’d been ignoring for decades: the enormous hole in the roof of their cathedral. " This sets the stage for Brunelleschi to become a hero and master artisan. Brunelleschi had spent his life learning, as an apprentice goldsmith, he had learned and perfected techniques that were well ahead of the training he was given. He studied other areas of art as well, "Brunelleschi’s life seemed to have been one long apprenticeship for building the dome of unequaled beauty, usefulness, honor, and power that Florence yearned for." He, along with other actual architects applied to be the one to put a dome on the cathedral, and eventually one out.

He was a brilliant sculptor; his many famous works include David, that resides in Florence, Italy at Galleria dell'Accademia, the Pieta in the Vatican, and a series he created called Dying Slaves which can be found at the Louvre. He wasn’t just a sculptor though, he was also very talented in architecture, poetry, and paintings. Like that of Raphael, he is also noted for his frescoes, one of which covers the Sistine Chapel ceiling. He also illustrated the painting adjacent from it, called The Last Judgement. Consequently, all of his compositions have been noted as masterpieces for

The Pantheon and St. Peter’s Basilica are two historic monuments that helped influence history, arts, culture, and society in the Roman Empire. St. Peter’s Basilica was modeled after the Pantheon in the Renaissance Era. St. Peter’s yields insights into the importance of the works of renown architects such as Michelangelo, Donato Bramante, and Carlo Maderno. While many recognize Michelangelo, a famous Italian Renaissance artist, for his marvelous sculptures and paintings such as in the Sistine Chapel, his hard work and dedication in St. Peter’s should not go unnoticed. Donato Bramante, the first architect to be employed in the construction of St. Peter’s, skillfully merged the architecture of the Pantheon into the Basilica.

Filippo Brunelleschi was born in Florence, Italy in the year 1377. His early life is relatively unknown. He became a goldsmith, sculptor, engineer, artist and architect. He was one of the leading architects in the Renaissance Era and has been referred to as the “First Renaissance Architect.” Brunelleschi is accredited for the invention of linear perspective.

The Pantheon was first built with a rectangular plan but when Hadrian came in 125AD and rebuilt it, he added a dome. Currently, the Pantheon is used as both a church and also a historical heritage site. On the other hand, the Brunelleschi 's Dome is part of the Basilica di Santa Maria del Fiore, and it is one of the biggest churches in Florence which is in Italy (Mainstone, 1997). The construction of the church began in 1296

Leonardo da Vinci studied the human body to see how things worked, he created realistic masterpieces like the Mona Lisa portrait and The Last Supper painting using his knowledge of the human body and how it

Leonardo Da Vinci’s creativity and originality expressed in his journals, drawings, sculptors, paintings, and the rest of his work prove that he is truly on the greatest minds of all time. Da Vinci as a scientist bridged the gap between the medieval methods and the more trustworthy modern approach. He had a wide range of topics that he was interested in - anatomy, zoology, botany, geology, optics, aerodynamics and hydrodynamics. Leonardo always used this method of scientific inquiry: close observation, repeated testing of the observation, and precise illustration of the subject object or phenomenon with brief explanatory notes. Da Vinci as an artist believed that artists must know more than the rules of perspective, but all the laws of nature.

He designed the huge octagonal dome of the cathedral of Florence, completed in 1436, for which he studied in depth classical architecture, especially the colossal pantheon of Agrippa. This dome is considered as a feat both from an artistic and engineering point of view since the

Opus reticulatum used square based pyramids of stone inserted with the heads facing inward and opus testaceum used triangular bricks.” Roman building techniques also allowed them to construct circular temples. The Pantheon is the most recognized of these. Other larger permanent structures include bath houses, theatres and temples. Roads and bridges were also constructed to connect Rome to her vast network of towns.”