Gender Roles In Lorraine Hansberry's A Raisin In The Sun

Beneatha wants to become a doctor but Walter and the rest of her family wonder why she just does not become a nurse instead. The fact that her family questions her dream of helping people in the way she wants too can really put her down. A quote that can explain this is when Beneatha is ranting to Asagai about her struggle, “And where does it end? […] An end to misery! To stupidity!

The Deferred Dreams of the !950’s In Lorraine Hansberry 's play, A Raisin in the Sun, the characters of Mama, Walter, and Beneatha face several obstacles and hardships that refrain the characters from being able to accomplish their dreams. They are faced with issues such as gender stereotyping, discriminatory housing , and racial prejudice. All of which lead to their deferred dreams. Throughout the story, the reader is given a visual of how all of these issues are relevant and how they affect each character.

In the play “A Raisin in the Sun” by Lorraine Hansberry, Beneatha is an empowered young woman whose dreams are more significant than life. Beneatha is not an actual name, but it still has a more profound significance. Hansberry creates this name to show society’s perception of Beneath in contrast to her perception of herself. Everyone around her wants to dim her light and make her more petite than she wants to be. Beneatha has had her mind set on being a doctor forever.

Beneatha is a confident person and she wants to figure out and explore who she is. While arguing with Mama and Ruth about marriage and her future, Beneatha says, “I am going to be a doctor and everybody around here better understand that!” (50). During the argument Beneatha is very assertive of her beliefs and what she wants to do. She is very adamant that she wants to be a doctor

These roles seemed simple to follow but women often struggled to receive the same treatment as men did. For some women, following these roles was a good thing, to others, not so much. In the play, A Raisin in the Sun, Lorraine Hansberry presents Mama, Ruth, and Beneatha in order to contradict and correlate the traditional gender roles, ultimately illustrating

His sister, Beneatha, wants to become a doctor and Walter isn't very supportive of her decision. Walter's wife, Ruth, is the recipient of the majority of Walter's anger and sexist remarks. In Act 1 Scene 1, the audience learns that Beneatha, a colored woman, wants to become a doctor and attends medical school. Beneatha and Walter begin to banter with each other about Mama’s money.

Beneatha is the most educated person in the family. Her dream is to medical school and become a doctor. Beneatha almost gives up her dream of becoming a doctor when Walter lose her money but Asagai offers for her to go be a doctor in Africa. Another dream she has is to have her cultural identity and be a part of the African heritage. Much of her desire to express her African heritage comes from Asagai who says she is assimilated and acts white.

She wants to become a doctor and get the education she needs to become one. Throughout the play she proves that her independence means a lot to her. Beneatha wants to be free and have her own life, just like the American Dream. In the play she says to Mama and Ruth, “Listen, I’m going to be a doctor. I’m not worried about who I’m going to marry yet-if I ever get married” (Hansberry32).

In Act 1, Beneatha’s quest to find her personal identity is seen in the way she expresses herself, her ambitions, her roots and the way she deviates from what is acceptable in her family. She tries to find ways to express herself such as trying different hobbies. In the past, Beneatha has been a part of a play-acting group, horseback-riding club, and in Act 1 starts guitar lessons (47). She also has the ambition to become a doctor which is looked down upon by her brother, Walter Lee (38). Additionally, her African roots are important to her search for identity.

She was not like other young women that would be housewives or maids at her age but instead is independent. Looking after herself and making more of a life for herself, she attends school, tries to play guitar, and looks for a love interest. This breaks the stereotype of a “normal” woman who is a housewife or maid and shows Beneatha is different. Therefore, Beneatha overcomes this criticism of her “unnatural ways”, and proceeds to make her life successful.

Lorraine Hansberry’s A Raisin in the Sun presents the rise of feminism in America in the 1960s. A Raisin in the Sun is feminist because, with the feminist notions displayed in the play, women establish their rights to fulfil their individual dreams which diverge from traditional conventions of that time. Beneatha Younger, Lena Younger (Mama) and Ruth Younger are the three primary characters displaying evidences of feminism in the play. Moreover, Hansberry creates male characters who demonstrate oppressive attitudes towards women yet enhance the feminist ideology in the play. A Raisin in the Sun is feminist because, the play encourages women to develop an identity for themselves, particularly through education and career.

A Raisin in the Sun addresses major social issues such as racism and feminism which were common in the twentieth century. The author, Lorraine Hansberry, was the first playwright to produce a play that portrayed problematic social issues. Racism and gender equality are heavily addressed throughout the play. Even though we still have these issues today, in the 1950’s and 60’s the issues had a greater part in society. Racism and gender have always been an issue in society, A Raisin in the Sun is an important piece of American history during that time period.

Reader Response: 3 “A Raisin in the Sun” by Lorraine Hansberry, is a play about a black families experience in 1950s South Side Chicago. The story revolves around what happens to the family when Lena Younger, the matriarch of the family, receives a ten thousand dollar life insurance check upon the death of her husband. Everyone from the family has different plans for what they want to do with the money. Lena Younger serves as the head of the family. She is Walter and Beneatha’s caring mother so they and Ruth call her Mama.

In a patriarchal society, women are encouraged to focus on their family and its well-being. Most often, women achieve this by caring for the children and the home. However, in the play A Raisin in the Sun, Lorraine Hansberry suggests that women do not have to focus on the family. Instead, they can prioritize their own well-being. Hansberry exhibits these ideas through two female characters, Ruth and Beneatha.

Just within the recent decades, men and women started to fight against the gender stereotypes and started to challenge their roles in a family and in the society. The play, A Raisin in the Sun, portrays the lives of African–Americans during the 1950s. Lorraine Hansberry, a writer and a social activist, reinforced the traditional gender roles, especially female’s, by depicting how the Youngers interact and how they act in an economical struggle. Throughout the play, A Raisin in the Sun, she uses Walter Lee Younger, Ruth Younger and Lena Younger to reinforce the traditional role of fathers, wives and mothers within a family.