Grendel: The Real Monster In Beowulf

He is portrayed in the poem as a horrendous beast with human characteristics, but looking closer to the text, he is a human out-casted and raised to be a monster. Although Grendel is written as a monstrous villain who kills with no remorse, he is actually a complex human with a repressed anger exploding in bursts. Grendel is often described in a negative way. He is reffered to as a demon in the text “from Beowulf”

Grendel the “Monster” Do not underestimate the power of a human being. Monsters are everywhere near and far. The sources that will be discussed are Beowulf (2007) film, Printed Cantos and textbook, and the Grendel Excerpt by John Gardner. The portrayal of Grendel in the movie differs greatly from the cantos and excerpt because in the readings he comes off as such a greedy monster, but in the movie he is lonely and in need of help.

Monsters are born in literature through their words, origins, thoughts, and actions. Into Thin Air, by Jon Krakauer, as well as Burton Raffel’s Beowulf, contain such monsters that are large impediments to the hero’s quest. Also the expeditions or quests are affected in terms of intimidation by the monsters who are always overwhelming at first to the pessimistic eye such as how the Israelites viewed Goliath, the Philistine, when David went to fight him. A monster’s thoughts, origins, and words are often used to construct the description of monstrosity in literature and are very critical.

Grendel was a being sung about in the songs of the shaper, who twisted tales to fit his own means. In the song Grendel was made out to be a wretched monster, without intellect, who only sought to kill. This wasn’t the case entirely. Grendel was determined to enter society, to be a part of their gatherings, instead at every turn he was chased away, cursed, and attacked. He was only a monster to those in the mead hall, a beast who could never be a part of them.

Using a monster to help us examine what it means to be human is how the novel helps readers to make that distinction between humans, and monsters. Indeed, aside from Grendel’s horrible appearance and nasty eating habits, very little actually separated him aside from the humans such as Hrothgar or Wealtheow. Even his extreme brutality was not unique. The author, John Gardner, stresses man’s inherent violence many times throughout the novel. Additionally, Grendel’s ethical journey was a very human one, its urgency intensified by his status as an outsider.

One 8 feet tall, put together by multiple people's body parts, the other a giant, angry, man eating monster, the monster from Frankenstein and a monster named Grendel. Grendel is a fictional character first introduced in the novel Beowulf. He is the protagonist to Beowulf, exiled from civilization. Grendel was born an outcast from society then slowly became what he was always told he was, a monster. What makes Grendel such a successful villain is his lack of remorse for anything.

He is viewed as a monstrosity in both aspects, but they mainly differ through their characteristics. Grendel has no reason for his beastly actions but continues to maul and kill anyone that strays in his path for sport. “And his glee was demonic, picturing the mayhem: before morning he would rip life from limb and devour them, feed on their flesh…” (730) The line from the epic illustrates an example of how Grendel views the people of Heorot and the pleasure that is found in killing them. This version of Grendel presents the idea that there are no human characteristics present within him. He is pure evil, which continues to prove the simplistic duality cultural views the epic portrays.

Comparing society in Beowulf and society in Frankenstein is like comparing a simple farm to the processing plant; futuristic and totally dissimilar. Although, the core ‘monsters’ are unchanged; grotesque, horrifyingly pagan-esque beings of the dark that strike terror in to the hearts of even the stoutest of fighters and the sanest of men. In the Christian and Medieval world, monsters were human beings with an unnatural birth or a birth deformity (Stitt, 2003). The term ‘monster’ derives from the Latin term ‘monere’ which means ‘To warn’ or ‘to advise’ and ‘monstrum’ which is ‘a sign or portent that disrupts the natural order as evidence of divine displeasure’. The aspect of ‘Divine Displeasure’ is attributed almost perfectly to Grendel, the monster of Beowulf and the terror of Hrothgar.

For centuries stories have been told about monsters. Stories that include monsters themselves as the main character, and stories that include a battle between a heroic figure and the monster to represent good vs. evil. The root word for “monster” is “monstrum”, which means that which reveals or warns. A monster is the product or symbol of a culture from which the monster comes from. They are more than their physical body and entertainment value that plays into these stories of the monstrous figure we read about or watch in movies or television.

Stories about monsters appeal to humans because they provide the right amount of fear and danger, pushing on the boundaries of comfort. There are examples of monsters in literature as old as The Odyssey of Homer which includes monsters such as the sirens, and as new as the Harry Potter series which includes the monstrous Voldemort. In these stories, as well as others such as Beowulf, Grendel, and The 13th Warrior, the monsters in each are critical to the storyline. The monsters in Beowulf, Grendel, and The 13th Warrior are determined by the perspective of each story, and represent the main characters’ fears.

The common characteristics of what makes a monster have remained constant throughout society: evil, isolated, violent. Monsters have no regards for social normatives, and cause chaos and destruction wherever they go. Grendel is no exception. In Beowulf, Grendel manifests every characteristic of a stereotypical monster. He is considered inherently evil, and is an outcast; he roams alone and commits devilish atrocities whenever he pleases.

Early in the novel, Grendel listens to the Shaper and says “he told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side” (Gardner 51). Grendel believes the words of the Shaper and is overcome with sadness at the truth in it. In most cases, truly evil characters take pride in being viewed as threatening figures. Grendel, on the other hand, is ashamed and does not wish to be viewed as a dark figure.

The monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.

Grendel in the novel displays the idea that he is far more superior than mankind. He mentions, "I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bonfire" (Gardner 167-168). Grendel knows that that the people fear him because he is different and he uses that to his advantage. The "Monster", Grendel, seems to be fascinated in attacking Meadhall and is not frightened at all. Although he is brave in the novel, Grendel in the epic poem is described in being scared and weak on the attack at Meadhall.

Monsters are described as big, ugly, no-feelings creatures. They are also described as creatures of hell or creatures that are not acceptable in the society. This is disagreeable, not all monsters are ugly, and some monsters do have some feelings. The monster Grendel, in the book Grendel by the author John Gardner, shows that he is sensitive and has human's feeling traits even though he is a monster. Different events in the book, prove that the monster is impressionable and afraid.