How Is Imagery Used In The Grapes Of Wrath

During the 1930’s thousands of Dust Bowl migrant workers made their way from the central plain into California seeking work. In their search for work and some form of income many of the migrants and their families ended up in Hoovervilles, which were makeshift roadside camps that were greatly impoverished. Steinbeck was able to travel through the labor camps and recorded the horrible living conditions of the migrant workers. The collection of these recordings was published as Harvest Gypsies. During the tours of the labor camps he saw the oppression of the workers first hand in addition to workers being demoralized by wealthy land owners.

Chapter 1 establishes the epic context and tone for the entire novel. This brief, but important, opening chapter provides a backdrop for the main events of the narrative, describing the event primarily responsible for spurring the great migration to California during the 1930s. The destructive force of the Dust Bowl is staggeringly described as a backward life cycle, a regression from fertile green to a dead and dusty brown. The deterioration of the land that forces the farmers to huddle and "figger" foreshadows the plight of the Joads: Forced off their land by a bank looking for profit, they will move west seeking a new livelihood.

Steinbeck’s, The Grapes of Wrath follows the difficult journey of the Joad family as the attempt to move to California. Interwoven into this story is small paragraphs that deliver smaller, individual messages. One such paragraph is paragraph 11. In this paragraph Steinbeck speaks of how the farms have changed over time. This juxtaposition of times seems insignificant and unrelatable to those who don’t look deeply into this short, quick story.

In The Grapes of Wrath, Steinbeck describes a pair of Depression-era children as they rush “immediately to the candy case” inside a diner, staring at the sweets “not with hope or … desire, but with a kind of wonder that such things could be” (51-52). This heartbreaking image of two poor boys staring at candy in awe elicits empathy because it implies that their parents are struggling to provide for them and that they have never eaten candy due to the hardship and poverty they were raised in. Similarly, Steinbeck elicits empathy in “The Harvest Gypsies” as he chronicles the unsanitary living conditions of California migrant workers during the 1930s. One family’s rotting tent is “full of flies … buzzing about the foul clothes of the children” and a baby, “who has not been bathed” for days (41). The image of flies swarming around the tent evokes empathy for the workers, who have to endure the pests on a daily basis, because it suggests disease, poverty, and feelings of disgust and hopelessness.

Only a third of the one million migrants to California during the Great Depression fled the dust storms in the Midwest, and only half of those were farmers; yet the popular myth of the hungry, poor and dispossessed farmer who only wanted a piece of land to call his own continues to dominate. In this cultural history, Shindo, who teaches history at Louisiana State University, examines the impact of the myth and the reality of Dust Bowl migrants. The four major artists treated here are Dorothea Lange, whose photographs collected in Migrant Mother (1936) symbolized all Depression hopelessness; Woody Guthrie, whose Dust Bowl ballads were informed by his own experiences as an Okie migrant; John Steinbeck, whose novel The Grapes of Wrath (1939) generalized human suffering; and John Ford, who adapted that novel to film the next year.

The book The Worst Hard Time was written in three parts; “The Promise”, “Betrayal”, and “Blowup”. In the introduction of “The Promise: The Great Plowup” it takes the reader on a quick journey of the Southern Plains towns in the area that was affected by the dust bowl. A few survivors shared their stories about life during the tragedy. In this section the important topics are introduced; ethnic tension, soul-searching, shame, a path to redemption, and settlement problems. This section follows a few settlers who had to live in a place that gives nothing back.

John Steinbeck’s The Grapes of Wrath elaborates on

The Dust Bowl, beginning in the 1930s, added to the struggle of American farmers as lands out west in states such as Oklahoma and Kansas were over-plowed, causing the topsoil to become uprooted, creating massive dust storms. These dust storms left the land unusable to farm, displacing many Americans in the agricultural industry. Steinbeck’s The Harvest Gypsies displays the struggles these farmers faced when moving west to California, hoping to find some sort of work. Many displaced farmers lived in squatters’ camps, temporary dwellings for those looking for work. Steinbeck described these camps as having awful living conditions, saying that “From a distance it looks like a city dump, and well it may, for the city dumps are the sources for the material of which it is built.”

John Steinbeck’s The Grapes of Wrath is a classic American novel that shows the difficulties migrant workers had to go through during the Great Depression. The novel’s intercalary chapters use setting, syntax and other literary elements to depict the hardships that migrant families went through and to create a tone of despair in the story. Body Paragraph 1: By using both syntax and diction, Steinbeck develops a tone of despair in the Intercalary Chapter 25 of the grapes of wrath.

John Steinbeck, in the novel, Grapes of Wrath, identifies the hardships and struggle to portray the positive aspects of the human spirit amongst the struggle of the migrant farmers and the devastation of the Dust Bowl. Steinbeck supports his defense by providing the reader with imagery, symbolism and intense biblical allusions. The author’s purpose is to illustrate the migrant farmers in order to fully exploit their positive aspects in the midst of hardships. Steinbeck writes in a passionate tone for an audience that requires further understanding of the situation.

The Great Depression was a time of serious plight and hardship for families across the world, but was especially gruesome in the United States. During this time the Southern region of the United States suffered from a severe drought that lasted for six years and due to poor agricultural practices alongside gusty winds, large dust storms were able to form. The novel The Grapes of Wrath by John Steinbeck is set during this time and follows the journey of the farming family the Joads. As readers follow the family of twelve on their journey to California, a place they referred to as the “promised land,” there are many parallels made to the Bible. Steinbeck's use of Biblical allusions throughout the novel illustrates Joad's resilience to survive

The tone of chapter 11 in John Steinbeck's, “The Grapes of Wrath,” is sympathetic, sad and hopeless. His word choice and syntax show how the sad houses were left to decay in the weather. His use of descriptive words paints a picture in the reader's mind. As each paragraph unfolds, new details come to life and adds to the imagery. While it may seem unimportant, this intercalary chapter shows how the effects of the great depression affected common households.

Even though in the stories only two environmental phenomenon occurred, their impact on the citizens are comparable. Despite physical similarities, with citizens all covered in handkerchiefs and dense clouds. All characters were struck with a depression and hopelessness; for they all had to witness the erosion of the surroundings they were familiar with and did not have the power to do anything to fight back. In the story, Letter from the Dust Bowl, Caroline Henderson accurately describes the perspective of those farmers experiencing the Dust Bowl.

In The Grapes of Wrath by John Steinbeck, the chapters alternate between two perspectives of a story. One chapter focuses on the tenants as a whole, while the other chapter focuses specifically of a family of tenants, the Joads, and their journey to California. Chapter 5 is the former and Steinbeck does an excellent job of omniscient third person point of view to describe the situation. Chapter 5’s main idea is to set the conflict and let the readers make connections between Steinbeck’s alternating chapters with foreshadowing. Steinbeck is effectual in letting readers make connections both to the world and the text itself with the use of exposition, and symbolism.

The wind swirled, the skies turned black, and the trees whipped against the side of the gabled house where the infuriated girl yelled at her sister for stealing her favorite top…. Weather can be almost a character in literature. Whether positive and calm or dramatic and negative, it can hold up a mirror to human emotions; this is called pathetic fallacy. John Steinbeck's novel The Pearl takes place in La Paz, a town located next to the ocean and mountains.