In Fritz Lang’s Scarlet Street (1945), Christopher Cross (Edward G. Robinson), a cashier and amateur painter, receives a watch from his employer in honor of his twenty-five years of work. After leaving the party, Christopher witnesses as Kitty (Joan Bennet) being attacked, Christopher stuns the attacker – who is actually Kitty’s boyfriend, Johnny (Dan Duryea) - and once he helps Kitty up, he falls instantly in love with her. Christopher accompanies Kitty all the way to her apartment. Outside of Kitty’s apartment, Christopher offers Kitty a cup of coffee and Kitty accepts. As they begin to talk about themselves, Christopher pulls out the watch that his employer gave him and mentions that he is a painter; Kitty begins to think that Christopher …show more content…
The background music playing in this scene parallels and mimics Christopher’s auditory hallucinations. Christopher’s auditory hallucinations consists of Kitty and Johnny tormenting him for killing them and uniting them forever in death. Kitty’s and Johnny’s voices are not loud, instead they are quiet and sound more like whispers. At first Christopher notices his hallucinations, but believes that they aren’t anything serious, but directly addresses them as soon as Kitty and Johnny begin to mock him. Lang decided to give the audience the ability to be able to hear Christopher’s hallucinations, as if the audience was also going crazy, as any sane person would not simply hear Kitty’s and Johnny’s voices. The non-diegetic music continues to play at a subtle volume, until Christopher can no longer take it and the camera focuses on a chandelier and at the same time, the music’s volume increase and changes the tone from subtle to dramatic, suggesting Christopher hanging
Terence Davies film, “The Long Day Closes” portrays the life of a young homosexual boy living in a postwar society. The main protagonist Bud, represents Davies experience of the good and troubled times that childhood and his sexuality brought him. The Tammy’s in Love scene flawlessly applies mise-en-scene, cinematography, editing and sound to depict the underlying message of finding yourself, a theme that is emphasized throughout the film. The use of mise-en-scene signifies the importance of the setting and surroundings by allowing the viewer to make connections between imagery and plot relevance.
Perry “It starts at home”(Alaina Thomas). Most murderers come from broken homes, some hardly have a place to call home. Perry Smith, a character from the book In Cold Blood by Truman Capote, was one of those people. Throughout the story it is evident that pieces of his childhood reflected on his behavior later on. It is possible if not factual that if Perry had been raised differently, the Clutter family would not have been murdered.
In “Edward Scissorhands” burton uses sounds to emphasize the differences in mood between the town and the townspeople, and Edward and his mansion. In the town there are sounds of suburbia such as birds chirping, lawnmowers, and water sprinklers. But in Edward’s mansion burton uses non-diegetic music to emphasize the feeling of creepiness and ominousness feeling which is already there due to the creepy and dark nature of the mansion. In “Charlie and the Chocolate Factory” Burton uses diegetic and non-diegetic sounds to emphasize the mood, characters, and scene. During the opening credits Burton uses non-diegetic sounds of a dark and creepy song to emphasize on the already creepy intro of the chocolate being made by the machines.
1. Write a paragraph describing what it is that Mrs. Schachter repeatedly hallucinates. Mrs. Schachter was howling and pointing through the window and told people who were around her that she saw fire on the outside. But it just was her hallucinates and nobody else could see fire. Her hallucinates maybe can be a hook for the rest part. Mrs. Schachter’s hallucinates noticed people that some bad things will happen, but all of people thought she is crazy.
The Sapphires film is directed by Wayne Blair and produced in 2012. The Sapphires is a beautifully filmed true story based in 1968 about the story of four indigenous women who go by The Sapphires who got picked to sing to the soldiers in the Vietnam war. The scene that is being analysed is 18.15-2o.23 in this scene Gail is singing a gloomy song for the soldiers because she thinks that Dave is dead. This scene is around the end of the movie just before they go back home. The purpose of this scene is to make us feel sorry for the Sapphires because they just witnessed their manager being killed and that they are singing their sorrows out.
There’s elements of formalism as the room elongates, it puts into view the trains on the wallpaper of Rentons room. This is symbolic of the title of the movie and the defition of what trainspotting is, its what they’re doing, because when you shoot up heroin , the heroin leaves a dark linear mark like a track on the affected vein and you can see it go up the vein like a locomotive or train. Lighting can move to more extreme use of color, light and shadow in the creation of subjective Tommy’s shadow take up more space than Tommy himself. The juxtaposition of the young teenage girls singing with the rumblings of what’s about to happen to Renton make things more creepy, especially because the music is not in diegetic to the surface level properties of what’s going on. The music is more upbeat and the girl singing in high notes a happy song opposes the difficulty and sadness that Renton is doomed to go through.
Irrational madness can be good Being mad and acting out doesn't always come with negative outcomes. As crazy as it sounds not only bad things happen when someones mad. In One Flew Over the Cuckoo's Nest by Ken Kesey, Randle Patrick Mcmurphy is seen as eccentric. Mcmurphy is the leader of the other patients in the ward.
Burtons use of sound supplies an effective tool to allow the audience to understand the mood of the setting. This technique can also be found a while earlier in the movie, when the grandmother sits with the granddaughter to tell a bedtime story. There are bits of audio between the two, describing Edward Scissorhands and produces an idea of the movie topic. The grandma is almost set up as the narrator for the first part of the movie so that the audience can understand (or get an idea of the movie) the plot of the film. This also connects the opening credits to transition through scenes and carry on with the
Ken Kesey’s One Flew over the Cuckoo’s Nest, is a novel that dramatically portrays insanity. Chief Bromden is a Native American who pretends to be deaf and mute, in order to narrate the novel. This novel begins with the coming of a new admission Raddle McMurphy he is introduced to an insane asylum where chief has been a patient longer. McMurphy is intelligent and observant. He stirs up the ward immediately by introducing friendly competition, gambling and encouraging the men to rebel.
What are some thoughts that come to mind when a person brings up the word schizophrenia? According to Ford-Martin, “Schizophrenia is a psychotic disorder or group of disorders marked by disturbances in thinking, emotional responsiveness, and behavior” (2139). The character, Alice, from the film, Alice in Wonderland is a perfect example of schizophrenia, and the director, Tim Burton, further emphasizes the disorder by his use of film techniques. One characteristic of schizophrenia is delusions. According to Fallon, “The delusions of paranoid schizophrenics usually involve thoughts of being persecuted or harmed by others or exaggerated opinions of their own importance, but may also reflect feelings of jealousy or excessive religiosity” (2957).
Insanity in “The Tell Tale Heart” and “The Yellow Wallpaper” In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, a new mother is forced to undergo the rest cure to try and heal. In the “Tell-Tale heart” Poe’s main character, a man known only by the ubiquitous title of caretaker, is insane prior to the start of the story. There are many similarities between these short stories, as well as many differences.
Burton uses sound to express something he has firsthand experience with being an outsider. For instance, in Edward Scissorhands, Edward starts walking towards Peg in the beginning there was eerie music. Once Peg saw the shadow of Edwards scissors she quickly turns away, and apologizes for intruding. Edward soon speaks up in a very soft voice teller her not to go. Edward is explaining what happened to his hands to Peg, and while he is talking choral music is playing the background.
Christopher doesn’t like loud noises, there are a lot of loud noises in his life. This is very hard for him because he cant avoid it. Unlike his dislike for yellow food where he can avoid eating it. Also, him not knowing how to ride the subway by himself, which was hopefully just a one time thing, loud noises happen all the time and he can’t avoid them. So, covering his ears, he finds yet another way to overcome his obstacles.
In the final transition there is a short sound of music that is very humorous. Throughout the film, Welle’s includes these pieces of sound that relate with the dialogue, it is a continuous pattern throughout the film. Welles uses these unusual techniques to create different emotions among the audience. The transition between this shot and the next is characterized by a small dim of the light that darkens and transitions into the next
There are two parts to the superego. The first is the ego ideal, which includes the rules and standards for good behaviors. The other is the conscience which comprises data about things that are regarded as bad by parentages and civilization. The superego performs to perfect and enlighten behavior. In the case of Fight Club, the narrator’s conscience represents his superego.