Julius Caesar Hyperboles

The Tragedy of Julius Caesar is a story where the protagonist, Brutus, is encouraged to turn on and assassinate his closest friend, Caesar. Cassius, a man who wished to kill Caesar, manipulated Brutus into thinking Caesar was a danger to Rome,

This could be true, but Brutus would fit more into the tragic hero persona. Some of Brutus’s tragic flaws included trusting people too much, not listening to others that have more experience, and thinking about the people more than himself. All of these flaws ultimately led to Brutus becoming a coward and committing suicide. In act 3 scene 1 Brutus kills Caesar because he thinks he is doing it for the good of Rome. In reality, when he killed Caesar he just signed his death note, and he hurt Rome more than helped.

In William Shakespeare's play Julius Caesar, Cassius is a foil to Marcus Brutus, for Brutus is consistently described as honorable and kind, contrasting the always clever and self-centered, Cassius. Cassius acts as a character who goes against the virtues and weaknesses of the main character. Brutus announces, “Why man, he doth bestride the narrow World like a Colossus, and we pretty men Walk under his huge legs and peep about To find ourselves dishonorable graves” (Shakespeare I. 2. 142-145). By appealing to Brutus' feeling of honor and loyalty to Rome, Cassius hopes to persuade him to join the conspiracy against Caesar.

In William Shakespeare’s Julius Caesar, Portia delivers a powerful speech to her husband Brutus, urging him to confide in her and share the weight of his secret plan to assassinate Caesar. Portia’s speech is a masterful display of persuasive language, as she employs rhetorical strategies to appeal to Brutus’ sense of honor and duty. This essay will analyze the rhetorical devices used in Portia’s speech and their effectiveness in convincing Brutus to trust her. Portia’s speech begins with an appeal to Brutus’ sense of duty and responsibility as her husband.

Although Caesar, as the upcoming ruler of Rome in Julius Caesar, should be portrayed as the ideal leader of the play, he actually has too arrogant of a character to be so. Therefore, Shakespeare places honor in Brutus and allows Brutus to have the role of the idealistic leader of the story. Although Shakespeare writes this play in a controversial time period during England’s political turmoil, he allows the audience to be able to choose the true ruler of loyalty to the crown or the honor of a noble man through the understanding of the two contrasting character

Samantha Durand 27 October 2015 Dunipace 4th Julius Caesar Essay Brutus is the Tragic Hero William Shakespeare wrote “The Tragedy of Julius Caesar” to tell the story of the tragedy that happened to him. When Caesar was going to become king, his own friends turned into conspirators against him. Since the conspirators said that Caesar would abuse the power of being king, they decided to murder him for the sake of the Roman people.

In plays people are usually a tragic hero and cause their own downfall or they are the villain in the story. In the play The Tragedy of Julius Caesar by William Shakespeare, there is a character who plays more of a tragic hero than the main character whom the audience believes to be. The character Brutus is more of a tragic hero than Caesar is while at the sametime he plays a villain as well. To begin with, Brutus fails to see his own downfall based on how easily he can be manipulated. Cassius needed Brutus to help get rid of Caesar because of how much the Romans admired Brutus.

In Julius Caesar by William Shakespeare, the person most responsible for the death of Julius Caesar is Cassius, he started the conspiracy and developed the plan of how to manipulate and convince Brutus to kill Caesar and lead Rome. While it may look like Brutus was the one responsible for his death, it was Cassius who made him think that he needed to that by slipping fake letters into his room. Cassius began the rebellion against Caesar, and then developed a plan to make Brutus think he need to kill Caesar and become the leader, and finally as well as the other conspirators, Cassius contributed to stabbing Caesar. TS 1: in the beginning of the story we are introduced to the conspirators, who are lead by Cassius and we discover that they are determined to destroy Caesar. In the beginning of the play Cassius is trying to convince Brutus that there is nothing special about Caesar, he is “Like a Colossus, and [they] petty men Walk under his huge legs”(I, II, 137).

Marcus Brutus and Cassius are both strong characters in William Shakespeare 's Julius Caesar; but Brutus is the only character who experiences a crucial change towards the end of the drama, which makes him the dynamic character. Brutus can be considered the dynamic character in William Shakespeare 's Julius Caesar. Brutus ' role changes from the beginning of the play to the end while Cassius remains fairly constant. At first he is known as Caesar 's dear friend. He then joins a conspiracy to kill Caesar.

He has realised his faults so clearly that he tells Caesar, the person he killed, to rest in peace. Brutus is definitely the tragic hero in this play because of the pity we feel for his realisation of his faults and ultimately his honourable

Brutus and Cassius are two prominent conspirators in the play Julius Caesar; one of these two fits Aristotle's depiction of a tragic hero. The difference between a normal hero and a tragic hero is that the latter will have a tragic flaw that keeps them from succeeding. These characters are often sympathetic and will cleave to the reader's pity. Firstly, we shall discuss Cassius. He was a man of questionable character.

Julius Caesar, is a play based on the true events that occurred in Roman history. The play follows the fictional lives of Caesar and his people leading up to, and after his assassination. Several characters can be labeled as both villainous and heroic at different points in the play due to their actions, however, this does not apply to the character of Marcus Junius Brutus, who remains a hero through the entire play. Brutus is a hero for several reasons, The first reason Brutus is considered to be a hero is because he continuously stands up for what he believes in. Secondly, it is clear that Brutus is a hero because he kills himself as a sacrifice to the roman public.

Cassius wants Brutus to think that if Throughout the play Julius Caesar, written by William shakespeare, Cassius uses manipulation to form his group of conspirators and make them perform his biddings. Most importantly, Cassius turns Brutus, one of Caesar’s greatest friends, to his side through various creative tactics. Body 1: During the Feast of Lupercal, Cassius pulls Brutus aside to begin his manipulative plan. Cassius explains to Brutus that “Men are sometimes masters of their fates”. They have the potential to change their future.

William Shakespeare’s The Tragedy of Julius Caesar is a play written to describe the death of Julius Caesar and the trials that happen after. Although the story is written with the intention of focusing on the effect of Julius Caesar on the people of Rome, it indirectly focuses on Marcus Brutus and the consequences of his decision to kill Caesar. I believe Brutus was misunderstood in much of the work. Throughout the play, he was portrayed as a murderer and a backstabber rather than a noble man who faced much inner turmoil over the situations he was put into. I sympathize with Brutus considering that he is blamed for the death of a tremendous leader.

Brutus is without a doubt the most noble character in this play. Nonetheless, his impeccable sense of morality also blindfolds him to other people’s sordid motives and makes him easy to be manipulated. Indeed, Brutus is easily manipulated by Cassius in Act 1, Scene 2. In hope to convince Brutus to join the conspirators, Cassius says “Men at some time are masters of their fates: The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings” (1.2.150-152). As a result, Brutus starts to believes that it is his job to murder Caesar, as he says in Act 2, Scene 1: “It must be by his death: and for my part, I know no personal cause to spurn at him, but for the general” (2.1.14-16).