La Land Mise En Scene Analysis

There will be two images being discussed in this essay. The first image was called “9/11/2001” by Art Spiegelman and Francoise Mouly. The second image was “What So Proudly We Hailed” by Carter Goodrich. The reason these images were chosen was because they have many differences, but they also have a lot in common. This essay will contain the color, date, prices, color, and what are the similarities and differences between these two images.

The classical Hollywood musical can be characterized by elaborate song and dance numbers. In the past famous musicals only featured a white and wealthy cast which led to racist and sexist stereotypes. Filmmakers, Spike Lee and Julie Dash both use elements of the classical Hollywood musical in their films to critique black representation in Hollywood Films. Lee’s film School Daze features a range of musical styles, like Hip Hop, R&B and her uses this music as well as the musical performances as a means of exploring the diverse perspectives and experiences of black people. Similarly, in Illusions Julie Dash decided to replace the classic element of Hollywood musical with her choice of sound to create a dreamlike atmosphere.

In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power

In today’s society, we are exposed to so many different types of music through the mass accessibility of the internet that even if you weren’t alive to experience the 1950’s you can feel nostalgia just by watching movies and listening to music from that era. I think that this type of accessibility is what helped La La Land to succeed to so well, the director banked on this ‘phantom nostalgia’ that many people experience from being exposed to old music over a long period of time. If you perhaps haven’t seen La La Land yet, I highly recommend that you go, not just for the plot, but the way the director uses music to weave a story together about two people struggling to achieve their

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

By the utilization of this technique, the film’s mise-en-scene brings the audience’s attention to the space as a sort of institution of relaxation, in times of

In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue

The plot of the film revolves around Kathy Selden filling in as the voice of Lina Lamont, a silent film star with a voice not appropriate for sound. Before WWII, it was not important for musicals to have realistic aspects, and the plot was not needed to hold the numbers together. As time passed, in the mid-1950’s, film became more authentic and psychological. Along came the “integrated musical”, where one tried to imagine a situation where an individual would sing in the real world.1 Singing in the Rain was a realistic depiction of what the film industry went through during that transitional time. Many of the incidents in the movie were based off real people and experiences.

Cinematography, is the art of making motion pictures, and mise-en-scene, the settings or surroundings of an event or an action, go hand in hand in the film Fruitvale Station. Since this film is based on an actual incident that took place at the Fruitvale Station, where an officer shot and killed Oscar Grant, you know how the situation is going to end, but the cinematography is extraordinary and keeps you engaged the entire time while addressing issues of race, class, and identity in one film. The opening scene of the film is footage of the shooting shot by a passenger on one of the trains at the Fruitvale Station. The actual footage shown does not show how the film ends, with Oscar getting shot, but it leads up to it.

Neff Said: Mise-en-scene and Sound in Double Indemnity Film Noir is a genre filled with many interesting conventions. The films within Film Noir use narration, performance, lighting, and blocking in order to tell tales of murder, betrayal, and questionable morals.

The movie Hidden Figures by Theodore Melfi is talking about the civil rights and equality of men and women in 1970 's to 1990’s. The Mise-en-scene means "setting up a scene. " There are six elements that make up mise-en-scene acting, costume and make-up, setting, lighting, composition or space and lastly. In Hidden Figures, the mise-en-scene helps audiences to become closer to the story and have the same feeling as those main characters. The director uses many different kind of shout angles to show the unbalanced between black people and white people at that time and the color and lighting also help the director can present the emotions that the characters are facing different kind of events or people.

The most memorable scene in the film is the opening scene of the movie which is also my choice of scene to elaborate on mise-en-scene.

La La Land, directed by Damien Chazelle, has won many awards and is about the love story between Sebastian and Mia, who come together because of their common goal of making it big time in Hollywood. The scene that follows is when they are having dinner after some time apart. It portrays the theme of how change can affect relationships. Initially in the scene, the camera is placed over the shoulder of Sebastian, with the view of Mia as they are having a conversation over dinner. This is a two shot scene accompanied by very minimal editing, indicating they are sharing the frame as a couple.

The cinematic language that we hear in modern day movies would not be as it is today if we hadn 't had synchronous sound recordings from the beginning of film. Cinematic Language is the systematic method by which movies communicate with the viewer. Some examples of cinematic language are, Mise-en-scène, camera angles, the use of long takes, & depth of field. Barthes theory of Expressionism, the use of lighting techniques, montage and elaborate props push to make The Wizard of Oz appear to be a spectacle of realism.

Films can be seen as a work of art. This can include things like techniques a creator uses, narrative structure, originality, and etc. These aspects continue to shape the films we make today. One of the major things about aesthetics is Mise-en-scene (put in scene).