Literary Techniques In Truman Capote's In Cold Blood

In Cold Blood, by Truman Capote, was a non-fictional novel published in 1965. Written in four parts, Capote meticulously details the brutal 1959 murders of the recognized farmer Herbert Clutter, Bonie Clutter, Nancy Clutter and Kenyon Clutter in the small, once peaceful, city of Holcomb, Kansas. Throughout the book, while Capote sympathetically depicts the murders of the Clutter family, we also realize that the author has a strong sympathy for one of the murders called Perry Edward Smith. Although the novel was intended to be written in a journalistic form, Capote seems to fictionalize much of the information used to write the novel in order to add suspense and certain reactions from the readers. Truman Capote’s new literary form of “the non-fictional novel” leaves the readers feeling conflicting emotions

Located in a “lonesome area,” the town did not have much to see. All of the local buildings were falling apart; with their chipping paint and “dirty windows” and “irrelevant signs.” The citizens of the dreary town were nice people, everyone knew everyone, and they spoke to each other in an accent "barbed with prairie twang.” The description of this town makes it sound very dull and boring, doesn’t it? Yes.

In Cold Blood It all started on the night of November 14, 1959, when two young men came to Holcomb, Kansas. They first came to rob the Clutters, but when finding there was not ten thousand dollars in the house like they were told, they thoughtlessly killed all four of them, for only forty bucks and a little radio. The men were finally caught, but forced to stand on trial with people who already want the two men dead, which puts the town in favor of capital punishment, before the trial had even started. The two young men, Dick Hickock and Perry Smith, were sentenced to the death penalty. The book In Cold Blood, I believe, is for the capital punishment.

In the book, “In Cold Blood,” Truman Capote takes us through the lives of the murderers and the murdered in the 1959 Clutter family homicide, which transpires in the small town of Holcomb, Kansas. The first chapter, “The Last to See Them Alive,” vividly illustrates the daily activities of the Clutter family—Herbert, Bonnie, Nancy, and Kenyon—and the scheming plot of Dick Hickock and Perry Smith up to point where the family is found tied up, and brutally murdered. In doing so, he depicts the picture-perfect town of Holcomb with “blue skies and desert clear air”(3) whose safety is threatened when “four shotgun blasts that, all told, ended six human lives”(5). Through the eyes of a picture perfect family and criminals with social aspirations, Capote describes the American Dream and introduces his audience to the idea that this ideal was no more than an illusion. Herbert Clutter: the character Capote describes as the epitome of the American Dream.

In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one

My entire life has changed due to my kindness. Therefore, should I no longer be kind? Why offer my assistance to others if the outcome is penalization? These questions torment my mind; do I acknowledge what's happening around me, or should I just drive by? All I wanted to do was help people, and now, all I do is suffer.

Truman Capote uses variety of language devices such as diction, similes and symbolism to vividly develop Perry Smith in his novel In Cold Blood. Truman Capote uses diction to develop Perry Smith’s character. When Perry explains what happened that night at the Clutter family home, he tells agent Alvin Dewey about his moment with Nancy Clutter. " [He] pulled up the covers, tucked her in till just her head showed…" the use of ‘tucked her in’ expresses a calm and cozy tone which contrasts with the situation. This implies that even though Perry will murder her in cold blood, he still is considerate enough to make her feel at home. "

Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey. From the beginning of the novel, Capote showcases Perry Smith a likable character.

Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character.

How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

In Cold Blood, by Truman Capote, is a non-fiction true crime. In Cold Blood is about two murderers, Dick and Perry, who heard a rumor about a household possessing $5,000 and they wanted the money. Little did they know there was not any money and they got caught for murder to get nothing in the end. They ended up serving jail time and sentenced to hang till death.

Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book.

Truman Capote uses variety of language devices to vividly develop Perry Smith in his novel In Cold Blood. These language devices include, diction, similes and symbolism. Throughout the novel diction is used to develop Perry Smith’s character, and suggest reasons for the murder. When Smith explains what happened that night at the Clutter’s family home, he tells agent Alvin Dewey about his moment with Nancy Clutter.

The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.

Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others