Fellowship Of The Ring Lighting Analysis

In the movie Bilbo is trying to get a knife from the troll's belt to cut the rope that was tieing down the cattle he is there to save. He makes many attempts to get a hold of the knife, until the troll reaches behind his back to get a tissue and accidentally grabs Bilbo by the neck. (Jackson) Peter Jackson uses several visual techniques in this scene to display and exemplify his idea of this segment. He uses lighting to show the mood and tone of the scene. For example, it was really dark and the woods were only lit up by the fire light.

It opens on the chorus, played by Derek Jacobi, standing on the side of a cliff and narrating what is happening with the three conspirators. It is interesting that Branagh

Howard Shore’s use of leitmotifs in his movie score composition in the Lord of the Rings provides for a foundational basis of emotion and character narrative. His complex integration of leitmotifs in the trilogy is considered to be among the most extensive in terms of the sheer number of motifs and themes accounted for, as well as it’s multifaceted composition. Many composers of movie scores will often fall into the pattern of minimizing the usage of leitmotifs and instead score based on momental romanticization. Shore does not fall into this category. The intentionality and strategy placed in each score and harmony is a direct emotional reflection of character development and plot progression.

From Edward Scissorhands to Charlie and the Chocolate Factory, director Tim Burton has been captivating audiences with his unique style for over 30 years. One can agree that Burton has a rare and uncommon gift in the directing world, which allows him to twist the audience emotions, and create feelings that wouldn’t normally be there. In many of his films, Tim Burton uses framing and angles, music and sound, and lighting to control the mood of the scene. To begin, director Tim Burton manipulates lighting to create a feeling of fear and suspense in the audience. One way that Burton does this is when he uses low key lighting, mixed with side lighting, in Corpse Bride.

The lighting in Donnie Darko movie is a key component of composition which creates our sense of illuminating for people and things. This movie uses two sources of lighting; natural light, such as daylight, when the scene is in an outdoor area for example, walking from school, at home, waiting at bus stop, or playing outside of the school on sunny days. Another source of light is artificial spotlight which is used in the movie indoors to cut and shape the light at the dining table, in the classroom or in the psychotherapist's house. Also, distinct shadows are used as an essentially smooth surface that reflects hard light in the Halloween party to feature deep shadows and scary areas in function of the plot. Three-points of lighting create ominous shadows in the horror genre for all the actors at Donnie and Elizabeth's Halloween party with lighting from below the cast to create monstrous objects in real life.

If your family was in danger, how far would you go to keep them safe? The Patriot was written by Robert Rodat, and directed by Roland Emmerich("The Patriot"). The main character of The Patriot is Benjamin Martin.

As the camera zooms out slowly and we hear crickets chirping, we are introduced to the charming world of “What’s eating Gilbert Grape”. The film that many have come to love, along with its extremely famous actors, was released in 1993 in the United States and directed by Lasse Hallstrom. Endora, Iowa is the home of the Grape family, it’s a small, unchanging town where the main character Gilbert (Johnny Depp) feels trapped and death seems to be the only way out. Gilbert provides for his mother, sisters, and his autistic brother, Arnie (Leonardo Di Caprio). “What’s Eating Gilbert Grape?” is in many ways an unrealistic and demeaning view of autism.

These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The

This fourth instance of the A melody is otherwise played the same as in “The Raiders March” until the last two bars, where it immediately jumps into what was the coda of the original piece (1:53). Here, the coda acts as a musical break between the A melody and a new C melody, which is really just the A melody of “Marion’s Theme”. As the strings transition between the two parts at (2:05), one can notice that this version of “Marion’s Theme” differs significantly than the original, most notably in its instrumentation. Here, the horn plays the melody while string ensemble plays harmony for the first six bars (2:09).

The lighting is mainly focused upon one or two characters, putting everything around them in shadows. This brings about a claustrophobic atmosphere in the scene, creating a mysterious feeling among the audience. Both films use this technique to “hide” something in the background, like the replicants in blade runner. Moreover, the shadows defined by the key light create a more dramatic environment that promotes the mysterious vibe of the scene. It also serves as a way of displaying a doomed outlook onto the world, one that is filled with deception and lies.

The most critical part of a horror movie, is the suspense. The Shining did a satisfying job when it came to each scene, having its own little twist. These little twists added up in the end to make the film as striking as possible. With these little twists in mind it brings an example out from the movie. This is shown by the scene in which, the little boy named Danny is in his bathroom talking to his invisible friend Tony, in which lives in Danny’s mouth.

The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be

Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.

The opening piece for the evening was “Entry of the Gods into Valhalla” written by Richard Wagner. This specific song was taken from Das Rheingold and was written in the Romantic Era. “Entry of the Gods into Valhalla” starts with deep mysterious music

There is a recitative-style introduction before the first verse as well as at the end of the song played by a digital sounding harp. This is sung