Mr Birling Power Analysis

The first character that will be analyzed is Reverend Hale. When Hale is introduced in the play he is a smart man

However, in Hogan’s novel Power this idea comes most to life. After Ama, a strong traditional woman, has killed a panther, she tells the younger Omishto that she must tell the truth about her crime, except for a description of the cat’s appearance. Not until later in the novel does the reader discover the reason for this omission. Omishto realizes that to describe the run down and sickly appearance of the panther to the elders, “would cut their world in half. It would break their hearts and lives.

Rajiv Goswami The increasing commodification of sugar from the 1500s onward has had lasting implications in both the New and Old Worlds. In Sweetness and Power by Sidney W. Mintz, the anthropological interpretation of the evolution of the sugar industry highlights how Europe transitioned from mercantilism to capitalism, agriculture to industry, class changes, and an overall increase in the quality of life. The Caribbean colonies saw an influx of African slaves and Europeans, with the former transforming the islands from backwaters into ultra- profitable cash crop centers, exacerbating the slave trade while increasing returns on investments for their European financiers. While Europe saw sugar as factor in bridging class differences, African

"Tapping the Roots of Power" and "An Active Technique of Struggle" are two chapters where Gene Sharp, analyzes how power is continuously interchangeable amongst the oppressed which are usually minorities and their oppressors which usually are symbolized by people of power. In both chapters, Sharp in great detail gives the reader many scenarios in which oppressed groups through civil disobedience fight against their oppressors, usually leading to victory which resembles freedom and liberation. Although oppressed groups have a great deal to loose, their constant struggling motivates them to fight against the oppressor and regain their liberty and rights back. Once minorities start to challenge authority, their obedience is lost. Once this happens,

The characters entrances and exits all throughout the play are essential to show how the Inspector develops his interrogation and indicate its role in the play. The fact that the Inspector arrives for the first time in the perfect timing just after Mr. Birling says "a man has to mind his own business and look after himself and his own" and then the door bell rings creating tension in the room tells that the Inspector 's visit is foreshadowing a big contradiction to what Mr. Birling is trying to imply and what the Inspector is going to show them. This also displays social responsibility and the different views of it; Mr.Birling is selfish and believes everyone is responsible for themselves and not for others and that foreshadows The Inspectors point of view that we don 't live

The desire for power is one of the fundamental aspects of human nature. Power can be expressed in many ways both for good and for evil. Being a leader takes tremendous responsibilities and if misused, can have a lasting effect on the people governed. Dee Houk once said, “Control is not leadership; management is not leadership; leadership is leadership.” Jack believes leadership is about management and control.

" Adversely, the story doesn't leave much for the reader to decide how to feel, it almost tells one how to feel because the detail is so engaging. That was just the point that Glaspell was trying to make though when she decided to turn the play into a story. It was the story, rather than her play, that drove her message home; the pursuit of justice for women in a man's

At least, I’m trying to tell the truth.” Sheila acts devastated by the death of Eva which according to her is entirely her fault, thing which is proven wrong later in the play; nonetheless her genuine regret and bravery in accepting culpability is admired by the

understand the 'hidden face' of power as in Steven Lukes' (1974) “three faces of power” it is necessary to explore beyond what initially appears from a policy decision or political standpoint. The realms in which the media operate can be quite complex, gauging an understanding to these is essential when trying to understand the various sources of power that the media controls and hence can manipulate. There have been numerous theories and theorists which have been introduced throughout this course regarding various conceptions of power, the 'two faces' view of Bachrach and Baratz (1970) provided the framework for the view on power. However, it was not until Lukes (1974) “three faces of power” theory which expanded on the work of Bachrach and

Power is often the root at which conflicts begin. As those on the bottom attempt to gain power and those at the top of the power dynamic attempt to consistently degrade those below them to prevent them from gaining influence. In William Shakespeare’s Othello, the surprise, seemingly societally transcendent, ability for Othello to gain power and Othello to be able to marry Desdemona, is immediately followed by those in power trying to relieve Othello of his role in society, leading Othello to even attempt to exert his own power. The powerful men of Othello attempt to destroy and subjugate the lives of others to prevent them from advancing and maintaining power.

He says it, despite the miners’ strike he claims happened recently, which goes against the ‘prosperity’ that he is promising his family. Yet, the audience knows that the time will show that it only will continue going downwards from that point. This shows how even though the time keeps moving, we need to look back at the happenings of the past. It is also another example of the dramatic irony. The audience finds the things Arthur Birling says ironic with how inaccurate they are and almost controversial because the events, for example, the war and the Wall Street Crash, have caused catastrophes and were likely to affect the audience.

His respect for Horatio parallels the reverence Hamlet once held for his father. On the other side of the relationship, Horatio displays how much he cares by giving advice to Hamlet multiple times. He is one of the only characters who tells Hamlet what he really thinks. By giving Hamlet advice, even if he does not listen, Horatio displays the affection of a father. By having different levels of status Horatio and Hamlet maintain the respect shared between a father and son.

King Lear is about political authority as much as it is about the power of family and its’ dynamics. Lear is not only a father but also a king, and when he gives away his authority to the unworthy and evil Goneril and Regan, he gives not only himself and his family but all the people of Britain into cruelty and chaos. As the two wicked sisters satiate their demand for power and Edmund begins his own rising, the kingdom collapses into civil clash, and we realize that Lear has destroyed not only his own authority but all authority in Britain. The reliable, hierarchal order that Lear initially represents falls apart and disorder consumes the dimension. The failure of authority in the face of chaos recurs in Lear’s excursions on the heath during the storm.

The story that I had presented for my oral presentation in Task 1 is ‘Boys and Girls’ is a by Alice Munro. This simple short story is about a young girl’s resistance to womanhood in a society infested with gender roles and stereotypes but have to accept the gender stereotyping in the end of the story. The story takes place in the 1940s on a fox farm outside of Jubilee, Ontario. The relevant theories of literary criticisms that can be applied to the ‘Boys and Girls’ short story are historical criticism and mostly feminism criticism. The justification of choosing historical criticism to critique this short story is because this story is based on the setting of Boys and Girls which is at a fox farm outside of Jubilee, Ontario, Canada and the

However, Lady Macbeth’s power depends on her husband’s, due to her disempowerment in the realm of the political. She believes her husband’s political power relies on him conforming to a more masculine identity. In order to convince Macbeth to undertake this transformation, like she did, Lady Macbeth must subvert the stereotypical role of a submissive wife and become domineering. This leads to her exercising power in the only form she can, that is, attacking Macbeth’s masculinity as she states: “When you durst do it, then you were a man; And to be more than what you were, you would Be so much more the man.”