Ornamentation In The Early Baroque Essay

Accompanied song was cultivated in Italy in the 16th and early 17th centuries, long before the word “cantata” was common terminology. Shortly after the conception of the recitative, the cantata began to combine the monadic style with new forms and the concept of systeme tonal (or the basis for the development of equal temperament) , which began to replace the ancient modes. The cantata had its origins in the same sources as opera and oratorio. The three forms are direct descendants of the madrigals of the sixteenth century.

1. Caravaggio 's Calling of Saint Matthew is representative of his mature work in which he injects________ into the depictions of sacred subjects. 2. _____________ was the most renowned female painter of the 17th century. 3.

It is worth noting that all three of these compositions were written within, or revised in the case of the Easter Oratorio, within a year of each other, speaking to Bach’s interest of writing in this genre during this

An oratorio is defined as a composition that uses a choir, soloist, and ensemble as the main focus of a concert piece. The work incorporates music from Bach’s earlier compositions and is considered a classic example of parody music. While the author of the text is unknown, it is likely that is was by a Christian Friedrich Henrici, a longtime collaborator of Bach’s, who went by the pen name Picander. Modern renditions are commonly performed in two parts, as the total duration of the Oratorio is around three hours long. Today’s performance is of the first half of the Oratorio, parts I through

Special Topic #4: J. S. Bach Ricercar This piece of music, The Musical Offering, is a set of pieces composed by J. S. Bach in 1747. King Frederick II of Prussia challenged J. S. Bach to improvise a six-voice fugue on the theme of “Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta", and so he did. The first letters of each word of the theme spell out the word “Ricercar”, which was a well-known genre of that time. Throughout this piece, J.S. Bach uses many of the basic elements of music to all work together to create the shape, along with the dramatic flow of this piece.

This essay will draw attention to the relationship between the political and social circumstances surrounding the creation and performance of J.S Bach’s Concerto no.4 in G major (Brandenburg). Other factors such as how improved technology (instrumental and print), at that point of time, changed the way that music was created, transmitted and performed will also be discussed. Johann Sebastian Bach (J.S Bach) was born on March 31st, 1685 in Eisenach, Germany to a prominent musical family. His father, Johann Ambrosius Bach, the director of town musicians, taught him to play the violin and harpsichord whilst his uncle, Johann Christoph Bach, introduced him to the organ. Bach held a few notable musical posts over his lifetime in different parts of

6. Take a single act from the Marriage of Figaro and, using particular examples, show how Mozart structures the act in terms key, form and texture. How does the opera critique the social order of the time? This essay looks at the first act of Mozart’s opera buffa ‘Marriage of Figaro’ in detail, specifically focussing on the key, form and texture used within this act.

These Baroque elements are so engrained in the system of patronage that even outside the Baroque era when an artist is commissioned through the patronage system their work can’t help but take on these and other baroque elements. Starting with an artist like Bernini who under the patronage system created some of the most revered sculptures of the baroque era. Born in Naples, Italy Bernini got a lot of his patronage form Italians. One of his more notable patronages includes the sculpture of “The Ecstasy of St. Teresa” which was commission by the Cornaro family for their personal chapel. The sculpture represents a deeply religious act and was used in part to show off the wealth of the Conaro family.

”(I,i,1-3). Orsino refers to the music adding fuel to his restlessness for his love. In his soliloquy, “Oh, it came o'er my ear like the sweet sound…tis not so sweet now as it was before” (I,i,5-10), Duke

43). Opus 1, which was first published in 1722, contains twelve solo sonatas (Hunt, 1977. p. 69). Four of these sonatas were composed for treble recorder, identified as “Flauto,” and they generally were accompanied by harpsichord (cembalo). The sonatas in Opus 1 included No. 2 in g minor, No. 4 in a minor, No. 7 in C Major, and

Baroque music is a style of Western classical music that originated in the 17th century and continued until the mid-18th century. It is characterized by a highly ornate, intricate and complex style of composition, with a focus on the dramatic expression of emotions. Baroque music is known for its use of contrasting dynamics, elaborate melodies, and intricate counterpoint. Other defining characteristics of Baroque music include the use of instruments such as harpsichord, violin, and trumpet, as well as the practice of basso continuo, which is the use of a keyboard instrument and a bass instrument to provide a harmonic foundation for the music. Baroque music differs from Renaissance music in several ways.

Erin Hundley Music of The Baroque period Jean Baptiste Lully was born Nov 29, 1632 in Florence Italy. He was a French Baroque opera composer, known for creating a style called tragédie lyrique. Lully composed Armide, an opera based on a poem called Jerusalem delivered. I listened to one of the more recognized excerpts, Act 2 Scene 5. The scene starts out with the main character, Armide, hovering over Renaud, a knight that she has placed a love spell on.

The Baroque period on the other hand, spanning 150 years from the beginning of the 1600s to 1750, was divided into three parts: The Early Baroque period, The Middle Baroque period and The Late Baroque period. While these two eras start right after each other, there are a lot of differences between them, this shows how much music can evolve through time. There are many similarities and differences in characteristics between the two periods. They’re both very similar in texture, in that they’re both polyphonic. Although sometimes homophonic textures are also used in both eras.

The Regency Era had room for exploration to which orchestral music fulfilled, however still finding room for singing and musical instruments. The era had most of its musical masterpieces come in the form of an orchestra piece. Singing still took a major role in the jobs, filling the room with the

There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.