Home Alone The comedy film Home Alone produced in 1990 by Hughes Entertainment effectively and heavily relies on the use of pathos through its imagery. Many members of a large family may see this film poster and have it automatically tie into their fear of being left home alone as a child while someone is trying to break into their house. Along with that it also utilizes a bit of ethos as well as logos. The film poster includes the image of a scared child who seems to be screaming along with two men who appear to be some sort of robbers behind him. This film poster makes use of word phrases such as, “he kicks some butt” which may grab the viewers' attention. The family member viewing this may begin to question and wonder how this child survives …show more content…
Consequently, one of the two men that are stationed behind this child seems to be smiling and enjoying the fact that they are terrorizing this child, while the other seems to be angry or fed up with the fact that a child is even in the equation. All of this strongly adds to the appeal of pathos which strengthens the posters' effect that it has on the audience’s feelings or emotions of a child being left home alone by themselves. The audience viewing this poster may feel a sense of sadness along with a bit of anger because they may feel bad that a child is left home by himself during a family vacation and on top of that, it is also the holidays. The sense of anger may come because the viewer may be angry at the child’s family and think to themselves, “what kind of people leave their child behind and dos not come back to get them?” Also in the background of the picture are Christmas lights and snow which helps the viewer understand that this film is developing around the holiday …show more content…
Logically, from a child’s point of view, they would almost never be able to fight off two grown men. Yet it directly says on the poster, “he kicks some butt” and also states that it is a comedy film which tells the audience that Kevin is the one who is going to be in control of the whole movie. Going back to Kevin’s appearance, it is very misleading to the audience, because they can assume that Kevin is never truly frightened or scared throughout the entire film. This film poster does a great job of providing the main idea of the entire movie through all of the imagery it displays on this particular film
(Bradbury, 9). The use of personification is applied through the use of weather and emotion. The weather cannot portray real human emotions but it can symbolize anger and fury. The parallels between the children and the house are no mistake. The children’s raw emotions echo through the house, the environments in their lives only cater to them and their feelings.
The lights on the christmas tree shone different colors across the faces of the children as they roasted marshmallows in the fireplace. Half empty hot chocolates sat beside them. How the Grinch Stole Christmas played over the television set, not quite drowned out by the children's laughter and discussions of what presents they would be getting the next morning. The man, in this moment, couldn’t help but notice just how beautiful his wife was. The way her nose crinkled up, when she laughed with the children, the way she snuggled closer to him while watching the movie.
This section of the novel, Lullabies for Little Criminals, introduces the external conflict and develops the main character - an innocent twelve-year-old, Baby - that sets the plot structure for the rest of the novel. Baby tells the story using first person that enables readers to deeply connect with Baby’s innocent thoughts as she moves from one atmosphere to another. In addition, Baby’s heroin-addicted father, Jules, develops his character by explaining more about his addiction from the main character’s view. In this section, the novel contains some humour that is dissected from Baby’s thoughts: “If you want to get a child to love you, then you should just go hide in the closet for three or four hours… That child will turn you into God. Lonely
Following the scene on the beach with the boy and girl, the audience sees a wide angle shot at sea, with the girl in the centre of the frame. The vastness of the water in relation to the girl illustrates her isolation, and who in a cutaway wide shot, is shown to be still on the beach. Their separation emphasises the girls’ vulnerable position in the water, far from the safety of the beach. The wide shot also highlights the space around the girl in the water, and the audiences’ expectance for something sinister to fill this space is what creates suspense in the scene. The critic
Visual imagery aids the reader in understanding the loss of innocence of a boy amid such despair and the transformation that follows. Through these literary features, the author
When the children are threatened with the change of the nursery being turned off they willingly harm their own parents. In conclusion, the theme of “The Veldt” is people are scared of change because the actions of the characters support the
In ‘A Christmas Carol’, Dickens presents Ignorance and Want in a metaphorical fashion, depicting them as children. This is done in such a manner as to shock and appall the reader, leading to greater emotional investment. Throughout the extract’s entirety, Ignorance and Want are depicted as children, increasing the atmosphere of pessimism that surrounds them. Dickens describes the manner in which the Ghost of Christmas Present “brought two children” – by describing Ignorance and Want as “children”, Dickens creates the impression of innocence, vulnerability, and weakness.
Tan uses a dark colour palate to highlight darkness such as the scuba scene where she appears to be stuck in a bottle with only darkness surrounding her. The author illustrates the use of dark blue and green lighting as well as the dull brown lifeless colour to give the reader a strong sense of grief. Throughout the process of the child’s transition of examining the new world, Tan visually applies dark lighting of orange and brown colours, giving the responders a chaotic impression. Throughout the picture book and especially as it draws towards the ending, Tan deliberately utilises short sentences as he symbolically represents common phrases like “nobody understands” and “darkness overcomes you for depression” to alert the reader about the alienation the character is
In the past, authors have used different kinds of diction and imagery in order to express their thoughts and experiences on the thought of growing up. In the vignette “The Monkey Garden” from The House On Mango Street Esperanza deals with the pain of her friend growing up before she does. Her lack of maturity in social situations causes her confusion and pain. At the beginning of the vignette Sandra Cisneros uses positive diction and peaceful, playful imagery in order to show the beauty and innocence of childhood. Cisneros then shifts the tone and uses negative diction and Sorrowful imagery in order to express that growing up can be a painful, revealing process.
In his poem “Behind Grandma’s House,” Gary Soto details the life and daily routine of a somewhat masochistic ten year old boy as he kicks over trash cans, terrorizes cats, and drowns ant colonies with his own urine. In many ways the boy acts as any other boy his age would be expected to, but he tends to go further than most young boys with his actions and descriptions of how he feels. This extra violence and destructive tendency the narrator exhibits can lead the reader to believe that, rather than being a typical child, he strongly craves attention due to his circumstances, and he is willing to act out and act obscenely in order to receive that attention. Throughout the poem the narrator details all the things he does to prove how tough he is, many
This sense of normality shows the difference between reality and the dream. With this sense of normality, many people don’t like to watch these horror movies as it is too scary. However, this shows the sense of normality as it shows the emotions of being scared. On the other hand, the other people show the emotions of
He descriptively tells the readers he grew up in a state of chaos due to war and that he did not have a peaceful childhood compared to normal kids. While he was afraid of the soldiers who are “strolling the streets and alleys” (line 8), the untroubled child in him was afraid of the “boarded-up well in the backyard” (line 4). Here, he contrasts the idea of home and foreign place by presenting different experiences that a child faced. He is showing an event that caused him to have fragmented self. He hints the readers lack of personal belonging because he has experienced war in his early youth.
A Psychoanalytical Approach to A Doll’s House Sigmund Freud, a well known psychologist, argues that childhood experience influences adult life in the pursuit of happiness. Henrik Ibsen’s A Doll’s House is a prime example of Freud’s theory as the protagonist, Nora, regresses to her past childlike habits of happiness within a voiceless marriage. Nora is limited to mental developmental growth because she is fixated in an adolescent state. In order for Nora to truly find her identity in the end, her illusions of happiness must be shattered.
The descriptive short sentence of the setting being during “A winter day,” again emphasizes the normalcy of the situation, as well as hinting that the setting of the story takes place around Christmas time. The
This movie definitely has one rolling on the floor. Although this movie may not be appealing to a parent or grandparent, it can definitely be seen as something streaming through the laptops and TV screens of teenagers and young