In “Macbeth: The Prisoner of Gender,” Robert Kimbrough explores the topic of manliness in Shakespeare’s play, Macbeth. Kimbrough begins by examining how masculinity and femininity came about in the first place, stating that the origin can best come from the “Judeo-Christian version of God the Creator” (179). The differences between males and females created a hierarchy in Shakespeare’s time, where males were on the top and females were on the bottom. Kimbrough states that the differences betweens the two genders are “matters of the mind,” and believes “Shakespeare sensed that so long as one remains exclusively female or exclusively male, that person will be ... denied human growth" (179). These “matters of the mind” are what Shakespeare tackles …show more content…
It is clear that men and women have two different cultures in Shakespeare’s time, and the relationship between the two was hierarchical. Throughout Shakespeare’s play, it is obvious that the feminine emotions are far less desirable than the masculine. When Lady Macbeth plots to kill Duncan in order for Macbeth to become king, she is aware that he must suppress his natural “love, compassion, pity, [and] remorse” in order to kill Duncan, and she will need to ignore the same emotions, “which she clearly thinks of as feminine” (180). Macbeth, of course, eventually gives in to the gender definitions of his wife and society and kills Duncan. “He is on his way literally and figuratively to becoming the kind of man his wife has urged” (183). Lady Macbeth pushes her husband to “compete in the male hierarchy,” making her a good wife (187). This is highly ironic because being a good wife is a feminine thing to do, even though she tries so hard to rid herself of these emotions and …show more content…
While Kimbrough believes this to be evil, Shakespeare uses Macbeth’s love for his wife and her love for her husband to show that Macbeth and his wife were victims of their society’s strict views of manliness; manliness is desirable, but femininity is not. The love for masculinity is undermined by Shakespeare as both Macbeth and his wife become mere shells of their former selves by the end of their story by becoming more masculine. Lady Macbeth goes so far as to take her own life, the ultimate display of her femininity. Finally, Kimbrough states throughout his article that Shakespeare wishes to have audiences take a second look at themselves and perhaps judge what is masculine and what is not a little
Macbeth (A gender/ personality study).” Ancona and Thompson argue in their essay that Macbeth’s downfall was ultimately because of his wife, Lady Macbeth. “ Macbeth’s real tragedy is his marriage.” Macbeth suffered so much pain and grief at the hands of his “fiendlike” wife.
Throughout the play Macbeth, by William Shakespeare, manhood is a recurring theme and appears in almost every act. What it takes to be a man differs from person to person as the play progresses. What William Shakespeare believes about manhood is much different than what his characters think. About this topic, Robert Kimbrough says this,“...so long as one remains exclusively female, or exclusively male, that person will be constricted and confined, denied human growth.” While Shakespeare’s characters don’t believe this, the idea is prevalent in the devolution of Macbeth.
Well Lady Macbeth, who is dead set on having absolute power, disagrees with that. She convinces Macbeth to kill, to cover up the murders, and tries to convince him that these murders will get them to the top. Lady Macbeth calls upon the witches and states, “unsex me here, and fill me from the crown to the toe top-full of direst cruelty” (Macbeth Act 1 Scene 5 lines 31 and 31). This shows that while in the pursuit of power, Lady Macbeth wanted it so much that she asked the witches to “unsex” her and make her more like man. But along with that you see the theme of gender roles are uncertain which ties into Lady Macbeth leading Macbeth in this pursuit of power, also giving him the ambition that she wants him to
According to Greig E. Henderson and Christopher Brown’s Feminist criticism, people stereotype males as active, dominating, and rational, whereas the female is passive, submissive, and emotional. In Act II Scene I of the play, one can learn that the role of Lady Macbeth and the three witches has a great impact on Macbeth's actions and his masculinity. Firstly, Macbeth says that “wicked dreams abuse the curtain'd sleepe” (2.1.51-52). When you comprehend this quote literally, one may think Macbeth would kill the King in his sleep and his act is the wicked dream.
Shakespeare, like any other man in the 16th and 17th century, saw ambitious and dominant women as evil and even disturbing or disturbed. From Macbeth, we can see Shakespeare feels women should be challenged and punished because they are trying to change society. Nowadays these ambitious and dominant women are regarded as brave and respected because of their ambition, such as Lady Macbeth’s ambition to become Queen. Shakespeare presents Lady Macbeth as mentally disturbed.
Through the course of ‘Macbeth’, masculinity is presented as a driving force to Macbeth’s crimes, making it a vital theme. In this essay, focus will be on masculinity’s presentation through Macbeth and Lady Macbeth. In the beginning, Shakespeare portrays Macbeth as “valiant”: a prized masculine quality and the key to respect in their society. However, this trait becomes warped along the play. Furthermore, Lady Macbeth has power comparable to man’s
Lady Macbeth in the beginning of the play is manipulative, most of the times she manipulates her husband into doing either what she wants or what she thinks he should do. For example, when Macbeth does not want to kill Duncan anymore, Lady Macbeth convinces him by saying “from this time such I account thy love. Art thou afeared to be the same in thine own act and valor as thou art in desire? (I.vii line 38-41). Besides, the audience see Lady Macbeths is influencing her husband’s feelings by she is using her love as a weapon because she is saying do it
In William Shakespeare’s tragedy, Macbeth, the protagonist desperately tries to live up to the image of a man that his society portrays. The search for his manhood leads him to violent acts that inevitably get him killed. In this tragedy, male and female roles are constantly discussed and defined. Both Macbeth and Lady Macbeth equate masculinity to violence and aggression. They both believe that in order to be a real man, then a man must perform violent acts when necessary.
There is a strong correlation between violence and masculinity. In the play, Macbeth by Shakespeare, Macbeth and Lady Macbeth constantly battle the challenges of manhood. This can be supported by Lady Macbeth and her “unsex me speech” (Act 1.5.47-61). During the play Macbeth, characters tend to dwell on issues of gender and their roles in society.
It’s no surprise, that Shakespeare’s Macbeth was clearly constructed as a rebellion against femininity roles of the time. During the Elizabethan era, women were raised to believe they were inferior to men since men obtained desired masculine qualities such as strength, and loyalty, whereas women were viewed as figures of hospitality (1; 6; 28-31). Obviously, not being tempted by the luxury of subservient women, William Shakespeare rebuked this twisted belief, applying that women deserve more respect than their kitchen tables.
William Shakespeare portrayed the character Lady Macbeth to be extremely ruthless, malicious and manipulative. Thus, being the reason she could easily convince Macbeth to do her will, yet still put on such a convincing performance in front of those who knew nothing of her and her husband’s actions. Lady Macbeth shows her complexity constantly throughout the story when she shares her view-point on masculinity by demasculinizing her own husband, when she strategically plans the murder of the King Duncan, and finally when she finally goes crazy because of the guilt she possesses for not only her own actions but also turning her own husband into a
Not only women here have the gender roles. Macduff's family is killed and it is looked down on when men cry, yet here it is more emotionally taken by the audience than when Lady Macbeth gender roles are flipped. Having Macduff be manly man yet cry at the death of his family makes him more of a ‘well rounded character’ and lady macbeth's character is more ‘damaged’. The end of Lady Macbeth's power left so broken he had little response to it.
Shakespeare believes that Gender roles shouldn’t be the stereotype of any relationship because the roles can be switched, and them being switched can cause a lot of trouble. When a woman thinks for men it ends up pretty bad. The play Macbeth shows that when a man follows a women's word because they love them, that's when
Traditional gender roles in today’s society are very different from what they once were. Shakespeare had progressive views on gender and gender roles in his time period, which he expressed through his writing. In MacBeth, Shakespeare showcases both his views and unusual roles through Macbeth and Lady MacBeth, MacDuff and the witches. Gender roles in the relationship of MacBeth and Lady MacBeth are probably the most obvious correlation between masculine traits expressed through female characters. Lady MacBeth belittles MacBeth and frequently challenges his manhood.
“Come, you spirits, That tend on mortal thoughts,/unsex me here, And fill me from the crown to the toe top-full/ Of dire cruelty” (1.5.41-44). Lady Macbeth is the personification of male dominance, ruthlessness and violence. She hopes that she could take control of all action. She yearns to be a man and her implication is that she is more masculine than Macbeth. Her drive and violent nature is more akin to men and their masculinity.