Social Realism In Once Were Warriors

Indigenous texts challenge misrepresentations in mainstream media by exposing harmful stereotypes displayed in movies and TV. The documentary "Reel Indian" is an excellent example of this as it shows how Indigenous characters are reduced to one-dimensional archetypes, erasing the complexity and diversity of Indigenous identities. Similarly, the poem "I lost my talk" by Rita Joe conveys the

An individual’s life, identity, and their relationship with other people can be impacted by the suffering and loss that war and its aftermath bring. Australian composers address these issues in their novel to convey the Australian identity. Australia composer Sue Lawson explores and creates images of the Australian identity through their actions, words and personality. Showing the effects of war not just of immediate generation but those who follow war. In exploring clear features and techniques of the Novel FINDING DARCY we find that the protagonist and antagonist eventually connect and interact with each other.

Le Thi Diem Thuy in her story, “The Gangster We Are All Looking For,” reflects on the narrator’s innocent demeanor by analyzing her actions to understand her own past. Diem’s conflict with adjusting to assimilation in the United States coincides with Helen Morton Lee’s piece, “Ties to the Homeland: Second Generation Transnationalism,” where she argues that the overall influence an individual’s homeland generates a structure that shapes their presence in the new country. Moreover, Thuy’s experiences during her childhood are properly explained in Elena Cohen’s article, “Understanding Children's Exposure to Violence,” which argues that when individuals face traumatic experiences during their childhood that they are more more likely to be emotionally damaged later in their life. The narrator’s desperate search for self-identity affects her after realizing she cannot assimilate well into the new culture. In “The Gangster We Are All Looking For,” Diem Thuy utilizes themes, point of view, and her traumatic childhood to justify the profound shift in tone implemented found throughout the story that describes

Similarly, imagery and setting are contrasted with the ugliness of war. Finally, a variety of language techniques coalesce to create extremely emotive language, exploring the gruelling and emotionally damaging nature of war’s conditions. Malouf’s application of third person perspective, serves to convey the influence of patriotism in times of war. Malouf conveys in the early chapters of ‘Fly Away Peter’ his idea that Australia was a young but patriotic nation in 1914, the year in which the text’s events take place.

When faced with war soldiers change, for better or for worse. Modern culture celebrates the glory of patriotic sacrifice. However, this celebration often leaves out the gritty details and trauma of violence behind war and the way it affects people. Homer’s The Odyssey and William Wyler’s The Best Years of Our Lives clearly discuss these details. Both debate the long-awaited return of warriors that went off to fight a war and the way the experience changes the protagonists.

Chris Hedges, a former war correspondent, has a memory overflowing with the horrors of many battlefields and the helplessness of those trapped within them. He applies this memory to write War Is a Force That Gives Us Meaning, where he tutors us in the misery of war. To accomplish this goal, Hedges uses impactful imagery, appeals to other dissidents of war and classic writers, and powerful exemplification. Throughout his book, Hedges batters the readers with painful and grotesque, often first-hand, imagery from wars around the globe. He begins the book with his experience in Sarajevo, 1995.

The combination of stereotypes and a visual representation leads to a more lasting impact on everyone that watches the movie. However, by 1970, the film industry had become a much more widespread form of entertainment and became less one- sided than in previous years. Beginning in 1970 with the film Little Big Man, a new era of Native representation began, “The Sympathetic Other. (Schnupp)” In the movie, Jack Crabb’s parents are killed and he is raised by a group of Cheyenne Indians.

In Sherman Alexie’s short story, “War Dances,” the narrator unravels in thoughts and takes us through events in his life. He picks up by speaking about a cockroach that ends up dying in his Kafka baggage from a trip to Los Angeles. The cockroach still appears many times throughout the story. The narrator spends quality time in the hospital with his father, who is recovering from surgery due to diabetes and alcoholism, all along the way while he, himself, discovers he might have a brain tumor, leading his right ear to talk about his father. Using a style of tragedy and care both incorporate together a symbolic story that would make even a plain reader feel touched, leading to the major occurrence of a theme of the importance of family.

“Australia is a nation of compassion- and courage…. And the third of these great values: resilience.” Today, members of the board, As an emerging film critic, I stand before you today to discuss and promote the film that absolutely best represents the pure essences of Australia’s identity through our strong Companionship, commitment and courage.

The making of movies, or the concept of it, has been around since the beginning of the 18th century. The lens of the camera has captured some of the most beautiful things, but also the most prejudice. Stereotypes of races, ethnicities, and gender have always been around but were widely considered acceptable in the films of that era. Almost as long as there have been people filming, there have been people fighting for equality to be presented on the big screen. Danez Smith is one of these modern fighters in his free verse poem “Dinosaurs in the Hood.”

People today could say that stereotypes aren't such a factor in life, but they don’t notice what's really around them. The book The Outsiders by S.E. Hinton, gives a realistic example of how stereotypes rule society. The Outsiders is about two groups of kids, the Socs, and the greasers. The story takes place in the east side of Tulsa Oklahoma, in the 1960’s. The main character Ponyboy is part of the greaser group, with Johnny, Darry, Dally, Sodapop, Two-Bit, and Steve.

In 1954, the enthralling, stirring drama Twelve Angry Men was written by Reginald Rose. This drama is used to show the depth of bias and flaws in the United States jury system; furthermore, how much juries stereotype defendants mainly based on features. Additionally, women and people of color weren’t allowed on juries; the jury consisted of only white men. A stereotype is the generalization about a certain category of people/things; furthermore, it often is an unfair/untrue belief that people associate a specific group of people with based on their characteristics. (Britannica).

Using distinctively visual, sensory language and dramatic devices in texts allows the reader and audience to view as well as participate and relate to different emotions. In the fictional play “Shoe Horn Sonata” written by John Misto, 1995, Misto sets the scene by using dramatic devices to address the extremely confronting circumstances that the protagonists, Sheila and Bridie experience. Similarly, in the poem “Beach Burial” by Kenneth Slessor, 1944, Slessor too uses extremely strong visual language on the subject of war to overcome the gruesome realities of the subject matter. Misto’s play “Shoe Horn Sonata” shares the impacting journey two young women are forced to face, spending 1287 days in captivity in a Sumatran war camp, during world war two.

The film would make European Australians realise how wrong we were to treat the Aboriginals like we have in the past. The characters are very effective and make the stereotypical Aussie come to life and the indigenous actors in the film are very true in the way that they play their roles and portray the way white Australians treated Indigenous people in our past and even in our current time. The film techniques such as the hand held camera give viewers an almost real life experience to the film and the soundtrack on the film is all native Australian music.

The movie is adapted from the novel of the same name by Judith Guest. It realistically depicts family dynamics, posttraumatic