Nella Larsen’s novel Passing is a brilliant portrayal depicting how light skinned African Americans were able to live their lives as white people if they so wished and the fallout sometimes associated with this racial passing. Although passing may seem beneficial to those who can blend into mainstream society, passing has several negative effects on one’s acceptance in the African American community. Such a negative effects can include the view of passing “as an instance of racial self-hatred or disloyalty” (CITE 2). In a sense, the one who passes can be considered a traitor to their natural race in that they have abandoned their in favor of a less stigmatized race. After all, race plays an important role in the formation of one’s identity …show more content…
Longing to ask Clare how one goes about passing for such a long period of time, she is unable to fathom why someone would want to do so, as if there were no reasons whatsoever for passing. To this question, Clare replies that “it’s such a frightfully easy thing to do . . . all that’s needed is a little nerve” (Larsen 25). Despite his inability to pass, Brian even understands the concept of passing better than Irene, similar to how he better understands the racism blacks experience regularly. When Irene talks about African Americans how “disapprove of passing and at the same time condone it”, Brian describes passing as the “instinct of the race to survive and expand” (Larsen 56). Because he cannot pass and therefore faces the typical struggles of a black person, he perceives the necessity for doing so. For him, passing is about surviving and gaining a better lifestyle. Yet still Irene questions the concept of passing and is genuinely surprised that she knows so many people that pass in everyday society, such as Clare and Gertrude, and she does not understand the necessity for them to do so, which is made even more ironic by the fact that Irene too passes on occasion. Although she claims that she has never “gone native in [her] life”, passing for Irene is simply a means of convenience, which is completely unlike why the other two women pass (Larsen
In Passing by Nella Larson, two biracial women pass as white while one embraces her black identity the other denies her black identity. Race, identity, and belonging is determined by the culture the family choses to identity with. Clare has no other choice but to accept her white culture on the surface but she desires to be reconnected back to her black culture. Clare decision to accept her white culture was for the privileges that came from passing. Biracial children have a difficult time finding a sense of self and where they belong.
Nella Larson’s novel Passing, tells the story of two African American women Irene Redfield and Clare Kendry who embark on a journey to “reconnect” with one another. Although, similar in appearance, these two women were very different in the way they determined race. For women like Irene and Clare who were physically able to “pass” as white women, despite having African American heritage the typical connotation that race was distinguished by the color of one’s skin did not apply to them. As a result, many women like Irene and Clare would cross the racial lines. The character Clare Kendry was the perfect example of “passing.”
The novel Passing, by Nella Larsen, is all about relationships; the relationships make it the great book it is. Think Irene and Clare. Irene and her race. Irene and her own self identity. However, one that often seems to be overlooked is her relationship with her husband Brian.
In The Autobiography of an Ex-Colored Man, the narrator, James Weldon Johnson, makes the decision to live life disguised as a white man after seeing and experiencing the troubles that hound the African-Americans after the abolition of slavery. In Lalita Tademy’s Cane River, a slave family struggles to survive through their enslavement and the aftermaths of the Emancipation Proclamation. Throughout both of these stories, white people are disrespectful to the black people despite them deserving respect. Occasionally, this disrespect festers and turns into unjustified hatred. Through the gloom of death in The Autobiography of an Ex-Colored Man and Cane River, one can see how prejudice is devastating to everything that stands in its path.
The individuals in this world are foolish to intuit hate for each other, for one way or another, we are all connected. The reason for this connectivity is the fault of passing or racial ambiguity. Passing is where an individual from one race is accepted into another based off of their appearance. Examples from: the film titled Little White Lie, a guest speaker named Rebecca Campbell, and the novel by J. California Cooper titled Family, explain this notion of passing and how it caused the world to be so connected.
After much hesitation, Carter decides to “pass” as white for only one year. Many complications later arise from Carter's decision to pass as white, but Carter’s success eventually proves that “passing” serves as the right decision. As a white man, Carter’s career gradually prospers as he acquires a medical job in Keenham. Marcia and Carter didn’t want their children, Shelly and Howard, to deal with the same discrimination and hatred Marcia and Carter had to face, so they decide not to tell their kids that they are descended from Negro ancestors.
Nella Larsen’s Passing is a novella about the past experiences of African American women ‘passing’ as whites for equal opportunities. Larsen presents the day to day issues African American women face during their ‘passing’ journey through her characters of Irene Redfield and Clare Kendry. During the reading process, we progressively realize ‘passing’ in Harlem, New York during the 1920’s becomes difficult for both of these women physically and mentally as different kinds of challenges approach ahead. Although Larsen decides the novella to be told in a third person narrative, different thoughts and messages of Irene and Clare communicate broken ideas for the reader, causing the interpretation of the novella to vary from different perspectives.
Racism was always a big issue and still occurs today. The story “Passing” took place in the 1920’s during the Harlem Renaissance and it spoke about the term “Passing” which indicates that African American’s who looked lighted skin can go to public places without being discriminated. In “Passing” Nella Larsen demonstrates how racism causes jealousy, resentment, and dishonesty in relationships. The idea is conveyed through inner conflict, the conflict between the main characters and how the Harlem Renaissance period inflicts tension in relationships.
Irene and Clare are both light enough to “pass”, but only Clare chooses to pass everyday. Irene passes in trivial situations like getting a cab, buying movie tickets, or getting a table at a restaurant, but
The African – American 's Assimilation into White America America is often considered the land of opportunities, a place where people can have a fresh start, a clean slate. America is a land that is made up of immigrants. Over the centuries America has been a place where people dream to live in, however the American dream wasn 't as perfect as believed; there were issues of race inferiority, slavery and social inequality amongst other problems. When a person arrives into a new society he has a difficult task ahead of him- to assimilate into that new society- which includes the economical, cultural, political and social aspects. In the following paper I will discuss how the African American, who came as slaves to America, has fought over the centuries to achieve equality in a white society that discriminated them.
Irene's marriage with Brian Redfield is empty and unfulfilling. Brian resents Irene because she was the reason why he could not be where he wanted to be, which has led to discomfort and arguments throughout their marriage. Brian very much wanted to be in Brazil, but Irene insisted upon him
1920’s society offered a prominent way for blacks that look white to exploit its barrier and pass in society. Visible within Nella Larsen’s Passing, access to the regular world exists only for those who fit the criteria of white skin and white husband. Through internal conflict and characterization, the novella reveals deception slowly devours the deceitful. In Passing, Clare and Irene both deceive people. They both engage in deceit by having the ability to pass when they are not of the proper race to do so.
In a conversation about passing, Clare describes how she successfully passes over and what exactly it is that makes her so successful in doing so. Irene, curious to know how, asks these questions because she cannot believe the fact that Clare has abandoned her background and where she comes from. She then comes to the conclusion that as Clare has no background to present to the white community, she must have made up stories. In Passing, the author Nella Larsen enhances this passage in numerous ways in order to provide meaning. The importance of this conversation is emphasized by the diction used to create significant meaning, the supporting of themes presented throughout the novella, and the details regarding arising conflicts throughout the novella.
I will be taking a postmodern approach to the text and supplementing it with modernism and psychoanalytic theories before stating my final stance that postmodernism may be the most appropriate approach. This approach ensures that different perspectives are present in my analysis and ensures that it is not one-sided. The question that I hope to focus my argument on is “Does the postmodernist approach better emerge the idea of self from racism?” Rottenberg, Catherine. " Passing : Race, Identification, and Desire. " Criticism, vol. 45, no. 4, 2004, pp. 435-452.
The story represents the culmination of Wright’s passionate desire to observe and reflect upon the racist world around him. Racism is so insidious that it prevents Richard from interacting normally, even with the whites who do treat him with a semblance of respect or with fellow blacks. For Richard, the true problem of racism is not simply that it exists, but that its roots in American culture are so deep it is doubtful whether these roots can be destroyed without destroying the culture itself. “It might have been that my tardiness in learning to sense white people as "white" people came from the fact that many of my relatives were "white"-looking people. My grandmother, who was white as any "white" person, had never looked "white" to me” (Wright 23).