Exploitation In Michelle Cliff's Down The Shore

The definition of slavery can be known as a condition of a slave in respect to arduous labor work and/or extremely limited freedom. Therefore, three different forms of slavery are depicted in Olaudah Equiano’s “Chapter 2: Horrors of a Slave Ship.” These consist of the slavery that Equiano endured while still in Africa, suffered through on the slave ships, and saw the beginnings of in Barbados. The only thing we learn about slavery hardships, in Barbados, is the buyers of the slaves purchase them in such a fashion that leads to family and loved ones being forever separated, with no hope of reuniting. Equiano rhetorically asks the reader wonderfully, Are the dearest friends and relations, now rendered more dear by their separation from their

Junot Diaz’s The Brief Wondrous Life of Oscar Wao explores the lasting effects of colonial violence on a people through the engagement with toxic masculinity and gender violence. The novel skillfully interweaves historical facts with narrative prose in order to draw a connection to an original source of colonial violence to explain its lasting negative effects on the people of the Dominican Republic. The ramifications of the association of a people with the land they inhabit as a means of dehumanizing leads to a snowball effect of a continued search for power from men through violence towards women among a colonized people. Meaning, colonial violence becomes gendered violence when operating within a patriarchal society.

As the boom from the transatlantic slave trade was being put into a question of universal humanity and morality, millions of Africans were still being sold into a life of victimhood. Amongst those millions were freemen being stripped from their homes, because of their race, in the core and coastal regions of Africa. The Neirsee Incident occurred on, “January 21st, 1828” at a “British owned palm oil house near old Calabar” (Blaufarb and Clarke 71). The Neirsee as it was stopped at the port near the British owned palm oil house, was interrupted by a character name Feraud who “slipped out of old Calabar on the Neirsee”, where the ship was eventually seized after it had, “just loaded its human cargo” (Blaufarb and Clarke 72). The incident had led to innocent British citizens lives being sold into the slave trade.

Jamaica Kincaid is an Antiguan-American writer, who was once lived under British rule in Antigua. The women, who were under British rule faced patriarchy. She grew up with a love of books, and wanted to further her education. Unfortunately, as a woman she was unable to have that opportunity. In Kincaid’s, “Girl” there is a sense of denouncing women.

The Truth in the Myth: Lougarous and liberation in Danticat’s “Nineteen thirty-seven.” Caribbean folklore functions as a vehicular tool for Danticat to discuss ideas of politics and gender in ‘Nineteen thirty-seven’. The cultural transmission of folklore is central to the story’s thematic resonance. The word of mouth nature of storytelling ensures the preservation of a tragically monumental episode in Haitian history, in addition to a feministic outlook on this event. The legend of the ‘Lougarou’ is emblematic of both political freedom and feminine freedom.

B’gwus Beach Essay Roughdraft In the story excerpt, Monkey Beach by Eden Robinson, the author writes about a Haisla woman named Lisa who has just lost her brother Jimmy at sea. The excerpt recounts the grief Lisa and her parents are feeling. Followed by a flashback of Lisa and her family going to the acclaimed Monkey Beach. Throughout the excerpt, Robinson uses specific narration and setting techniques, that when examined thoroughly will aid in a deeper understanding of the text.

Imagine your culture being taken away and a fresh one was all that was educated to you? How would you respond to it? In this essay, “On Seeing England for the First Time”, Jamaica Kincaid informs us about her experiences growing up in Antigua, a small island located in the Caribbean, which was a British colony at the time. England is everywhere in Kincaid’s life as a child because she lives on a British colony. She is taught all her life about England, a place she has never discerned.

These memories, despite happening years ago, are still present in many lives, represented by Hortense’s claims that she remembers being inside her mother’s womb. Though European colonization happened long before Irie was born, she still lives within a community where the effects of colonialism can be seen. For example, when the headmaster of Irie’s school praises Sir Glenard for founding the school with the intention of mixing Caribbean and English people, it is revealed, “Glenard’s influence… ran through three generations of immigrants who could feel both abandoned and hungry even when in the bosom of their family in front of a mighty feast” (255). While Glenard’s intention with the school was to unite, his history of prejudice makes the community inherently divisive. Indirectly, colonialism still affects Irie—whether through her desperate attempts to straighten her hair or even the school she attends.

She achieves her aim in highlighting that the prohibitive laws which reduce people like her to mere sexual bodies is a psycho-social remnant of the colonial past. She addresses a number of audiences within the piece, including the human rights community, the governments of both her native Trinidad and Tobago and The Bahamas, and by extension all citizens of the Caribbean and wider world who have been disenfranchised by laws that diminish their humanity and highlight their perceived iniquity. The implication of her essay is clear: if not just any body can be a citizen, the democracy which we have set up is in need of some adjustment. It relates to us because it reminds us that for every time we deny any body rights, we have failed to live up to the principles on which are postcolonial societies are supposed to be

She conveys ideas of internalised oppression, involuntarily imposed upon to follow strict social rules, the act of people erasing cultural heritage, as well as the importance of embracing personal heritage. Throughout her essay,

This added detail also contributes to the sense of youth in the story. Furthermore, when the narrator exemplifies the complicated process of discovering a private box in her closet, a system which involves closing her eyes and holding her hands up above your head, she comes off as a minor, adding details that only they would consider relevant. The language in the story also displays the childish quality of the narrator. Phrases such as “Daddy-said-so” and “our cave-dark closet” accentuate her adolescent mind. The phrase ”God is whipping you,” used in place of a more common--and vulgar--curse, is also evidence of her naivete and

Using distinctively visual, sensory language and dramatic devices in texts allows the reader and audience to view as well as participate and relate to different emotions. In the fictional play “Shoe Horn Sonata” written by John Misto, 1995, Misto sets the scene by using dramatic devices to address the extremely confronting circumstances that the protagonists, Sheila and Bridie experience. Similarly, in the poem “Beach Burial” by Kenneth Slessor, 1944, Slessor too uses extremely strong visual language on the subject of war to overcome the gruesome realities of the subject matter. Misto’s play “Shoe Horn Sonata” shares the impacting journey two young women are forced to face, spending 1287 days in captivity in a Sumatran war camp, during world war two.

Alistair MacLeod’s collection of short stories, captioned ‘Island’, explores the traditions and family lifestyles on Cape Breton throughout the 1960’s to the 1990’s. Throughout many of the stories, MacLeod demonstrates how the surroundings of the character affects their identity. The culture and tradition of Cape Breton affect the views of the characters and the home of the characters affect who they are. It is then the family that surrounds them that affects the morals of the character and who they really are.

In Alice Munro’s story “Wild Swans”, Rose is imagining things that may confuse people into thinking that she is being sexually harassed. Rose is a young girl who rides on a train for the first time and is seated next to an old man. She feels the old man 's hand on her leg in a disrespectful manner but it is all in her head. It is proven that Rose was only imagining the old man’s hand on her leg in a sexual manner in the since of: her own desire of wanting pleasure, the old man 's kindness and age shows that he is blameless, and lastly pressure shows that what she was feeling was a ten dollar in her pocket not a hand. Rose wants to be “Pounded, pleasured, reduced, exhausted”.

As ironic as it may sound, the protagonist’s family, along with the priest and the townspeople, are the genuine monsters in this literary piece. In this short story, it was clearly seen that the protagonist was physically and psychologically isolated from her community. This abhorrence initiated within the protagonist’s own household. Her family implied that something was wrong with her—that she used to be a lovely baby and that she was cursed (263).