The Calypso Borealis 'And' I Wandered Lonely As A Cloud

He talks of specific instances such as when "The sun wavered between the branches of the sycamore. " With this the reader can picture the tree and it's beautiful leaves in the sun. His imagery was one of his strongest tools in retelling this

When speaking about nature, Muir says “the effect is indescribably glorious” (Muir). Muir is describing the relationship between man and nature in this because he is describing his encounters with nature during his Alaskan excursion, as this text is nonfiction. Muir also states “But it is in the darkest nights when storms are blowing and the waves are phosphorescent that the most impressive displays are made” (Muir). This quote says that in the darkest of nights, like in times of struggle, nature is the most beautiful. Muir also states “deep calling unto deep, glacier to glacier, from fjord to fjord over all the wonderful bay” (Muir).

Through the use of imagery, Yasunari Kawabata creates a still, quiet, and serene atmosphere in his short story ¨Girl Who Approached the Fire.¨ The story starts with the description of a lake: ¨The water of the lake glittered in the distance. It was the color of a stagnant spring in an old garden on a moonlit evening¨ (para. 1). The description of the lake compares its color to that of a static time unaffected by the world. Kawabata´s diction in the second sentence engenders the image of stillness in a uneventful area. The word ¨stagnant¨ leads to the thought of stillness.

In his passage from “Last Child in the Woods,” Richard Louv uses various rhetorical strategies in order to make his audience more supportive of his argument. The passage discusses the connection, or really the separation, between people and nature. On this subject, Louv argues the necessity for people to redevelop their connection with nature. His use of tone, anecdotes, rhetorical questions, and factual examples all help develop the pathos and logos of his piece.

Many people who go into nature always see it as something beautiful and aesthetic, but they never see the other side to nature. Humankind’s connection with nature isn’t a real one. They always look at the bright side of nature but are blind to the true dark side of nature. JB MacKinnon’s article “False Idyll” (2012), reveals that nature is not just flowers in a field but can also be the survival of the fittest. He backs up his claim by talking about nature through anecdotes and expert’s research.

His experiences as a child in the car with no distractions influenced his mind to grow strong and healthy. As a child, he would draw on the fogged glass and count cows and telephone poles. He believes this helped him appreciate what he saw on long car trips instead of being preoccupied and completely missing those things. Being able to appreciate beautiful nature grows the visionary area of the mind, which is much needed, especially in children. Richard Louv’s rhetorical devices in his essay, Last Child in the Woods, efficiently get his points across.

as in her final moments the narrator recalls her earliest connection to the landscape. A key theme throughout the poem is the importance of embracing nature, emphasized by the metaphor of the “fine pumpkins grown on a trellis” which rise in towards the “fastness of light”, which symbolizes the narrators own growth, flourishing as a fruit of the earth. Through her metaphors and complex conflagration of shifting perspectives, Harwood illustrates the relationship that people can develop with landscapes, seeing both present and past in

Wordsworth and Muir express their fascination with nature using imagery and mood. In “Calypso Borealis”, John Muir states that he finds himself “glorying in the fresh cool beauty and charm of the bog and meadow heathworts, grasses, carices, ferns, mosses, liverworts displayed in boundless profusion” (Muir). The words “boundless profusion” appeals to the sense of sight and helps us imagine the scene and all the bountiful natural beauty of the place. The image shows Muir’s relationship with nature because it demonstrates his overwhelming, nearly spiritual, experience with nature. In the poem “I wandered lonely as a cloud”,

Ralph Waldo Emerson and Henry David Thoreau both fond nature to be essential to being a whole person: spiritually and emotionally. Emerson saw nature’s effect on people and their thoughts, whereas Thoreau saw the deliberateness of nature and thought that if people could seize the same decisiveness that they would have more to enjoy in life. Both authors believed that humans needed to enjoy nature to be one with the universal being that is the basis of Transcendentalism. Emerson wrote “When we speak of nature in this manner, we have a distinct but most poetical sense in the mind.” (Nature 693) Emerson was saying that nature is similar to poetry for the mind, in that it is relaxing and wholesome.

Has there ever been a day, where everything that could go wrong does, and it seems like nothing can reverse the damage? But then upon arriving home, something worthy of much gratitude happens to ease away the pain of this awful day, even if only small in measure. It could be the giving of unbiased love and affection from one’s animal companion, the lended ear and open heart of a friend, or even the discovery of good leftovers in the fridge from one’s favorite restaurant. The appreciation felt for the uplifting abilities of the ordinary details of one’s life is addressed in William Wordsworth’s poem I Wandered Lonely as a Cloud.

Nature is easily projected onto, as it allows for a sense of peacefulness and escapism. Due to its ability to evoke an emotional reaction from the masses, many writers have glorified it through various methods, including describing its endless beauty and utilizing it as a symbol for spirituality. Along with authors, artists also show great respect and admiration for nature through paintings of grandiose landscapes. These tributes disseminate a fixed interpretation of the natural world, one full of meaning and other worldly connections. In “Against Nature,” Joyce Carol Oates strips away this guise given to the environment and replaces it with a harsher reality.

Leilah Smith Dr. Cothren English II G March 1, 2018 Behind the Scenes: The Blissfulness of Nature Nature is a pure and natural source of renewal, according to Romantics who frequently emphasized the glory and beauty of nature throughout the Romantic period. Poets, artists, writers, and philosophers all believe the natural world can provide healthy emotions and morals. William Wordsworth, a notorious Romantic poet, circles many of his poems around nature and its power including his “The World is Too Much With Us” and “I Wandered Lonely as a Cloud.”

However there is a deeper connection between romanticism and nature all together. Many poets consider nature as the source of human ideas and emotions. “Henry David Thoreau says a poet who lived in a cabin on Walden Pond for two years, believed that people were meant to live in the world of nature”. Although the work of nature is characterized by search for self or identity, the poet William Wordsworth getting inspiration from Coleridge and nature wrote of the deeper emotions. Romanticism and nature are connected because the artists and philosophers of the romantic period romanticized the beauty of nature, and the power of the natural world.

He forgets all his inevitable and depressing and sorrowful conditions in the delightful company of nature. It also developed man’s sense of beauty. It fills man’s heart with heavenly pleasure with he can’t get anywhere under the sun. In the presence of nature a wild delight runs through the man, in spite of real sorrows. Every bit of alternation in the atmosphere in nature gives man happiness.

“Report to Wordsworth” by Boey Kim Cheng and “Lament” by Gillian Clarke are the two poems I am exploring in this essay, specifically on how the common theme of human destruction of nature is presented. In “Report to Wordsworth”, Cheng explores the damage of nature caused by humans and man’s reckless attitude towards this. In “Lament”, the idea of the damage of oceans from the Gulf War is explored. In “Report to Wordsworth”, Boey Kim Cheng explores the theme of human destruction of nature as a response to William Wordsworth, an romantic poet who celebrated nature’s beauty in his poetry.