Visual Analysis Of The Family By Romare Bearden

4) is of a man and a woman in what we can gather is the kitchen. We are able to see by their clothing and his hat that this portrait takes place in the 1940s. We are unable to see the face of the woman, which gives this portrait a feeling of a lack of communication among the people just as the previous works of art that I have discussed. The room gives off a dark and eerie vibe because the dark shadows on the wall. The man has a knife in his hand and has a very strange facial expression as though he is thinking about something very important.

Imagery is found in the same sentence, “They’d cleaned the room first, and arranged it, making a private place for themselves.” The author, Karen Hesse, describes what the family did to the room. They cleaned the room, then moved objects around to make a private place

The family shows signs of being part of either a low or poor class based off the conditions of the household they are living in and the bareness of their apartment. For instance, the dining room is extremely small and the kitchen seems old and worn out. Correspondingly, the family members seem to lack personality due to to the simple clothing they are wearing. However, the bright colors found interior of the home create a contrast between the dreary environment of the household. This helps convey the message that although the family may not be as economically stable and live a dull life, they still happily interact among one another and come together every evening to have a meal together.

Her descriptions of the room, with the furniture seemingly being nailed to the floor and the windows being “barred” show an underlying understanding that her thoughts and personality is being confined. The irony present in this description, due to her belief that the room used to be a nursery, shows her early denial of her husband’s dominance over her. As the story progresses and she begins to see the woman behind the wallpaper, the reader is exposed to the narrator’s realization that she is the one that is actually being suppressed. The descriptions of the wallpaper, showing how confining it is for the symbolic woman behind it, shows how the narrator is being trapped by those bars in both her marriage and in her mental illness. Thus when she says, “At night in any kind of light… it becomes bars,” the reader is shown how restricted the narrator feels, reflected through the wallpaper.

It is also significant to note that the narrator describes the pattern as suicidal because it again emphasizes the narrator’s desperate, almost suicidal, need to flee the imprisonment of the nursery and from the oppressive, male-dominant society that the room and its wallpaper represent. Asides of the pattern, there are many probable connotations of the yellow colour of the wallpaper, for instance with jaundiced illness, and also the rigid oppression of masculine sun. While sickness can be associated with the colour yellow, its more established motif would seem be the conflict between the masculine sun and the feminine moon. In Gilman’s story, sunlight is linked with John’s

The central idea in “The Yellow Wallpaper” by Charlotte Perkins, Is that a person’s environment can lead to insanity. A writing strategy, which develops this idea, is symbolism. In Stenson’s short story, the narrator’s room symbolizes her confinement and being oppressed. An example where the narrator’s room symbolizes confinement is when she describes her room as, “a big airy room… for the windows are barred for little children…” (648). By the narrator describing the windows as barred, it gives off the feeling of being trapped.

Tan uses a dark colour palate to highlight darkness such as the scuba scene where she appears to be stuck in a bottle with only darkness surrounding her. The author illustrates the use of dark blue and green lighting as well as the dull brown lifeless colour to give the reader a strong sense of grief. Throughout the process of the child’s transition of examining the new world, Tan visually applies dark lighting of orange and brown colours, giving the responders a chaotic impression. Throughout the picture book and especially as it draws towards the ending, Tan deliberately utilises short sentences as he symbolically represents common phrases like “nobody understands” and “darkness overcomes you for depression” to alert the reader about the alienation the character is

Desiree says good-bye to Armand and goes to the deserted field with her child and never came back. Armand was burning all of Desiree’s and the child’s materials into the bonfire. Then he found some letters from Desiree, but one was from his mother to his father, the letter said that she was grateful that Armand would never find out his mother was of slave heritage (Chopin). In “Desiree’s Baby, “ Kate Chopin uses imagery, foreshadowing and allusion to develop the ominos, mystery and sad story.

It's yellow color symbolizes the way the narrator feels about her situation. "Unclean", "dull", "sickly" is how she may have felt deep down about her relationship with her husband and the life she lived under him. The wallpaper itself becomes a symbol for her. She uses it as a coping method and projects her feelings onto it and the woman she sees in it. The windows symbolize how she is trapped in this marriage and she can only view the beautiful outside through the many windows, reminding her of what she cannot have.

The comparison between the light and dark as well as the conflict between two races reveal a hatred from the white race towards the black race. The children that seem lovely and innocent, who can imagine that it’s their parents who took away the lives of the youths from another race? When the forced death of the black people becomes the social habit within the society where these white children are going to the grow up with, these children are no longer lovely and innocent but being tained with the blood that covered their parents’ hands, as they will also inherit this type of distorted habit. When the children start to question why such “social habit” occurs, their ignorance turns into

In the story of “Desiree’s baby” there are a lot of examples of tone. Tone is the way the author expresses his attitude through his writing. In “Desiree’s baby” the word “pall” is a cloth that is spread over a coffin or hearse. Chopin chooses imagery that shows the dark nature of the L’Abri plantation. The “sad.”

If I was only given the image with any context, I would have no idea of what it is about or its meaning. Thanks to the context she gives, I can understand the subject of the picture and what it may represent figuratively. I agree with her belief of having both the abstract image and a factual context that ties the image down in a clear way. It offers a better way of understanding what they are about. Another image she shows is a room in the JFK airport where seized items from passengers are put.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a first-person written feminist short story that critiques and condemns the nineteenth-century American male attitude towards women and their physical as well as mental health issues. In the short story, Perkins Gilman juxtaposes universal gender perspectives of women with hysterical tendencies using the effects of gradually accumulating levels of solitary confinement; a haunted house, nursery, and the yellow wallpaper to highlight the American culture of inherited oblivious misogyny and promote the equality of sexes. The narrator and her husband, John, embody the general man and woman of the nineteenth century. John, like the narrator’s brother and most men, is “a physician of high

Visual Analysis In 1948, one of America’s greatest artist of the 20th century, Andrew Wyeth illustrated the painting Christina’s World. This artist often created paintings that related to personal or general real life issues. The young woman in the painting happened to be a good friend and neighbor to Wyeth. His paintings often depicted the sorrow and despair of life, just like Chirstina’s.

This emphasizes the child’s beauty, like a statue. It also represents the harshness of the world, and her vulnerability, as a "new" statue. It also sounds as if Plath felt disconnected from the baby. She feels uncertain and incapable, as she describes ‘staring blankly at walls’. She is confused and unsure by motherhood.