The Governess's The Turn Of The Screw

This passage shows that if she were to tell them the truth, then people would not have been hanged and the situation would not

This incident shows the reader that she wants to be taken seriously by her colleagues. It also displays that Hilly deeply treasures her reputation because of her reaction towards the situation. On the other hand, Aunt Alexandra has also shown the reader signs that she values her family’s reputation. In chapter 23 of To Kill a Mockingbird, Aunt Alexandra did not allow Scout to play with Walter Cunningham because of his poor background. She said, “Because-he-is-trash, that’s why you can’t play with him.

1. The dominant atmosphere of the story is sad, depressing and isolation. It is established right from the beginning of the story where the story starts with, “when Miss Emily Grierson died.” This statement gives an idea that the story will surely have tragic events. It prepares for the story’s conclusion that the events of the story will lead to Miss Emily’s death.

She didn’t want to tell the truth about what happened in the woods to the adults because she wanted to protect herself. She manipulated the young girls to lie and say they were only dancing, “And mark this. Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night and I will bring a pointy reckoning that will shudder you”(Miller).

When Scout explains Walter’s situation to her, explaining that the Cunningham’s can’t afford much and never take anything they can’t pay back, and explains that she is embarrassing him, Miss Caroline reacts harshly, tapping Scout’s hand with a ruler and forcing her to stand in a corner. When the Ewell’s case is explained to her, she decides to try and keep Burris in school, however when this backfires, resorts to sending him away again, stating “If you don’t go I’ll call the principal... I’ll have to report this anyway.” This shows her lack of understanding of the townspeople, as she still believes that the principal and herself will be able to keep Burris and the other Ewells in school. It also shows her naivety as a new teacher, as she lacks good knowledge of the local community.

Richard Sawyer states in the article What’s Your Title- The Turn of the Screw that the prologue conditioned

Jasmine Harmston March 3, 2016 Character Analysis: Lizabeth of Marigolds Lizabeth is one to experience the formidable changes of flourishing into a grown woman, as can be seen throughout the story of ‘Marigolds’ by Eugenia Collier. Growing up in the decrepit time of the Great Depression, Lizabeth was unacquainted of the world outside her shanty neighborhood. Society’s burdened responsibility was thrusted upon her, though her childishness persona. Her callowness and immaturity demeanor ceased to exist when an act of sudden revelation ensued, she loses innocence-gaining her conscious mind of womanhood. Along with the other adolescents of the neighborhood, Lizabeth was innocent-still of youth.

1. The conventional social and religious values the grandmother feels she is ethically superior to others by virtue and can pass judgment on others. The Grandmother is exposed during the story when she lies to her family about a mansion with a secret panel to get her son to drive there and hides the mistake that the house was in Georgia. In the story when the misfit states “She would of been a good woman ... if it had been somebody there to shoot her every minute of her life”, implies that she talked about everything and anything a lot with little or no knowledge on the subject. Also, she felt her judgment was always right if she had someone that would have keep her from talking continuously.

‘I’ll save you without [Miles]!’ [Ms. Grose] cried as she went” (James 110). Her only wanting Miles to stay shows that she has a feeling that he is the most influenced by the ghost than anyone else. When she cries out, “‘I’ll get it out of him,” she wants Miles to confess to seeing the ghost. She thinks that if she can get Miles to confess, then she alone, will no longer think she is crazy.

On the other hand, the narrator acted weirdly in situations that are expected be handled in a normal way, like when the policemen were in the house. He acted weirdly since he was suspecting the policemen by thinking that they might know something about the death of the old man. He thought that the policemen suspected him for the murder of the old man. Therefore, he is indeed

(Lee,315) Aunt Alexandra, Miss Maudie, and Scout return to the party and act as if nothing happened. “Aunt Alexandra rose and smothered the various whalebone ridges along her hips. She took her handkerchief from her belt and wiped her nose. She patted her hair and said, do I show it?” (Lee 317).

She is only trying to convince the misfit that he is a good man because she wants to be freed, and her life is in shambles. Also, the grandmother has already gone back on her word multiple of times, calling the misfit a big, bad, and scary man. Now all of the sudden he is a good man. Therefore, the grandmother still has not changed a

The protagonist from “The Turn of the Screw”, is perceived to be despearate as she tries to achieve her dream but her personal pride leads her to an unstable condition. The author depicts the Governess believing that to attain her goal of gaining attentionby her employer, she must be a hero. Therefore, she invents lies about seeing her predessors haunting her pupils. Nonetheless, the more times James makes the Governess mention the ghosts the more she believes they are real and they, “want to get them (the children)” (82). The Governess is blinded by making it appear she sees the ghosts that she looses herself in her own lies leading her to an unstable condition of not knowing what is real or not.

All of the governess mental episodes is all just a lead up to prove that she is mentally insane. The governess believes she can see people that have passed away, and she views them as very dark and evil. There have been past caretakers involved with the uncle and children that were at the house frequently before her, and some have even passed away. The governess then had claimed to see some of the past workers, that have passed away.

We can claim that Rhys’s main aim was to remove Bertha from the character of the non-identified wife locked away in Thornfield, give her the proper soul and identity, inform about her childhood and youth, thus the reader will understand her state of mind in Jane Eyre and will not consider her only the insane Rochester’s wife, but as Antoinette Cosway. Obviously, Jean Rhys removed the cover of the mystery from the eerie, unhuman laugh and screams of the unknown character in Jane Eyre and showed their new, more rational and surprising origin. Moreover, Rhys enabled the reader to understand the reasons of Bertha’s madness and her hopeless condition and hoped her character will no more arouse the aversion, but sympathy and mercy. Evidently, the novel is narrated from