Unusual Narrative In Truman Capote's In Cold Blood

The shocking murder of the Clutter family caught the nation’s attention, especially world-renowned American author, Truman Capote. Capote tells the story of the infamous crime in his world novel, In Cold Blood. The story is told as a sense of literature, more than just stating the events that happened such a documentary style. Capote referred to his masterpiece as “New Literature” as a way to captivate the audience with his way of writing about a true story in a story-telling manor. Capote spent years of research, analysis, and evidence to compose the novel in a way that would get readers interested and dig deeper into the crime itself and the minds of the criminals behind it.

In Cold Blood, written by Truman Capote in 1966 tells the story of the murder of a prominent family in 60’s Kansas. Capote traveled to the small town of Holcomb, and befriended many of the townsfolk and the detectives involved in the trial to tell the story of a violent event that shaped this community for the decade until the eventual conviction and execution of the killers. Because of information being told, Capote makes the choice of writing his novel as if it were a news report. This journalistic structure and word choice helps to establish the serious and dark tone of the novel.

In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one

The final section of the book, we can actually conclude that the Capote is not just a curious and typical writer, but has done a strong research to cover the entire crime story. The positive aspects are the writing style and the negative shade is that the book goes to be very slow and left most of the readers with many unanswered questions like, Is execution right or wrong? Why the long delay (approx. 6 years) between the guilty verdict and the execution?

Through similar tactics Capote allows the reader to feel sorry for Dewey, even though he is the man who catches the killing pair. Detective Dewey is first introduced in part two of In Cold Blood, where the readers learn that this would not be an easy case and the Dewey would be the head detective, even though he had personal ties with the Clutter family. The reader would automatically feel sorry for Detective Dewey because he was going to do heavy investigating on a murder of a family he knew and there was very little time to mourn the deaths. Detective Dewey spent countless hours trying to chase down every lead that popped up, taking family time away, which wears on all family members. The reader feels sympathy for Dewey as he loses time with his family around the holiday time because he has become so involved in the case.

Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character.

Option Three: Bias Truman Capote’s final book In Cold Blood, was an instant hit with readers when it came out in 1966. Capote himself hailed it as a new genre of literature, a nonfiction true crime thriller. However, upon reading the book, it seems as though Capote shifted the truth to make it fit his own personal narrative, and put in his own personal bias toward the criminals, and seeks to have the reader sympathize with the criminals and seeks to challenge their attitudes towards the criminals.

How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

Growing up a Sociopath; Born a Psychopath In Cold Blood by Truman Capote is a true story of a quadruple homicide in the small town of Holcomb, Kansas that greatly impacted the community in 1959. Capote begins his novel by introducing a prominent, well respected family in the community, the Clutters. The Clutters lived average everyday lives until they were abruptly ended at the mercy of a 12 gauge shotgun. The killers were two men unknown to the Clutters, who had two completely different backgrounds and personalities. By choosing to include details about each of the killers, Capote delineates the differences between psychopaths and sociopaths and suggests that the combination of the two personality disorders creates the environment for horrific

In Cold Blood, by Truman Capote, is a non-fiction true crime. In Cold Blood is about two murderers, Dick and Perry, who heard a rumor about a household possessing $5,000 and they wanted the money. Little did they know there was not any money and they got caught for murder to get nothing in the end. They ended up serving jail time and sentenced to hang till death.

Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book.

No matter how we try to change our situation or better ourselves in society, variables will obstruct the path we choose. One cannot take control of everything that surrounds us as fate decides what happens to us. In Cold Blood by Truman Capote explains the murder of the Clutter family in the quiet town of Holcomb, Kansas. The murderers, Richard (Dick) Hickock and Perry Smith, try to escape the consequences of their actions, believing that they can get away with what they did. The story tells what the murderers were thinking after and before they committed the crime and their various interactions.

The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.

Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others

[He] does not notice the police car… follow him.” This one event, mixed with the stereotype the protagonist has thrown upon him by the cop, seals his fate. All three of these situations foreshadow the ironic and deadly situation that the poor lost man is about to find himself involved. It is these subtle hints to his death that not only add suspense to the plot, but also hold a key importance in conflict development. W.D. Valgardson uses many great elements of fiction to build plot and conflict, as well as teach the lesson of not making snap judgments in his short story Identities.