Analysis Of Connie In Joyce Carol Oates Where Are You Going, Where Have You Been

“She was fifteen and she had a quick nervous giggling habit of craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right” (Oates, 259). Connie didn’t like being compared to her sister June by her mother and felt as if her mother only thought that she sat around all day daydreaming about boys. The only good thing that June did in Connie’s eyes was go out with her friends, which justified Connie being able to go out with hers. Connie would lie about going to the movie with her friend and they would end up going to hang out with older boys at restaurants and in allies until her friends dad would pick them up. One night Connie spent 3 hours with a boy she had met eating at a restaurant and then down an alley to hang out with

“But now her looks were gone and that was why she was always after Connie.” (Oates 614). Also, there is another opportunity for friendship within the family, between Connie and her sister, however, that is lost in their rivalry and hostility. “Her sister was so plain and chunky and steady that Connie had to hear her praised all the time – by her mother and her mother's sisters.” (Oates 614 ).

That also made her become more vulnerable to the real dangers and the evilness that exists in the world. That danger was represented by an old man who pretends to be an eighteen year old boy that seduced and kidnaped Connie. The end of the story Joyce Carol Oates leaves it open to the readers, because that way it makes the reader think of what might have happened, whether she got raped or whether she is killed, after the main character leaves with the antagonist of the story. Oates shows that ignorance, narcissism and the lack of

A couple weeks ago I was left home alone. My mom went out to Los Angeles and my brother slept over his friend's house. I went down stairs to get a glass of water. I heard the sound of the garage being opened . I gave it a second before checking to see what is was because the person who would have opened the garage should have came in already.

Again, the reader sees traditional values placed against changing times, reinforcing Connie’s internal struggle to define

In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.

The relationship between the two was so bad that Connie had homicidal and suicidal thoughts, “Connie wished her mother were dead and she herself were dead and it would all be over. “(86) Some of the harassment from the mother seemed to come from jealousy. Oates shares some insight into the mother’s past and says she was pretty at one point in time “but now her looks were gone and that was why she was always after Connie. ”(85) Her relationship with her father wasn’t much better. In fact, Oates tells us that he didn’t give much thought to anyone in the family because “he didn’t bother talking much to them.”

The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).

Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.

Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).

In Oates’ story “Where Are You Going, Where Have You Been?” , the story mainly focuses on the conflict and main plot of Smooth Talk. “Where Are You Going, Where Have You Been?” explains Connie’s relationship to her family members, basically describing that she’s a basic adolescent that desires to be treated like an adult but lacks the maturity and doesn’t want the responsibilities, still claiming her freedom (or at least attempting to). One Sunday her family leaves to a barbeque Connie refused to go to and a familiar stranger drives up to her house.

Transforming and Romanticizing a Storyline The Metamorphosis, a novella written by Franz Kafka, attracted the attention of many of its readers due to the writing framework and shocking concepts. The story depicts a man named Gregor Samsa who has befallen the fate of a cockroach- literally. After being transformed into a large bug, Gregor goes through the struggles of misunderstanding, neglect, and loss of his family relationships.

In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.

Where Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?

Like many teenagers in the era Connie feels as though she only receives superficial love from her family