The women in Othello and Chaucer's Wife of Bath differ, but in the end both want their husbands to love them. In Othello there are only three women displayed in the story, but the statements that were said about these three women were the belief that all women in that society were all the same- evil, whores who were temptress to the men. The three women; Desdemona, the wife of Othello, Emilia, the wife of Iago, and Bianca, perceived as a prostitute who is a “customer” (l. 138. 4.1) of Cassio. Iago is one of the main characters who degrades and slanders all women including his wife Emilia. “Come on, come on! You are pictures out of door, bells in your parlors, wildcats in your kitchens, saints in your injuries, devils being fended, players in your huswifery, and huswives in your beds.” (l.122-125. 2.1) Iago states that women only have two jobs- take care of the home, and give pleasure to their husbands in their beds. The Wife of Bath in Chaucer's, “The Canterbury Tales”, is a successful cloth maker, “At making cloth she had so great a bent she bettered those of Ypres and even of Gent.” …show more content…
Many female critics have looked towards The Wife of Bath as a feminist role model (Reisman) She wanted authority over her five husbands, “She’d been respectable throughout her life, with five churched husbands bringing joy and strife, Not counting other company in her youth;” (Chaucer, l. 459-461) In Othello, the society centered around the men having all the control over women except in their beds, which was when the women could take control. Othello uses his power to over Desdemona to mock her,“Ay, you did wish that I would make her turn. Sir, she can turn, and turn, and get go on, And turn again. And she can weep, sir, weep. And she’s obedient.- Proceed you in your tears.- Concerning this sir- O, well-painted passion! I am commanded home.- Get you away. I’ll send you anon..” (l. 284-290.
Chaucer characterizes The Wife of Bath as controlling and powerful. The Wife of Bath was a complete contradiction of the typical female, during this time. The average woman was submissive and reserved. Whereas, The Wife of Bath possessed character traits that one would associate with men. Chaucer emphasizes this trait by describing her in such ways one would describe a man.
Chaucer’s Portrayal of the Wife of Bath The Wife of Bath presents the reader with a woman who compiles to the stereotypes corresponding with the negative misogyny of women during the medieval times. Wife of Bath is viewed the same as this stereotypical woman. Some can agree with Chaucer’s choice of these negative traits of The Wife of Bath, but the same conclusion is always met. Chaucer chooses to display the Wife of Bath as a misogynistic symbol of negative traits in order to use her as an object of mockery.
Stereotypes of Women in The Canterbury Tales Stereotypes of women have not changed throughout the years of history. Throughout the Canterbury Tales, Chaucer portrays women through negative stereotypes. Women are portrayed as selfish, lustful and immoral. In the Wife of Bath’s Prologue women are portrayed as selfish.
The Wife of Bath: An Analysis of Her Life and Her Tale The Wife of Bath’s Prologue stays consistent with the facts that experience is better than the societal norms, specifically those instilled by the church leadership. Chaucer uses the Wife of Bath to display the insanity of the church, but through switching and amplifying their view of men and chastity onto the opposite gender. The church doctrine at the time held celibacy in an idolized manner, forgetting the inability for humans to ever reach perfection, or live up to this standard. They also did not hold women in a high regard at all, again this is where Chaucer flips the role, as the Wife of Bath describes her five marriages in her prologue, essentially describing each as a conquest, where the result is her having all control.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
In the fourteen century, men were always the superior, head of the household, the breadwinner, but women were always inferior, they would stay at home, do the house work, cook, and never would have a job. Well, times have changed. Women are reaching an equal status to men in political, social and economic matters It’s part of the idea called Feminism. In many ways the Wife of Bath displays many characteristic of women in the 21st century. Instead of being directed by men, she views herself as an independent person.
In the book of Wife of Bath’s Tale, Geoffrey Chaucer shows the role of a woman being weak creatures while men are economically powerful and educated. Women are seen as inheritor of eve and thus causes
From the words of the internet, the Wife of Bath’s tale is a chivalric or medieval romance, as some of the stories in the book “Canterbury Tales” were about the Arthurian romance. Some elements of the said romance manifest themselves in the tale, despite the fact that some parts of the story are opposite of what the aspects of medieval romance. Like for example, one of the elements say that the story contains an idealized hero-knight. When we think of a knight, the words “loyal”, “justice”, “manners” and “bravery” follow immediately. In the story though, the knight is introduced when he rapes a young woman, thus breaking the honor code of a hero knight.
The way these women act and conduct themselves is unquestionably related to the ideological expectations of Elizabethan and patriarchal society. Desdemona, Othello 's wife and Brabantio 's daughter, is represented as the ideal woman. So she would never be disloyal to her husband. On many occasions, Desdemona obeys her husband firmly and calls herself obedient even after Othello hits her. She was loving and loyal to Othello and wishes a long marriage of prosperity and commitment that would lead to her ultimate happiness.
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
The Wife of Bath’s Tale begins with a Knight who must answer one question in order for his life to be spared and for him to gain some sense of honor back. This Knight must answer the question of what women truly want. In his journey to find the answer to said question, he comes across an ugly old woman who says she can answer his question of what women truly desire. The ugly old woman asks for one thing in return "Plight me thy trouthe heere in myn hand," she says to the knight (Chaucer 1009). She essentially is asking him to swear fealty to her.
Shakespeare's Othello is set during the Renaissance period and therefore the roles of the women in Othello are supposedly bounded by the period when women are considered to be of low intellect. In Othello, most male characters assume that women are inherently promiscuous, which explains why all three women characters in the play are accused of sexual infidelity. Yet Shakespeare develops the women to speak the most sense throughout the play and able to trust other characters in the play. To the men in Othello, female sexuality is a threatening force more than it is an attractive one.
Throughout the play we observe Emilia’s character change, and how she suffered the consequence of challenging the system. Shakespeare’s Othello, utilises a range of dramatic techniques to showcase how women where portrayed during early modern England, as tools, chaste and naive. The antagonist, Iago takes this to advantage to manipulate his wife to unintentionally take a part in the moral dissembling of Othello. The idea where women were being victimised is presented when Iago utilises his power and authority to
The wife of Bath beliefs that women need to be in control which make men think why because men were to be in control. Men were to take care of women, they were looked at as delicate things that had to be watched over. The wife of Bath beliefs that men should find thing the secret to make women happy, money would be for her. Like in the story it 's the queen and women of the court who determines the punishment for King Arthur the Knight for him raping a women. The Wife of Bath beliefs that women should have the control in the relationship because she rebels and is a feminist.