A League Of Their Own Film Analysis

In the movie “A League of Their Own” two sisters, Kit and Dottie Hinson take part in the first Women’s Baseball Association, along with other girls from around the U.S. and they all attend Wrigley field for the tryout. The first Women’s Baseball league came to be because of World War two, all the professional players had to go over sea’s and fight, so to keep the sport alive they started a women’s league. The league was founded in 1943, all the owners of the baseball teams did not want the game to be forgotten, so they sent scouts looking for a ton of female ballplayer, yet to know that this league would be so successful. Kit and Dottie Hinson played a major role in the movie because the movie focuses on them from the start, a tremendous catcher

The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling

“I will never be satisfied!” Many athletes may have heard this statement once or twice in their athletic careers from their coaches, but to hear it come from a parent is very unexpected. In the documentary Trophy Kids, follows the story of five families whose life is centered on their child’s success in sports. It goes behind the scenes of what each of the parent’s strategies are in order to push their child to the next level of becoming the next all-star athlete.

Band of Brothers is a perfect example of the saying, “Out of the greatest tragedies come the best stories.” Through beautiful cinematography, storyline, and historical accuracy Band of Brothers is the ultimate glimpse into the lives of the brave men of “Easy” Company. When it comes to reviewing a film or television show cinematography is something that many critics take into consideration. For those that do not know Cinematography is defined in the dictionary as the art or science of motion-picture photography. Cinematography can make or brake a viewers experience with the show in question.

Women’s Baseball during World War II Women and baseball are two categories that were never put together. Up until the 1940’s, the cliche of American women playing sports was challenged. Due to World War II, all men were off fighting for the Allied Forces, including many sports stars. Not wanting to focus on the negative aspects of the war, women turned to baseball. They played not only as an escape from the gloomy war, but women also played to prove that they had an impact on America.

In the movie “A League of Their Own”, one can see how the more sexist views of the culture in the 1940s and 50s in America was present in the Girls Professional Baseball League. “A League of Their Own” is a movie about what was once the “All-American Girls Professional Baseball League” which was formed when the young men were sent over to serve in World War II. One of the most obvious cultural views that this movie shows is the feminizing of the baseball players to make them “more acceptable and women like”. Unlike men’s uniforms, that include a full shirt and pants, they were to wear skirts that were very short, too short to play baseball in comfortably. This alone shows how this league was just as much about show as it was about the women’s talent.

The novel ‘Jasper Jones’ written by Craig Silvey and the film ‘Dressmaker’ directed by Jocelyn Moorhouse have connected to the audience and use of narratives conventions in very similar ways. The ways that they have succeed doing this is through characteristics, plot and setting. By looking into how they are used by the author/ director widen the knowledge and have deeper in-depth understanding on how authors and directors use them to connect with the audience. The author and director have used characteristics to connect with the audience by using relatable situations like peer pressure, disliked by people, challenges and traumatic experiences.

In 2015, HBO aired a six-part, true crime documentary series titled, The Jinx: The Life and Deaths of Robert Durst. Writer and director, Andrew Jarecki, examined the details of three crimes associated with Durst, including the disappearance of Durst’s first wife Kathy, the murder of his dear friend, Susan, and the murder and dismemberment of his neighbor, Morris Black. While the mini-series was met with acclaim, many – including myself – criticize The Jinx for its storytelling approach. The series seemingly blurs the lines of storytelling – for entertainment purposes – and journalism; raising many questions regarding ethics. Initially, Durst approached Jarecki regarding an interview after he saw All Good Things, a film Jarecki had released

The late 19th century consisted of rigid work hours for children, the growth of strikes, and the use of yellow journalism. It was a challenging time for anyone below the upper class to live in. This is demonstrated throughout Newsies, a Broadway Musical displaying the challenges from this time period. Child labor, a major part of the movie, was the way of life and consisted of young children doing hard work as a vital part of the nation’s economy and income of families of the time. Another part of the movie, strikes, were the people’s way of refusing to work as a result of not getting their desires.

Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.

Cultural theories by Kathleen Rowe, Laura Mulvey and Stuart Hall can help the audience seek an explanation to how these stereotypical gender roles are portrayed in the movie and how it can create power for the specific

O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.

Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.

1.0 INTRODUCTION The Help is an example of American drama film. It was released in August 9, 2011 and its length was 146 minutes and directed by Tate Taylor. The film was adapted to a novel, where there has been a long tradition of African- American women serving as “The Help” for upper-middle class white woman and their families. Descriptions of historical events of the early activities of thecivil rights movement are peppered throughout the novel, as are interactions between the maids and their white employers.

Adversity in “The Intouchables” “My true disability is not having to be in a wheel chair. It’s having to be without her.” (The Intouchables). Lines like that are just a piece of the great undertaking directors Olivier Nakache and Eric Toledano took when they decided to be part of The Intouchables.